Verdi / Domingo: The Tenor Arias

~ Release by Verdi; Domingo (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1La traviata: Atto II. “Lunge da lei“ … “De’ miei bollenti spiriti”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo) (from 1976-05-14 until 1976-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:36
2La traviata: Atto II. “Annina, donde vieni? … “O mio rimorso”
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
soprano vocals [Annina]:
Helena Jungwirth (soprano) (from 1976-05-14 until 1977-06-26)
tenor vocals [Alfredo]:
Plácido Domingo (tenor) (from 1976-05-14 until 1977-06-26)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06-26)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06-26)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06-26)
recording of:
La traviata: Atto II, scena 1. “Annina, donde vieni?” (Alfredo, Annina) (from 1976-05-14 until 1977-06-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:22
3Aida: Atto I. “Se quel guerrier io fossi“ … “Celeste Aida”
executive producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon) and Renate Kupfer
tenor vocals [Radamès, capitano delle guardie]:
Plácido Domingo (tenor) (in 1981-01)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1981-01)
conductor:
Claudio Abbado (conductor) (in 1981-01)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Gabriele Bellini (in 1981-01)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1981-01)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès) (in 1981-01)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi4:35
4Don Carlos: “Io l’ho perduta”
tenor vocals:
Plácido Domingo (tenor)
vocals:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Daniel Barenboim (pianist and conductor)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:35
5Don Carlos : « Fontainebleau ! Forêt immense ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi1:49
6Don Carlos : «Je l’ai vu ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
partial recording of:
Don Carlos : Acte I. Récit et romance « Fontainebleau! Forêt immense et solitaire » … « Je l’ai vue » (Carlos) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte I
Giuseppe Verdi2:24
7Don Carlos : « C’est elle ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
choir vocals:
Coro del Teatro alla Scala di Milano
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi9:43
8Don Carlos : « Oui, pour toujours ! »
miscellaneous support:
Claudia Hamann (task: coordinator)
producer:
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass vocals [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
bass vocals [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
bass vocals [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
choir vocals:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
choir vocals [Un inquisiteur]:
LIbero Bullo (in 1982-01, in 1984-06), Gaspare Cerri (in 1982-01, in 1984-06), Sebastiano Gernone (in 1982-01, in 1984-06), Ferdinando Meret (in 1982-01, in 1984-06), Giordano Olivo (in 1982-01, in 1984-06), Alfredo Pinardi (in 1982-01, in 1984-06), Eros Sartori (in 1982-01, in 1984-06), Vittorio Sarzano (in 1982-01, in 1984-06) and Armando Vivani (in 1982-01, in 1984-06)
soprano vocals [Elisabeth de Valois]:
Katia Ricciarelli (soprano)
tenor vocals [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
orchestra:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) and Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
balance engineer:
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
recorded at:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italy (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1982-01)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1984-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlos: Acte V
Giuseppe Verdi1:38
9Un ballo in maschera: “S’avanza il re”
baritone vocals:
Leo Nucci (baritone)
bass vocals:
Kurt Rydl (operatic bass) and Goran Simić (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
soprano vocals:
Sumi Jo (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3a Scena “S'avanza il conte” (Oscar, Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
recording of:
Un ballo in maschera: Atto I, scena 1. Nº 3b Sortita di Riccardo “La rivedrà nell'estasi” (Riccardo, Samuel, Tom, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:50
10Un ballo in maschera: “Di’ tu se fedele”
bass vocals:
Kurt Rydl (operatic bass) and Goran Simić (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
soprano vocals:
Sumi Jo (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 9b Canzone “Di’ tu se fedele il flutto m’aspetta” (Riccardo, Coro)
composer:
Giuseppe Verdi (Italian opera composer) (in 1859)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:31
11Un ballo in maschera: “E scherzo e follia”
bass vocals:
Kurt Rydl (operatic bass) and Goran Simić (operatic bass)
choir vocals:
Konzertvereinigung Wiener Staatsopernchor (Wiener Staatsoper Choir)
mezzo-soprano vocals:
Florence Quivar (mezzo soprano)
soprano vocals:
Sumi Jo (soprano)
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Herbert von Karajan (conductor)
recording of:
Un ballo in maschera: Atto I, scena 2. Nº 10b Quintetto “È scherzo od è follia” (Riccardo, Ulrica, Samuel, Tom, Oscar, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto I
Giuseppe Verdi3:48
12Un ballo in maschera: “Forse la soglia attinse”
tenor vocals:
Plácido Domingo (tenor)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Nello Santi (conductor)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi5:37
13Il trovatore: “Qual d’armi fragor”
soprano vocals [Leonora]:
Leontyne Price (soprano)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Quale d'armi fragor poc' anzi intesi?” (Leonora, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi2:18
14Il trovatore: “Ah! Si ben mio”
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:16
15Il trovatore: “L’onda de suoni mistici”
tenor vocals [Manrico]:
Plácido Domingo (tenor)
tenor vocals [Ruiz]:
Ryland Davies (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “L'onda de' suoni mistici pura discenda al cor!… Manrico? … Che” (Leonora, Manrico, Ruiz)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi1:38
16Il trovatore: “Di quella pira”
choir vocals:
Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir)
tenor vocals [Manrico]:
Plácido Domingo (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Zubin Mehta (conductor)
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
composer:
Giuseppe Verdi (Italian opera composer) (in 1853)
librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
part of:
Il trovatore: Atto III. Il figlio della zingara
Giuseppe Verdi3:21
17Rigoletto: “Questo o quella”
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra) (in 1979-09) and Vienna Philharmonic Orchestra (Vienna Philharmonic) (in 1979-09)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi1:54
18Rigoletto: “Ella mi fu rapita”
tenor vocals [Duca]:
Plácido Domingo (tenor)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic)
conductor:
Carlo Maria Giulini (conductor)
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto II
Giuseppe Verdi5:08
19Rigoletto: “La donna è mobile”
additional producer:
Hans Weber (producer/engineer) (in 1979-09)
producer:
Hans Weber (producer/engineer) and Günther Breest (producer for classical music) (in 1979-09)
baritone vocals [Rigoletto]:
Piero Cappuccilli (baritone) (in 1980)
bass vocals [Sparafucile]:
Nicolaï Ghiaurov (operatic bass) (in 1980)
tenor vocals [Duca]:
Plácido Domingo (tenor) (in 1979-09, in 1980)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1979-09, in 1980)
conductor:
Carlo Maria Giulini (conductor) (in 1979-09, in 1980)
balance engineer:
Hans‐Peter Schweigmann (in 1979-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1980)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1979-09)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1979-09)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca) (in 1980)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:11
20La forza del destino: “La vita e inferno”
tenor vocals [Alvaro]:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
La forza del destino: Atto III, scena 1. “La vita è inferno all'infelice" (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi2:28
21La forza del destino: “Oh, tu che in seno”
tenor vocals [Alvaro]:
Plácido Domingo (tenor)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi3:21
22La forza del destino: Qual sangue sparsi!
choir vocals:
Chorus of the Mariinsky Theatre (Mariinsky Theatre Chorus, fka Kirov Chorus till 1992)
tenor vocals [Alvaro]:
Plácido Domingo (tenor)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992)
conductor:
Valery Gergiev (conductor)
recording of:
La forza del destino: Atto III: "Qual sangue sparsi - S'affronti la morte" (Alvaro) (original St. Petersburg version, 1869 edition)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La forza del destino: Atto III
Giuseppe Verdi4:25
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ASIN:UK: B00005OC0F [info]