A Musical Tribute

~ Release by Evelyn Lear, Thomas Stewart (see all versions of this release, 2 available)

Tracklist

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#TitleArtistRatingLength
1Der fliegende Hollander: Die Frist ist um
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt I, Nr. 2. Arie "Die Frist ist um"
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt I
Richard Wagner11:46
2Der fliegende Hollander: Jo ho hoe! Traft ihr das Schiff
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt II
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner5:48
3Der fliegende Hollander: Wie aus der Ferne längst vergangner Zeiten
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt II
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner6:04
4Die Walkure: Leb wohl, du kühnes, herrliches Kind!
baritone vocals and baritone vocals [Wotan]:
Thomas Stewart (bass-baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
compilation of:
Die Walküre. Der Augen leuchtendes Paar (Wotan) by Thomas Stewart (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor), Die Walküre. Leb wohl, du kühnes, herrliches Kindi (Wotan) by Thomas Stewart (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor) and Die Walküre. Loge, hör! Lausche hieher! (Watan) by Thomas Stewart (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt III
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner13:34
5Ein Maskenball: Mit starrem Angesicht blickt sie nach oben (Volta la terrea fronte alle)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Patanè (conductor)
recording of:
Ein Maskenball: Mit starrem Angesicht blickt sie nach oben
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ein Maskenball
Giuseppe Verdi1:55
6Ein Maskenball: Lasst ab mit Fragen (Saper vorreste)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Patanè (conductor)
partial recording of:
Ein Maskenball
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Un ballo in maschera
Giuseppe Verdi2:10
7Die lustigen Weiber von Windsor: Nun eilt herbei
soprano vocals [Frau Fluth]:
Evelyn Lear (soprano)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Hans Löwlein (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt I. Nr. 3. „Nun eilt herbei“ … „Ha, ha, ha, er wird mir glauben“
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt I
Otto Nicolai5:57
8Hoffmanns Erzahlungen: Leuchte, heller Spiegel, mir (Scintille, diamant)
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
Hoffmanns Erzählungen: Akt II. Arie “Leuchte, heller Spiegel, mir” (Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Hoffmanns Erzählungen: Akt II (Giulietta)
Jacques Offenbach3:41
9Tiefland: Hüll in die Mantille dich fester ein
baritone vocals:
Thomas Stewart (bass-baritone)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Inge Borkh (soprano)
tenor vocals:
Hans Hopf (Germanic tenor)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
recording of:
Tiefland: Aufzug II. „Hüll in die Mantille fester dich ein“ (Sebastiano, Pedro, Marta, Tommaso, Chor)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:41
10Eugen Onegin: Und sei's mein Untergang (Puskai pogibnu ya)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Bayerischen Staatsoperette München
conductor:
Otto Gerdes (conductor and producer)
partial recording of:
Eugen Onegin (Friedrich von Bodenstedt translation)
writer:
Alexander Puschkin (Alexander Pushkin, Russian writer)
translator:
Friedrich von Bodenstedt
translated version of:
Евгений Онегин
Pyotr Ilyich Tchaikovsky12:16
11Wozzeck: Und ist kein Betrug in seinem Munde erfunden worden
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Wozzeck: Act 3, Scene 1, 'Und ist kein Betrug in seinem Munde erfunden worden'..
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg4:10
12Wozzeck: Verwandlung
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Karl Böhm (Austrian conductor)
partial recording of:
Wozzeck: Act 3
composer and librettist:
Alban Berg (Austrian composer)
part of:
Wozzeck
Alban Berg1:03
13Lulu: Wenn sich die Menschen um meinetwillen umgebracht haben
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht"
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg2:47
14On the Town: Carnegie Hall Pavane
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
soprano vocals [Ivy]:
Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Madame Dilly]:
Evelyn Lear (soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Carnegie Hall Pavane (Do-Do-Re-Do) (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
part of:
On the Town
Leonard Bernstein2:36

Credits

Release

part of:Original Masters (Deutsche Grammophon) (order: 14)
Discogs:https://www.discogs.com/release/19764490 [info]