Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▼CD: Rossini: Guglielmo Tell (I)
#TitleArtistRatingLength
1Guglielmo Tell: Sinfonia
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guillaume Tell : Ouverture (William Tell: Overture) (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
part of:
Guglielmo Tell (italian version by Calisto Bassi)
part of:
Guillaume Tell
Gioachino Rossini12:21
2Guglielmo Tell: Atto I. “È il ciel seren, sereno il giorno” (Contadini)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 1. “È il ciel sereno, seren il giorno” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini4:31
3Guglielmo Tell: Atto I. “Il piccol legno ascendi” (Pescatore)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
tenor vocals [Pescatore]:
Cesar Antonio Suarez (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 1. “Il piccol legno ascendi” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini5:08
4Guglielmo Tell: Atto I. “Oh! quale alta d'intorno” (Contadini)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
tenor vocals [Pescatore]:
Cesar Antonio Suarez (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 1. “Oh! quale alta d’intorno” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini6:37
5Guglielmo Tell: Atto I. “Al fremer del torrente” (Contadini)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 2. “Al fremer del torrente” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini2:39
6Guglielmo Tell: Atto I. “Contro l'ardor del giorno” (Guglielmo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 3. “Contro l’ardor del giorno” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini1:06
7Guglielmo Tell: Atto I. “Il mio giuro, egli disse?” (Arnoldo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 4. “Il mio giuro, egli disse?” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini3:14
8Guglielmo Tell: Atto I. “Arresta! Quali dolor” (Guglielmo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 5. “Arresta! Quali sguardi!…” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell (italian lyrics, unknown translator)
part of:
Guglielmo Tell: Atto I
Gioachino Rossini9:02
9Guglielmo Tell: Atto I. “Il sol che intorno splende” (Edwige)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 6. “Il sol che intorno splende” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini2:17
10Guglielmo Tell: Atto I. “O smania!” (Arnoldo)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
tenor vocals [Arnoldo]:
Luciano Pavarotti (tenor) (from 1978-09 until 1979-08)
tenor vocals [Pescatore]:
Cesar Antonio Suarez (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 7. “O smania!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini4:08
11Guglielmo Tell: Atto I. “Delle antiche virtudi l'esempio rinnovate” (Melchthal)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 6. “Delle antiche virtudi l’esempio rinnovate” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini3:11
12Guglielmo Tell: Atto I. “Cinto il crine di bei fiori” (Giovani)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 8. “Cinto il crine di bei fiori” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini4:24
13Guglielmo Tell: Atto I. “Passo a sei”
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 8. Passo a sei (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini5:23
14Guglielmo Tell: Atto I. “Gloria e onore al giovinetto” (Contadini)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 8. “Gloria e onore al giovinetto” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini3:50
15Guglielmo Tell: Atto I. “Egro e tremante” (Jemmy)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
baritone vocals [Guglielmo Tell]:
Sherrill Milnes (baritone) (from 1978-09 until 1979-08)
bass vocals [Leutoldo]:
Richard van Allan (operatic bass-baritone) (from 1978-09 until 1979-08)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
tenor vocals [Pescatore]:
Cesar Antonio Suarez (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 8. “Ecco là, tremante, e reggendosi appena” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini3:47
16Guglielmo Tell: Atto I. “Nume pietoso” (Contadini)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 9. “Nume pietoso, Dio di bontà!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini3:16
17Guglielmo Tell: Atto I. “Che sento, ohimè!” (Jemmy)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
tenor vocals [Pescatore]:
Cesar Antonio Suarez (from 1978-09 until 1979-08)
tenor vocals [Rodolfo]:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 9. “Che sento!… ohimè!” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini2:46
18Guglielmo Tell: Atto I. “Ciò ch'ei fece” (Melchthal)
recording engineer:
John Dunkerley (engineer) and Kenneth Wilkinson (engineer)
assistant producer:
Michael Haas (classical music producer)
producer:
James Mallinson (producer)
bass vocals [Melchthal]:
John Tomlinson (English operatic bass) (from 1978-09 until 1979-08)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1978-09 until 1979-08)
mezzo-soprano vocals [Jemmy]:
Della Jones (mezzo-soprano) (from 1978-09 until 1979-08)
soprano vocals [Edwige]:
Elizabeth Connell (soprano) (from 1978-09 until 1979-08)
tenor vocals:
Piero de Palma (tenor) (from 1978-09 until 1979-08)
tenor vocals [Pescatore]:
Cesar Antonio Suarez (from 1978-09 until 1979-08)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (from 1978-09 until 1979-08)
conductor:
Riccardo Chailly (conductor) (from 1978-09 until 1979-08)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1980)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1978-09 until 1979-08)
recording of:
Guglielmo Tell: Atto I, scena 9. “Ciò ch’ei fece l’oserebbe” (from 1978-09 until 1979-08)
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto I
Gioachino Rossini4:10
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▶CD: Verdi: I Lombardi (II)
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]