Verdi / Domingo: The Tenor Arias

~ Release by Verdi; Domingo (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Otello: “Esultate! L’orgoglio musulmano”
choir vocals:
Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:17
2Otello: “Tu?! Indietro! Fuggi!!”
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Tu?! Indietro! fuggi!” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi0:56
3Otello: “Ora e per sempre addio”
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Ed ora” … “Ora e per sempre addio” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:00
4Otello: “Pace, signor… Era la notte, Cassio dormia”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Era la notte, Cassio dormia…” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
recording of:
Otello: Atto II. “Pace, signor” (Iago, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi5:14
5Otello: “Oh! Mostruoso colpa!”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:42
6Otello: “Si, pel ciel marmoreo giuro!”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:18
7Otello: “Dio! Mi potevi scagliar”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
Giuseppe Verdi4:00
8Otello: “Niun mi tema”
bass vocals:
Mark Beesley (operatic bass) and Roderick Earle (operatic bass)
tenor vocals:
Robin Leggate (operatic tenor)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:20
9Macbeth: “O figli, o figli miei!… Ah, la paterna mano”
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
vocals:
Piero Cappuccilli (baritone) (in 1976-01) and Plácido Domingo (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi3:42
10Macbeth: “Dove siam? Che bosco è quello?… La patria tradita”
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1976-01)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
tenor vocals [Malcolm]:
Antonio Savastano (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto IV. N°13c Tempo di mezzo "Dove siam? che bosco è quello?" (Malcolm, Macduff, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13d Cabaletta “La patria tradita” (Macduff, Malcolm, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
Giuseppe Verdi2:56
11Nabucco: “Che si vuol?… Il maledetto non ha fratelli”
recording engineer:
Wolfgang Stengel
executive producer:
Prof. Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Renate Kupfer, Hanno Rinke and Wolfgang Stengel (in 1982-05)
editor:
Christopher Alder (editor/engineer/producer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05)
tenor vocals [Ismaele]:
Plácido Domingo (tenor) (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
chorus master:
Walter Hagen-Groll (chorus master) (in 1982-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi2:38
12Stiffelio: “Non ha per me un accento!… Vidi dovunque gemere… Ah! V’appare in fronte scritto”
baritone vocals:
Carlos Álvarez (Spanish baritone)
soprano vocals:
Veronica Villaroel (chilean soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra)
conductor:
Arturo Tamayo (conductor)
recording of:
Stiffelio: Atto I. “Ah! V'appare in fronte scritto” (Stiffelio, Lina, Stankar)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto I
recording of:
Stiffelio: Atto I. “Vidi dovunque gemere” (Stiffelio, Lina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto I
recording of:
Stiffelio: Atto I. Scena ed aria “Non ha per me un accento!” (Stiffelio, Lina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto I
Giuseppe Verdi7:36
13Aroldo: “Sotto il sol di Siria ardente”
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
mezzo-soprano vocals [Mina]:
Marjorie Dix (mezzo-soprano)
tenor vocals [Aroldo]:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Aroldo: Atto I, scena 1. N°1 “Sotto il sol di Siria ardente” (Aroldo, Mina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
Giuseppe Verdi2:53
14Simon Boccanegra: “O inferno! Amelia qui!… Sento avvampar nell’anima… Cielo pietoso”Giuseppe Verdi5:21
15La battaglia di Legnano: “O magnanima, e prima delle città lombarde… La pia materna mano”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
La battaglia di Legnano: Atto I. “La pia materna mano” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano: Atto I. “Egli vive!”
recording of:
La battaglia di Legnano: Atto I. “O magnanima e prima” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano: Atto I. “Egli vive!”
Giuseppe Verdi3:38
16Un giorno di regno: “Buoni amici… Pietoso al lungo pianto”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Ex Tempore (Lithuanian contempory music ensemble)
conductor:
Valery Gergiev (conductor)
partial recording of:
Un giorno di regno: Atto II. N°17b Aria “Pietoso al lungo pianto” … “Deh, lasciate a un'alma amante” (Edoardo, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto II
Giuseppe Verdi3:35
17Un giorno di regno: “Deh, lasciate a un’alma amante”
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
partial recording of:
Un giorno di regno: Atto II. N°17b Aria “Pietoso al lungo pianto” … “Deh, lasciate a un'alma amante” (Edoardo, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto II
Giuseppe Verdi2:10
18Attila: “Oh, tutto di navicelle”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Attila: Prologo. N°5 “Quai voci!” … “Oh! Tutto di navicelle” … “Qui, qui, sostiamo” (Eremiti, Aquilejesi, Foresto)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:11
19Attila: “Ella in poter del barbaro!… Cara patria già madre e reina”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi5:10
20Attila: “Qui del convegno è il loco”
tenor vocals:
Eric Cutler (tenor) and Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi2:16
21Attila: “Che non avrebbe il misero”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi2:25
22Attila: “O dolore! Ed io vivea” (alternate Aria)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Attila “O dolore! Ed io vivea” (alternative aria)
composer:
Giuseppe Verdi (Italian opera composer)
Giuseppe Verdi2:59
4CD

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ASIN:UK: B00005OC0F [info]