Luciano Pavarotti - The Complete Opera Recordings

~ Release by Luciano Pavarotti (see all versions of this release, 1 available)

Annotation

Collection of 101 discs (95 CDs, 6 Blu-Ray Audio) of Pavarotti's complete opera recordings for Decca Classics.

Annotation last modified on 2020-03-18 00:46 UTC.

Tracklist

1▶CD: Bellini: Beatrice di Tenda (I)
2▶CD: Bellini: Beatrice di Tenda (II)
3▶CD: Donizetti: La fille du régiment (I)
4▶CD: Donizetti: La fille du régiment (II)
5▶CD: Verdi: Messa da Requiem
6▶CD: Mascagni: L'amico Fritz (I)
7▶CD: Mascagni: L'amico Fritz (II)
8▶CD: R. Strauss: Der Rosenkavalier (I)
9▶CD: R. Strauss: Der Rosenkavalier (II)
10▶CD: R. Strauss: Der Rosenkavalier (III)
11▶CD: Donizetti: L'elisir d'amore (I)
12▶CD: Donizetti: L'elisir d'amore (II)
13▶CD: Verdi: Un ballo in maschera (I)
14▶CD: Verdi: Un ballo in maschera (II)
15▶CD: Verdi: Macbeth (I)
16▶CD: Verdi: Macbeth (II)
17▶CD: Rossini: Stabat Mater
18▶CD: Verdi: Rigoletto (I)
19▶CD: Verdi: Rigoletto (II)
20▶CD: Donizetti: Lucia di Lammermoor (I)
21▶CD: Donizetti: Lucia di Lammermoor (II)
22▶CD: Puccini: Turandot (I)
23▶CD: Puccini: Turandot (II)
24▶CD: Puccini: La bohème (I)
25▶CD: Puccini: La bohème (II)
26▶CD: Bellini: I puritani (I)
27▶CD: Bellini: I puritani (II)
28▶CD: Bellini: I puritani (III)
29▶CD: Puccini: Madama Butterfly (I)
30▶CD: Puccini: Madama Butterfly (II)
31▶CD: Donizetti: La favorita (I)
32▶CD: Donizetti: La favorita (II)
33▶CD: Donizetti: Maria Stuarda (I)
34▶CD: Donizetti: Maria Stuarda (II)
35▶CD: Verdi: Luisa Miller (I)
36▶CD: Verdi: Luisa Miller (II)
37▶CD: Mascagni: Cavalleria rusticana
38▶CD: Leoncavalla: Pagliacci
39▶CD: Verdi: Il trovatore (I)
40▶CD: Verdi: Il trovatore (II)
41▶CD: Puccini: Tosca (I)
42▶CD: Puccini: Tosca (II)
43▶CD: Rossini: Petite messe solennelle
44▶CD: Rossini: Petite messe solennelle (cont.) / Donizetti: Requiem
45▶CD: Rossini: Guglielmo Tell (I)
46▶CD: Rossini: Guglielmo Tell (II)
47▶CD: Rossini: Guglielmo Tell (III)
48▶CD: Rossini: Guglielmo Tell (IV)
49▶CD: Verdi: La traviata (I)
50▶CD: Verdi: La traviata (II)
51▶CD: Bellini: La sonnambula (I)
52▶CD: Bellini: La sonnambula (II)
53▶CD: Ponchielli: La Gioconda (I)
54▶CD: Ponchielli: La Gioconda (II)
55▶CD: Ponchielli: La Gioconda (III)
56▶CD: Boito: Mefistofele (I)
57▶CD: Boito: Mefistofele (II)
58▶CD: Verdi: Un ballo in maschera (I)
59▶CD: Verdi: Un ballo in maschera (II)
60▶CD: Giordano: Andrea Chénier (I)
61▶CD: Giordano: Andrea Chénier (II)
62▶CD: Mozart: Idomeneo (I)
63▶CD: Mozart: Idomeneo (II)
64▶CD: Mozart: Idomeneo (III)
65▶CD: Bellini: Norma (I)
66▶CD: Bellini: Norma (II)
67▶CD: Bellini: Norma (III)
68▶CD: Verdi: Aida (I)
69▶CD: Verdi: Aida (II)
70▶CD: Verdi: Aida (III)
71▶CD: Verdi: Ernani (I)
72▶CD: Verdi: Ernani (II)
73▶CD: Berlioz: Requiem
74▶CD: Verdi: Rigoletto (I)
75▶CD: Verdi: Rigoletto (II)
76▶CD: Donizetti: L'elisir d'amore (I)
77▶CD: Donizetti: L'elisir d'amore (II)
78▶CD: Verdi: Il trovatore (I)
79▶CD: Verdi: Il trovatore (II)
80▶CD: Verdi: Otello (I)
81▶CD: Verdi: Otello (II)
82▶CD: Verdi: La traviata (I)
83▶CD: Verdi: La traviata (II)
84▶CD: Leoncavallo: Pagliacci
85▶CD: Puccini: Manon Lescaut (I)
86▶CD: Puccini: Manon Lescaut (II)
87▶CD: Verdi: Don Carlo (I)
88▶CD: Verdi: Don Carlo (II)
89▶CD: Verdi: Don Carlo (III)
90▶CD: Verdi: Rigoletto (I)
91▶CD: Verdi: Rigoletto (II)
92▶CD: Verdi: I Lombardi (I)
93▼CD: Verdi: I Lombardi (II)
#TitleArtistRatingLength
1I Lombardi: Atto III: La conversione. “Gerusalem!... Gerusalem!...” (Pellegrini)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi5:31
2I Lombardi: Atto III: La conversione. “Dove sola m'inoltro?” (Giselda)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:57
3I Lombardi: Atto III: La conversione. “Oh belle, a questa misera” (Giselda)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:51
4I Lombardi: Atto III: La conversione. “Che vid'io mai?” (Arvino)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:21
5I Lombardi: Atto III: La conversione. Preludio
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:21
6I Lombardi: Atto III: La conversione. “Qui posa il fianco” (Giselda)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:25
7I Lombardi: Atto III: La conversione. “Qual voluttà trascorrere sento” (Oronte)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:11
8I Lombardi: Atto IV: Santo Sepolcro. “Componi, o cara vergine” (Coro di spiriti celesti)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:54
9I Lombardi: Atto IV: Santo Sepolcro. “In cielo benedetto” (Oronte)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
tenor vocals [Oronte]:
Luciano Pavarotti (tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:07
10I Lombardi: Atto IV: Santo Sepolcro. “Qual prodigio!...” (Giselda)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:34
11I Lombardi: Atto IV: Santo Sepolcro. “O signore, dal tetto natìo ci chiamasti” (Crociati e pellegrini)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:55
12I Lombardi: Atto IV: Santo Sepolcro. “Al Siloe! Al Siloe!” (Giselda, Arvino, Eremita)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi4:10
13I Lombardi: Atto IV: Santo Sepolcro. “Questa è mia tenda...” (Arvino)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:45
14I Lombardi: Atto IV: Santo Sepolcro. “Un breve istante” (Pagano)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi2:00
15I Lombardi: Atto IV: Santo Sepolcro. “Te lodiamo, gran Dio di vittoria” (Coro)
recording engineer:
James Lock (James Locke, engineer) and John Pellowe (audio engineer)
engineer:
Krzysztof Jarosz (audio) and Michael Mailes (engineer)
producer:
Ray Minshull (record producer) and Morten Winding
editor:
Nigel Gayler and Ian Watson (editor/engineer/producer)
bass vocals [Pagano]:
Samuel Ramey (bass-baritone) (from 1996-05-25 until 1996-09-25)
choir vocals:
Metropolitan Opera Chorus (from 1996-05-25 until 1996-09-25)
soprano vocals [Giselda]:
June Anderson (soprano) (from 1996-05-25 until 1996-09-25)
tenor vocals [Arvino]:
Richard Leech (operatic tenor) (from 1996-05-25 until 1996-09-25)
orchestra:
Metropolitan Opera Orchestra (from 1996-05-25 until 1996-09-25)
conductor:
James Levine (US conductor and pianist) (from 1996-05-25 until 1996-09-25)
chorus master:
Raymond Hughes (conductor) (from 1996-05-25 until 1996-09-25)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (from 1996-05-25 until 1996-09-25)
Giuseppe Verdi3:01
94▶Blu-ray: Donizetti: L'elisir d'amore
95▶Blu-ray: Verdi: Rigoletto
96▶Blu-ray: Donizetti: Lucia di Lammermoor
97▶Blu-ray: Puccini: Turandot
98▶Blu-ray: Puccini: La bohème
99▶Blu-ray: Puccini: Madama Butterfly
100▶CD: Puccini: La bohème (I)
101▶CD: Puccini: La bohème (II)

Credits

Release group

includes:La sonnambula (1980 studio cast) by Vincenzo Bellini (Sicilian opera composer); Joan Sutherland (soprano), Luciano Pavarotti (tenor), Nicolaï Ghiaurov (operatic bass), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)
standalone website:https://www.deccaclassics.com/en/cat/4832417 [info]