Verdi / Domingo: The Tenor Arias

~ Release by Verdi; Domingo (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1La traviata: Atto II. “Lunge da lei“ … “De’ miei bollenti spiriti”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:36
2La traviata: Atto II. “Annina, donde vieni? … “O mio rimorso”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “Annina, donde vieni?” (Alfredo, Annina) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:22
3Aida: Atto I. “Se quel guerrier io fossi“ … “Celeste Aida”
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
tenor vocals [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:35
4Don Carlos: “Io l’ho perduta”
tenor vocals:
Plácido Domingo (tenor)
vocals:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:35
5Don Carlos : « Fontainebleau ! Forêt immense ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi1:49
6Don Carlos : «Je l’ai vu ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi2:24
7Don Carlos : « C’est elle ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi9:43
8Don Carlos : « Oui, pour toujours ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
choir vocals [Un inquisiteur]:
LIbero Bullo (in 1982-01, in 1984-06), Gaspare Cerri (in 1982-01, in 1984-06), Sebastiano Gernone (in 1982-01, in 1984-06), Ferdinando Meret (in 1982-01, in 1984-06), Giordano Olivo (in 1982-01, in 1984-06), Alfredo Pinardi (in 1982-01, in 1984-06), Eros Sartori (in 1982-01, in 1984-06), Vittorio Sarzano (in 1982-01, in 1984-06) and Armando Vivani (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi1:38
9Un ballo in maschera: “S’avanza il re”
baritone vocals:
Leo Nucci (baritone)
bass vocals:
Kurt Rydl (operatic bass) and Goran Simić (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
soprano vocals:
Sumi Jo (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3a Scena “S'avanza il conte” (Oscar, Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:50
10Un ballo in maschera: “Di’ tu se fedele”
bass vocals:
Kurt Rydl (operatic bass) and Goran Simić (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
soprano vocals:
Sumi Jo (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:31
11Un ballo in maschera: “E scherzo e follia”
bass vocals:
Kurt Rydl (operatic bass) and Goran Simić (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
mezzo-soprano vocals:
Florence Quivar (mezzo soprano)
soprano vocals:
Sumi Jo (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:48
12Un ballo in maschera: “Forse la soglia attinse”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Nello Santi (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:37
13Il trovatore: “Qual d’armi fragor”
soprano vocals [Leonora]:
Leontyne Price (soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
14Il trovatore: “Ah! Si ben mio”
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:16
15Il trovatore: “L’onda de suoni mistici”
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Ryland Davies (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:38
16Il trovatore: “Di quella pira”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:21
17Rigoletto: “Questo o quella”
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1979-09) and Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:54
18Rigoletto: “Ella mi fu rapita”
tenor vocals [Duca]:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi5:08
19Rigoletto: “La donna è mobile”
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1980)
bass vocals [Sparafucile]:
Nicolaï Ghiaurov (operatic bass) (in 1980)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09, in 1980)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09, in 1980)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09, in 1980)
balance engineer:
Hans‐Peter Schweigmann (in 1979-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:11
20La forza del destino: “La vita e inferno”
tenor vocals [Alvaro]:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi2:28
21La forza del destino: “Oh, tu che in seno”
tenor vocals [Alvaro]:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi3:21
22La forza del destino: Qual sangue sparsi!
choir vocals:
Chorus of the Mariinsky Theatre (Mariinsky Theatre Chorus, fka Kirov Chorus till 1992)
tenor vocals [Alvaro]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
La forza del destino: Atto III: "Qual sangue sparsi - S'affronti la morte" (Alvaro) (original St. Petersburg version, 1869 edition)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:25
2▼CD
#TitleArtistRatingLength
1Ernani: “Mercé, diletti amici… Come rugiada al cespite”
choir vocals:
The Roger Wagner Chorale (US / Los Angeles choir)
mezzo-soprano vocals:
Rose Wagemann (mezzo-soprano)
tenor vocals [Ernani]:
Plácido Domingo (tenor)
orchestra:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi3:23
2Ernani: “Dell’esilio nel dolore… O tu, che l’alma adora”
choir vocals:
The Roger Wagner Chorale (US / Los Angeles choir)
tenor vocals [Ernani]:
Plácido Domingo (tenor)
orchestra:
Los Angeles Philharmonic
conductor:
Carlo Maria Giulini (conductor)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
Giuseppe Verdi2:10
3Ernani: “D’Ernani i fidi chiedono… Odi il voto… Sprezzo lavita”
baritone vocals:
Alfred Walker (baritone)
bass-baritone vocals:
James Courtney (operatic bass-baritone)
tenor vocals [Ernani]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
performer:
Chorus of the Mariinsky Theatre (Mariinsky Theatre Chorus, fka Kirov Chorus till 1992)
recording of:
[Ernani: Atto II] Odi il voto - Sprezzo la vita (alternative aria written for Nicola Ivanoff)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 10c) “d’Ernani i fidi chiedono” (Jago, Silva, Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
Giuseppe Verdi7:57
4I lombardi alla prima crociata: “O madre mia, che fa colei?”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
mezzo-soprano vocals:
Montserrat Aparici (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto II. N°7 Scena “O madre mia, che fa colei?” (Sofia, Oronte)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi1:12
5I lombardi alla prima crociata: “La mia letizia infondere… Come poteva un angelo”
mezzo-soprano vocals:
Montserrat Aparici (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto II. N°7 “La mia letizia infondere vorrei” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi6:49
6I lombardi alla prima crociata: “Come poteva un angelo” (alternate version)
mezzo-soprano vocals:
Marjorie Dix (mezzo-soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theater Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I Lombardi: Atto II. N°7 “Come poteva un angelo” (Oronte, Sofia)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto II (L'uomo della caverna)
Giuseppe Verdi2:01
7I lombardi alla prima crociata: “Componi, o cara vergine… Incielo benedetto”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
soprano vocals:
Cristina Deutekom (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Lamberto Gardelli (conductor)
recording of:
I Lombardi: Atto IV. N°16 “Componi, o cara vergine” (Giselda, Oronte, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto IV (Il santo sepolcro)
recording of:
I Lombardi: Atto IV. N°16 “In cielo benedetto” (Oronte, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
I Lombardi: Atto IV (Il santo sepolcro)
Giuseppe Verdi6:37
8Jérusalem : « L’émir auprès de lui m’appelle » … « Je veux encore entendre »
tenor vocals:
Plácido Domingo (tenor)
conductor:
Valery Gergiev (conductor)
performer:
Mariinsky Theater Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
recording of:
Jérusalem : Acte II, scène 2. « Je veux encore entendre ta voix » (Gaston)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
recording of:
Jérusalem : Acte II, scène 2. « L'émir auprès de lui m'appelle » (Gaston)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Alphonse Royer and Gustave Vaëz
part of:
Jérusalem : Acte II.
Giuseppe Verdi5:48
9Luisa Miller: “Il foglio dunque?”
baritone vocals:
Luigi De Corato (baritone)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
recording of:
Luisa Miller: Atto II, Nº 10a. Scena “Il foglio dunque?” – “Oh! Fede negar potessi” (Rodolfo, Farmer)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:33
10Luisa Miller: “Quando le sere al placido”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
recording of:
Luisa Miller: Atto II, Nº 10b. Aria "Quando la sere al placido" (Rodolfo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:38
11Luisa Miller: “Di me chiedeste?”
bass vocals:
Wladimiro Ganzarolli (bass-baritone) and Gwynne Howell (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
chorus master:
John Barker (conductor)
recording of:
Luisa Miller: Atto II, Nº 10c."Di me chiedeste?" (Wurm, Rodolfo, Servi, Walter)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi2:27
12Luisa Miller: “L’ara, o l’avello apprestami”
bass vocals:
Gwynne Howell (operatic bass)
choir vocals:
Chorus of the Royal Opera House, Covent Garden
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Lorin Maazel (conductor)
chorus master:
John Barker (conductor)
recording of:
Luisa Miller: Atto II, Nº 10d. Cabaletta "L'ara, o l'avello apprestami" (Rodolfo, Walter, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Luisa Miller: Atto II. “L'intrigo”
Giuseppe Verdi3:24
13Giovanna d’Arco: “Il re! – nel suo bel volto”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Carlo]:
Plácido Domingo (tenor)
tenor vocals [Delil]:
Keith Erwen (operatic tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Giovanna d'Arco: Prologo, Nº 2a. Scena "Il re! - Nel suo bel volto" (Delil, Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:55
14Giovanna d’Arco: “Sotto una quercia parvemi”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Carlo]:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Giovanna d'Arco: Prologo, Nº 2b. Cavatina "Sotto una quercia parvemi" (Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:49
15Giovanna d’Arco: “V’ha dunque un loco simile”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Carlo]:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
recording of:
Giovanna d'Arco: Prologo, Nº 2c. Racconto “V'ha dunque un loco simile” … “Allor che i flebili” (Coro, Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:38
16Giovanna d’Arco: “Pondo è letal, martiro”
tenor vocals [Carlo]:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger)
performer:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
recording of:
Giovanna d'Arco: Prologo, Nº 2d. Cabaletta "Pondo è letal, martiro" (Carlo, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
Giuseppe Verdi2:48
17Giovanna d’Arco: “Di novel prodigo”
baritone vocals [Giacomo]:
Sherrill Milnes (baritone)
tenor vocals [Carlo]:
Plácido Domingo (tenor)
tenor vocals [Delil]:
Keith Erwen (operatic tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Giovanna d'Arco: Atto III, Nº 14a. Scena "Di novel prodigio" (Carlo, Giacomo, Delil)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto III
Giuseppe Verdi2:11
18Giovanna d’Arco: “Quale più fido amico”
tenor vocals [Carlo]:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
James Levine (US conductor and pianist)
recording of:
Giovanna d'Arco: Atto III, Nº 14b. Romanza "Quale più fido amico" (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Atto III
Giuseppe Verdi2:40
19I vespri siciliani: “È di Monforte il cenno!”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recording of:
I vespri siciliani: Atto IV. “È di Monforte il cenno!” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:55
20I vespri siciliani: “Giorno di pianto”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
James Levine (US conductor and pianist)
recording of:
I vespri siciliani: Atto IV. “Giorno di pianto” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:31
21Les Vêpres siciliennes : « Ah, toi que j’ai chérie » (alternate Aria)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theater Orchestra (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Les Vêpres siciliennes : Acte IV. Romance: « À toi que j'ai chérie » (alternate aria)
part of:
Les Vêpres siciliennes: Acte IV
Giuseppe Verdi3:32
3▼CD
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1Otello: “Esultate! L’orgoglio musulmano”
choir vocals:
Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto I, scena 1. “Esultate!” (Otello, Ciprioti)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto I
Giuseppe Verdi2:17
2Otello: “Tu?! Indietro! Fuggi!!”
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Tu?! Indietro! fuggi!” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi0:56
3Otello: “Ora e per sempre addio”
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Ed ora” … “Ora e per sempre addio” (Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:00
4Otello: “Pace, signor… Era la notte, Cassio dormia”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Era la notte, Cassio dormia…” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
recording of:
Otello: Atto II. “Pace, signor” (Iago, Otello)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi5:14
5Otello: “Oh! Mostruoso colpa!”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Oh! mostruosa colpa!” … “Ah! mille vite” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi1:42
6Otello: “Si, pel ciel marmoreo giuro!”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto II. “Si, pel ciel marmoreo giuro!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto II
Giuseppe Verdi2:18
7Otello: “Dio! Mi potevi scagliar”
baritone vocals [Iago]:
Sergei Leiferkus (baritone)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestre de l’Opéra Bastille (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Otello: Atto III. “Dio! Mi potevi scagliar” … “Ah! dannazione!” (Otello, Iago)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto III
part of:
Otello: Atto III
Giuseppe Verdi4:00
8Otello: “Niun mi tema”
bass vocals:
Mark Beesley (operatic bass) and Roderick Earle (operatic bass)
tenor vocals:
Robin Leggate (operatic tenor)
tenor vocals [Otello]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Royal Opera House, Covent Garden
conductor:
Sir Georg Solti (conductor)
recording of:
Otello: Atto IV. “Niun mi tema s'anco armato mi vede” (Otello, Cassio, Lodovico, Montano)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi5:20
9Macbeth: “O figli, o figli miei!… Ah, la paterna mano”
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
vocals:
Piero Cappuccilli (baritone) (in 1976-01) and Plácido Domingo (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto IV. N°13a Scena "O figli, o figli miei!" (Macduff) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13b Aria "Ah, la paterna mano" (Macduff) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Macbeth: Atto IV
Giuseppe Verdi3:42
10Macbeth: “Dove siam? Che bosco è quello?… La patria tradita”
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1976-01)
tenor vocals [Macduff, nobile scozzese]:
Plácido Domingo (tenor) (in 1976-01)
tenor vocals [Malcolm]:
Antonio Savastano (tenor) (in 1976-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1976-01)
conductor:
Claudio Abbado (conductor) (in 1976-01)
chorus master:
Romano Gandolfi (chorus master and conductor) (in 1976-01)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1976-01)
recording of:
Macbeth: Atto IV. N°13c Tempo di mezzo "Dove siam? che bosco è quello?" (Malcolm, Macduff, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
recording of:
Macbeth: Atto IV. N°13d Cabaletta “La patria tradita” (Macduff, Malcolm, Coro) (in 1976-01)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Macbeth: Atto IV
Giuseppe Verdi2:56
11Nabucco: “Che si vuol?… Il maledetto non ha fratelli”
recording engineer:
Wolfgang Stengel
executive producer:
Prof. Dr. Hans Hirsch (producer at Deutsche Grammophon)
producer:
Renate Kupfer, Hanno Rinke and Wolfgang Stengel (in 1982-05)
editor:
Christopher Alder (editor/engineer/producer)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (in 1982-05)
tenor vocals [Ismaele]:
Plácido Domingo (tenor) (in 1982-05)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 1982-05)
conductor:
Giuseppe Sinopoli (conductor) (in 1982-05)
chorus master:
Walter Hagen-Groll (chorus master) (in 1982-05)
balance engineer:
Klaus Hiemann (engineer/producer) (in 1982-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Haus des Rundfunks: Großer Sendesaal in Berlin, Germany (in 1982-05)
recording of:
Nabucco: Parte II, scena 2. Coro “Che si vuol?” … “Il maledetto non ha fratelli” (Coro, Ismaele) (in 1982-05)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Temistocle Solera
part of:
Nabucco: Parte II. L’empio
Giuseppe Verdi2:38
12Stiffelio: “Non ha per me un accento!… Vidi dovunque gemere… Ah! V’appare in fronte scritto”
baritone vocals:
Carlos Álvarez (Spanish baritone)
soprano vocals:
Veronica Villaroel (chilean soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orquesta sinfónica de Madrid (Madrid Symphony Orchestra)
conductor:
Arturo Tamayo (conductor)
recording of:
Stiffelio: Atto I. “Ah! V'appare in fronte scritto” (Stiffelio, Lina, Stankar)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto I
recording of:
Stiffelio: Atto I. “Vidi dovunque gemere” (Stiffelio, Lina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto I
recording of:
Stiffelio: Atto I. Scena ed aria “Non ha per me un accento!” (Stiffelio, Lina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Stiffelio: Atto I
Giuseppe Verdi7:36
13Aroldo: “Sotto il sol di Siria ardente”
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
mezzo-soprano vocals [Mina]:
Marjorie Dix (mezzo-soprano)
tenor vocals [Aroldo]:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Aroldo: Atto I, scena 1. N°1 “Sotto il sol di Siria ardente” (Aroldo, Mina)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Aroldo: Atto I
Giuseppe Verdi2:53
14Simon Boccanegra: “O inferno! Amelia qui!… Sento avvampar nell’anima… Cielo pietoso”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Royal Philharmonic Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
Simon Boccanegra: Atto II. "O inferno! Amelia qui!" (Gabriele)
composer:
Giuseppe Verdi (Italian opera composer) (in 1857)
librettist:
Francesco Maria Piave (in 1857)
part of:
Simon Boccanegra: Atto II
recording of:
Simon Boccanegra: Atto II. “Sento avvampar nell’anima” (Gabriele)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Simon Boccanegra: Atto II
Giuseppe Verdi5:21
15La battaglia di Legnano: “O magnanima, e prima delle città lombarde… La pia materna mano”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
La battaglia di Legnano: Atto I. “La pia materna mano” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano: Atto I. “Egli vive!”
recording of:
La battaglia di Legnano: Atto I. “O magnanima e prima” (Arrigo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
La battaglia di Legnano: Atto I. “Egli vive!”
Giuseppe Verdi3:38
16Un giorno di regno: “Buoni amici… Pietoso al lungo pianto”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Ex Tempore (Lithuanian contempory music ensemble)
conductor:
Valery Gergiev (conductor)
partial recording of:
Un giorno di regno: Atto II. N°17b Aria “Pietoso al lungo pianto” … “Deh, lasciate a un'alma amante” (Edoardo, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto II
Giuseppe Verdi3:35
17Un giorno di regno: “Deh, lasciate a un’alma amante”
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
partial recording of:
Un giorno di regno: Atto II. N°17b Aria “Pietoso al lungo pianto” … “Deh, lasciate a un'alma amante” (Edoardo, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un giorno di regno: Atto II
Giuseppe Verdi2:10
18Attila: “Oh, tutto di navicelle”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Attila: Prologo. N°5 “Quai voci!” … “Oh! Tutto di navicelle” … “Qui, qui, sostiamo” (Eremiti, Aquilejesi, Foresto)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi2:11
19Attila: “Ella in poter del barbaro!… Cara patria già madre e reina”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Attila: Prologo. N°5 “Ella in poter del barbaro … Cessato alfine il turbine … Cara patria” (Foresto, Eremiti, Aquilejesi)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Prologo
Giuseppe Verdi5:10
20Attila: “Qui del convegno è il loco”
tenor vocals:
Eric Cutler (tenor) and Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Attila: Atto III. N°12 Scena e romanza “Qui del convengo è il loco” (Foresto, Uldino)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi2:16
21Attila: “Che non avrebbe il misero”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Attila: Atto III. N°12 “Che non avrebbe il misero” (Foresto)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave and Temistocle Solera
part of:
Attila: Atto III
Giuseppe Verdi2:25
22Attila: “O dolore! Ed io vivea” (alternate Aria)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Attila “O dolore! Ed io vivea” (alternative aria)
composer:
Giuseppe Verdi (Italian opera composer)
Giuseppe Verdi2:59
4▼CD
#TitleArtistRatingLength
1I due Foscari: Atto I. Scena “Qui ti rimani alquanto” … Arioso “Brezza del suol natio”
tenor vocals:
Eric Cutler (tenor) and Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
I due Foscari: Atto I. “Qui ti rimani … Brezza del suol natio”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto I
Giuseppe Verdi2:30
2I due Foscari: Atto I. Cavatina “Dal più remoto esilio”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
I due Foscari: Atto I. “Ah si, ch'io senta ancora … Dal piu remoto esilio”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto I
Giuseppe Verdi2:11
3I due Foscari: Atto I. “Del consiglio alla presenza vieni tosto” … “Odio solo, ed odio atroce“
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
I due Foscari: Atto I. “Odio solo, ed odio atroce” (Jacopo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto I
Giuseppe Verdi1:42
4I due Foscari: Atto I. “Si, lo senti, iddio mi chiama” (alternate Cabaletta)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I due Foscari: Atto I. “Si, lo senti, iddio mi chiama” (alternate Cabaletta di Jacopo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto I
Giuseppe Verdi2:43
5I due Foscari: Atto II. Scena “Notte, perpetua notte“
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
I due Foscari: Atto II. “Notte, perpetua notte”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto II
Giuseppe Verdi3:28
6I due Foscari: Atto II. Preghiera “Non maledirmi, o prode”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
I due Foscari: Atto II. “Non maledirmi, o prode”
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
I due Foscari: Atto II
Giuseppe Verdi2:00
7I masnadieri: Atto I. Scena “Quando io leggo in Plutarco“
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I masnadieri: Atto I. N°2 “Quando io leggo in Plutarco” (Carlo, giovani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri: Atto I.
Giuseppe Verdi2:30
8I masnadieri: Atto I. Aria “O mio castel paterno“
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I masnadieri: Atto I. N°2 “O mio castel paterno” (Carlo, Rolla, giovani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri: Atto I.
Giuseppe Verdi2:38
9I masnadieri: Atto I. Scena “Ecco un foglio“
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor) and Eduardo Valdes (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I masnadieri: Atto I. N°2 “Ecco un foglio” (Carlo, Rolla, giovani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri: Atto I.
Giuseppe Verdi3:05
10I masnadieri: Atto I. Cabaletta “Nell’argilla maledetta“
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I masnadieri: Atto I. N°2 Cabaletta: “Nell'argilla maledetta” (Carlo, coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri: Atto I.
Giuseppe Verdi1:33
11I masnadieri: Atto II. “Come splendido e grande il sol tramonta!“ … “Di ladroni attorniato“
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
I masnadieri: Atto II.
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I masnadieri
Giuseppe Verdi4:32
12Il corsaro: Atto I. “Come liberi volano i venti.” … “Tutto parea sorridere”
bass-baritone vocals:
James Courtney (operatic bass-baritone)
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Il corsaro: Atto I, Scena I-II, "Come liberi volano i venti" (Corsari)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto I
recording of:
Il corsaro: Atto I, Scena II, "Tutto parea sorridere" (Corrado)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto I
Giuseppe Verdi6:32
13Il corsaro: Atto I. “Sì: De’ corsari il fulmine”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Il corsaro: Atto I, Scena III, "Sì: de' corsari il fulmine" (Corrado, Giovanni, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto I
Giuseppe Verdi1:36
14Il corsaro: Atto III. “Eccomi prigioniero!”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Il corsaro: Atto III, Scena V-VI, "Eccomi prigioniero!" (Corrado, Gulnara)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Il corsaro: Atto III
Giuseppe Verdi5:38
15Falstaff: Atto III. “Dal labbro il canto estasiato vola”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
Giuseppe Verdi3:42
16Oberto, conte di San Bonifacio: Atto I. “Son fra voi!” … “Già parmi udire il fremito“
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Oberto: Atto I, scena 1. N°2 Aria e coro “Son fra voi!” … “Già parmi udire il fremito“ (Riccardo, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto I.
Giuseppe Verdi4:07
17Oberto, conte di San Bonifacio: Atto II. “Ciel, che feci! ” … “Di qual sangue ho macchiato il brando mio!”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
Myung-Whun Chung (pianist and conductor)
recording of:
Oberto: Atto II, scena 7. N°14 Romanza “Ciel! che feci … di qual sangue” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Piazza (librettist) and Temistocle Solera
part of:
Oberto: Atto II.
Giuseppe Verdi3:55
18Alzira: Atto I. “A costoro quel nume perdoni”
baritone vocals:
Alfred Walker (baritone)
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor) and Eduardo Valdes (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Alzira: Prologo. “A costoro quel nume perdoni” (Alvaro, Otumbo, Indiani, Zamoro)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Alzira: Prologo. Il prigioniero
Giuseppe Verdi2:14
19Alzira: Atto I. “Un inca… Eccesso orribile!… Dio della guerra”
choir vocals:
Mariinsky Theatre Chorus (fka Kirov Chorus till 1992)
tenor vocals:
Plácido Domingo (tenor) and Eduardo Valdes (tenor)
orchestra:
Mariinsky Theatre Orchestra (fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
Alzira: Prologo. “Un Inca... eccesso orrible!” (Zamoro, Otumbo, Indiani)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Alzira: Prologo. Il prigioniero
Giuseppe Verdi5:06
20Alzira: Atto II. “Amici! – ebben?”
baritone vocals:
Thomas Hampson (baritone)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Alzira: Atto II, scena 2. “Amici! - Ebben?“ (Otumbo, Indiani, Zamoro)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Alzira: Atto II. La vendetta d'un selvaggio
Giuseppe Verdi3:41
21Alzira: Atto II. “Irne lungi ancor dovrei” … “Non di codarde lagrime”
baritone vocals:
Thomas Hampson (baritone)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Eugene Kohn (pianist, conductor)
recording of:
Alzira: Atto II, scena 2. “Irne lungi ancor” (Zamoro, Otumbo, Indiani)
lyricist:
Salvadore Cammarano (Italian librettist)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Alzira: Atto II. La vendetta d'un selvaggio
Giuseppe Verdi6:41
22Messa da requiem: Ingemisco tamquam reus
tenor vocals:
Plácido Domingo (tenor)
orchestra:
London Symphony Orchestra
conductor:
Leonard Bernstein
recording of:
Messa da requiem: IIh. Dies irae: Ingemisco (tenore)
composer:
Giuseppe Verdi (Italian opera composer) (from 1873 until 1874)
part of:
Messa da requiem: II. Dies irae (quartetto solista, coro) (full sequenza)
Giuseppe Verdi4:17

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ASIN:UK: B00005OC0F [info]