Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▼CD: Giordano: Andrea Chénier (I)
#TitleArtistRatingLength
1Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a'colloqui... Son sessant'anni, o vecchio” (Gérard)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
bass vocals [Maestro di Casa]:
Neil Howlett (English operatic baritone) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:43
2Andrea Chénier: Atto I. “Il giorno interno già s'insera lentamente!” (Maddalena) / “Via, v'areate” (Contessa)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:15
3Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Abate]:
Florindo Andreolli (tenor) (from 1982-08 until 1984-06)
tenor vocals [Fléville]:
Hugues Cuénod (Swiss tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:52
4Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Abate]:
Florindo Andreolli (tenor) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Fléville]:
Hugues Cuénod (Swiss tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:31
5Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano1:52
6Andrea Chénier: Atto I. “Colpito qui m'avete ... Un dì all'azzurro spazio” (Improvviso) (Chénier)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
tenor vocals and tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
Umberto Giordano4:46
7Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena) / “La notte il giorno portiamo” (Voci lontane)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
bass vocals [Maestro di Casa]:
Neil Howlett (English operatic baritone) (from 1982-08 until 1984-06)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
soprano vocals [Contessa di Coigny]:
Astrid Varnay (soprano) (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:21
8Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:10
9Andrea Chénier: Atto II. “Temer? Perché?” (Bersi)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:36
10Andrea Chénier: Atto II. “Roucher!” (Chénier) / “Credo a una possanza arcana” (Chénier)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:16
11Andrea Chénier: Atto II. “Calligraf invero femminil!” (Roucher)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:11
12Andrea Chénier: Atto II. “Ecco laggiù Gérard!” (La Folla) / “La donna che mi hai chiesto di cercare” (L'Incredibile)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Ecco laggiù Gérard!” (La Folla, Mathieu) / “La donna che mi hai chiesto di cercare” (L'Incredibile, Chénier, Gérard, Roucher, La Folla) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:31
13Andrea Chénier: Atto II. “Non mi saluti? Trattieni qui Chénier” (Bersi)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
bass vocals [Mathieu]:
Giorgio Tadeo (operatic bass) (from 1982-08 until 1984-06)
mezzo-soprano vocals [Bersi]:
Kathleen Kuhlmann (mezzo-soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Eccole! Strani tempi” (Roucher, Chénier) … “Non mi saluti? Trattieni qui Chénier” (Bersi, Roucher, L'Incredibile, Chénier, Mathieu) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano3:41
14Andrea Chénier: Atto II. “Ecco l'altare...Eravate posente” (Maddalena - Chénier)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
tenor vocals [Incredibile]:
Piero de Palma (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano7:45
15Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard)
recording engineer:
Stanley Goodall (engineer) and James Lock (James Locke, engineer)
assistant producer:
Peter Wadland (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Gérard]:
Leo Nucci (baritone) (from 1982-08 until 1984-06)
baritone vocals [Roucher]:
Tom Krause (bass-baritone) (from 1982-08 until 1984-06)
choir vocals:
Chorus of the Welsh National Opera (from 1982-08 until 1984-06)
soprano vocals [Maddalena]:
Montserrat Caballé (soprano) (from 1982-08 until 1984-06)
tenor vocals [Chénier]:
Luciano Pavarotti (tenor) (from 1982-08 until 1984-06)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1982-08 until 1984-06)
conductor:
Riccardo Chailly (conductor) (from 1982-08 until 1984-06)
chorus master:
Julian Smith (Welsh National Opera conductor) (from 1982-08 until 1984-06)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1982-08 until 1984-06)
recording of:
Andrea Chénier: Atto II. “Maddalena di Coigny!” (Gérard, Maddalena, Chénier, Roucher, L'Incredibile, Mathieu, La Folla) (from 1982-08 until 1984-06)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:38
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]