A Musical Tribute

~ Release by Evelyn Lear, Thomas Stewart (see all versions of this release, 2 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Mignon und der Harfner, D 877, op. 62 no. 1 "Nur wer die Sehnsucht kennt"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Lied der Mignon, D. 877 no. 4: "Nur wer die Sehnsucht kennt"
lyricist:
Johann Wolfgang von Goethe
composer:
Franz Schubert (composer) (in 1826-01)
part of:
4 Gesänge aus „Wilhelm Meister“, D. 877
Franz Schubert4:21
2Va', ti consola, addio, op. 31 no. 2
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Duet, op. 31 no. 2 "Va, ti consola"
composer:
Carl Maria von Weber (composer) (in 1811)
part of:
3 Duets, op. 31
Carl Maria von Weber2:17
3Herbstlied, op. 63, no. 4 "Ach, wie so bald verhallet"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Herbstlied, op. 63 no. 4
lyricist:
Ernst August Friedrich Klingemann (German writer)
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV J 11)
part of:
6 Duets, op. 63
Felix Mendelssohn-Bartholdy2:30
4Maiglöckchen und die Blümelein, op. 63, no. 6 "Maiglöckchen läutet in dem Tal"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Maiglöckchen und die Blümelein, op. 63 no. 6
lyricist:
August Heinrich Hoffmann von Fallersleben
composer:
Felix Mendelssohn (composer)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV J 7)
part of:
6 Duets, op. 63
Felix Mendelssohn-Bartholdy2:06
5Abendlied "Wenn ich auf dem Lager liege"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Abendlied, WoO 11 no. 2
lyricist:
Heinrich Heine (German poet)
composer:
Felix Mendelssohn (composer) (in 1837)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV J 2)
part of:
3 Volkslieder, WoO 11
Felix Mendelssohn-Bartholdy2:17
6Schön Blümelein, op. 43 no. 3 "Ich bin Hinausgegangen"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
3 Zweistimmige Lieder, op. 43: No. 3. Schõn Blümelein
lyricist:
Robert Reinick (German poet)
composer:
Robert Schumann (German classical composer)
part of:
3 Zweistimmige Lieder, op. 43
Robert Schumann2:01
7So wahr die Sonne scheinet, op. 37 no. 12
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Gedichte aus "Liebesfrühling", op. 37: Nr. 12. So wahr die Sonne scheinet
lyricist:
Friedrich Rückert (German poet)
composer:
Robert Schumann (German classical composer)
part of:
Gedichte aus "Liebesfrühling", op. 37
Robert Schumann2:01
8Die Meere, op.20 no. 3 "Alle Winde schlafen auf dem Spiegel der Flut"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
3 Duette, op. 20: Nr. 3. Die Meere
lyricist:
[anonymous] (special purpose artist)
composer:
Johannes Brahms (German composer) (in 1860)
translator:
Wilhelm Müller (German poet)
part of:
3 Duette, op. 20
Johannes Brahms2:25
9Weg der Liebe, op. 20 no. 1 "Über die Berge, über die Wellen"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
3 Duette, op. 20: Nr. 1. Weg der Liebe
lyricist:
Johann Gottfried von Herder
composer:
Johannes Brahms (German composer) (in 1858)
part of:
3 Duette, op. 20
Johannes Brahms2:04
10Možnost, op.38 no. 1 "Zakukala Zezlenka"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Moravské dvojzpěvy, op. 38: 1. Možnost
composer:
Antonín Dvořák (composer) (in 1877-08)
part of:
Moravské dvojzpěvy, op. 38, B. 69 (for soprano, alto and piano)
Antonín Dvořák1:45
11Slavíkovský polečko malý, op. 32 no. 5
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Moravské dvojzpěvy, op. 32, B. 62: 5. Slavíkovský polečko malý
lyricist:
[traditional] (special purpose artist)
composer:
Antonín Dvořák (composer) (from 1876-06-26 until 1876-07-13)
part of:
Moravské dvojzpěvy, op. 32, B. 62
Antonín Dvořák1:13
12Holub na javoře, op. 32 no. 6 "Letěl holúbek na pole"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Moravské dvojzpěvy, op. 32, B. 62: 6. Holub na javoře
lyricist:
[traditional] (special purpose artist)
composer:
Antonín Dvořák (composer) (from 1876-06-26 until 1876-07-13)
part of:
Moravské dvojzpěvy, op. 32, B. 62
Antonín Dvořák1:30
13Večer, op. no. 1
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Вечер, op. 46 no. 1
lyricist:
Иван Суриков (Ivan Surikov)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1880)
part of:
6 Duets, op. 46
Pyotr Ilyich Tchaikovsky6:39
14Baju Bai, op. 31 no. 5
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Колыбельная, op. 31 no. 5 "Баю-бай"
lyricist:
[traditional] (special purpose artist)
composer:
Александр Гречанинов (Alexander Gretchaninov, Russian Romantic composer) (in 1903)
part of:
6 Children's Songs, op. 31
Alexander Gretchaninov2:50
15Ai Dudu, op. 31 no. 1
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Ай-дуду!, op. 31 no. 1
lyricist:
[traditional] (special purpose artist)
composer:
Александр Гречанинов (Alexander Gretchaninov, Russian Romantic composer) (in 1903)
part of:
6 Children's Songs, op. 31
Alexander Gretchaninov1:14
16Pastorale "Ici les tendres oiseaux"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Pastorale
lyricist:
Antoine Houdar de la Motte
composer:
Camille Saint‐Saëns (composer)
previously attributed to:
Philippe Néricault Destouches (French actor and playwright)
Camille Saint‐Saëns2:10
17Beautiful Dreamer (Serenade)
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Beautiful Dreamer
lyricist and composer:
Stephen Foster (composer) (in 1864)
Stephen Foster2:24
18Hard Times Come Again No More "Let Us Pause In Life's Pleasures"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Hard Times Come Again No More
lyricist and composer:
Stephen Foster (composer) (in 1854)
Stephen Foster3:17
19Jeanie With The Light Brown Hair "I Dream Of Jeanie"
piano:
Erik Werba (pianist)
baritone vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Jeanie With the Light Brown Hair
lyricist:
Stephen Foster (composer)
composer:
Stephen Foster (composer) (in 1854)
Stephen Foster2:51
2▼CD
#TitleArtistRatingLength
1Mignon
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Goethe-Lieder: Nr. 9. Mignon ("Kennst du das Land") (Orchestral arrangement)
orchestrator:
Hugo Wolf (Austrian composer of Slovenian descent)
orchestration of:
Goethe-Lieder: Nr. 9. Mignon "Kennst du das Land"
Hugo Wolf7:42
2Gebet
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Mörike-Lieder: No. 28. Gebet "Herr! schicke was du willt" (for voice and orchestra)
orchestrator:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1890)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
orchestration of:
Mörike-Lieder: No. 28. Gebet "Herr! schicke was du willt" (for voice and piano)
Hugo Wolf3:19
3Neue Liebe
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Mörike-Lieder: No. 30. Neue Liebe "Kann auch ein Mensch" (for voice and orchestra)
orchestrator and composer:
Hugo Wolf (Austrian composer of Slovenian descent)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
orchestration of:
Mörike-Lieder: No. 30. Neue Liebe "Kann auch ein Mensch" (for voice and piano)
Hugo Wolf3:18
4Wo find ich Trost
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Mörike-Lieder: No. 31. Wo find' ich Trost? "Eine Liebe kenn' ich" (for voice and orchestra)
orchestrator and composer:
Hugo Wolf (Austrian composer of Slovenian descent)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
orchestration of:
Mörike-Lieder: No. 31. Wo find' ich Trost? "Eine Liebe kenn' ich"
Hugo Wolf5:20
5Harfenspieler I
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Goethe-Lieder: No. 1. Harfenspieler I "Wer sich der Einsamkeit ergibt" (for voice and orchestra)
orchestrator:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1890)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
orchestration of:
Goethe-Lieder: Nr. 1. Harfenspieler I "Wer sich der Einsamkeit ergibt" (for voice and piano)
Hugo Wolf3:51
6Harfenspieler II
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Goethe-Lieder: No. 2. Harfenspieler II "An die Türen will ich schleichen" (for voice and orchestra)
orchestrator:
Hugo Wolf (Austrian composer of Slovenian descent)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
orchestration of:
Goethe-Lieder: Nr. 2. Harfenspieler II "An die Türen will ich schleichen" (for voice and piano)
Hugo Wolf2:25
7Harfenspieler III
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Goethe-Lieder: No. 3. Harfenspieler III "Wer nie sein Brot mit Tränen aß" (for voice and orchestra)
orchestrator:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1890)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875)
orchestration of:
Goethe-Lieder: Nr. 3. Harfenspieler III "Wer nie sein Brot mit Tränen aß" (for voice and piano)
Hugo Wolf2:54
8Prometheus
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Otto Gerdes (conductor and producer)
recording of:
Goethe-Lieder: No. 49. Prometheus "Bedecke deinen Himmel, Zeus" (for voice and orchestra)
orchestrator:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1890)
lyricist:
Johann Wolfgang von Goethe
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1875, on 1889-01-02)
orchestration of:
Goethe-Lieder: Nr. 49. Prometheus "Bedecke deinen Himmel, Zeus" (for voice and piano)
Hugo Wolf9:08
9Mörike Lieder: Elfenlied (no. 16)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 16. Elfenlied "Bei Nacht im Dorf der Wächter reif"
lyricist and librettist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:56
10Mörike Lieder: Das verlassene Mägdlein (no. 7)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 7. “Das verlassene Mägdlein”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:18
11Mörike Lieder: Begegnung (no. 8)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 8. Begegnung "Was doch heut Nacht"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:29
12Mörike Lieder: Zitronenfalter im April (no. 18)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 18. Zitronenfalter im April "Grausame Frühlingssonne"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:35
13Mörike Lieder: Agnes (no. 14)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 14. Agnes "Rosenzeit, wie schnell vorbei"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:42
14Mörike Lieder: In der Frühe (no. 24)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 24. In der Frühe "Kein Schlaf noch kühlt"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:42
15Mörike Lieder: An eine Äolsharfe (no. 11)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 11. An eine Äolsharfe "Angelehnt an die Epheuwand"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf5:21
16Mörike Lieder: Lied vom Winde (no. 38)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 38. Lied vom Winde "Sausewind, Brausewind"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:36
17Mörike Lieder: Verborgenheit (no. 12)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 12. Verborgenheit "Laß, o Welt, o laß mich sein"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:43
3▼CD
#TitleArtistRatingLength
1Mörike Lieder: Gebet (no. 28)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 28. Gebet "Herr! schicke was du willt" (for voice and piano)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:27
2Mörike Lieder: Das schlafende Jesuskind (no. 25)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 25. Schlafendes Jesuskind "Sohn der Jungfrau" (for voice and piano)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:56
3Mörike Lieder: Auf ein altes Bild (no. 23)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 23. Auf ein altes Bild “In grüner Landschaft Sommerflor”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:52
4Mörike Lieder: Denk es, o Seele (no. 39)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 39. Denk es, o Seele! "Ein Tännlein grünet wo" (for voice and piano)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent) (in 1888)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:39
5Mörike Lieder: Neue Liebe (no. 30)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 30. Neue Liebe "Kann auch ein Mensch" (for voice and piano)
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf3:08
6Mörike Lieder: Wo find ich Trost (no. 31)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 31. Wo find' ich Trost? "Eine Liebe kenn' ich"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf4:49
7Mörike Lieder: Nimmersatte Liebe (no. 9)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 9. Nimmersatte Liebe “So ist die Lieb’!”
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:20
8Mörike Lieder: Rat einer Alten (no. 41)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 41. Rat einer Alten "Bin jung gewesen"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf2:00
9Mörike Lieder: Erstes Liebeslied eines Mädchens (no. 42)
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mörike-Lieder: No. 42. Erstes Liebeslied eines Mädchens "Was im Netze Schau einmal"
lyricist:
Eduard Mörike (German Romantic poet, † 1875)
composer:
Hugo Wolf (Austrian composer of Slovenian descent)
part of:
Mörike-Lieder (for voice and piano)
Hugo Wolf1:13
10Schlagende Herzen, op. 29 no. 2
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Schlagende Herzen, op. 29 no. 2
lyricist:
Otto Julius Bierbaum (Martin Möbius, German writer)
composer:
Richard Strauss (German composer)
part of:
3 Lieder for voice and piano (op. 29; TrV 172)
Richard Strauss2:40
11Allerseelen, op. 10 no. 8
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Allerseelen, op. 10 no. 8 (for voice and piano)
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer) (in 1885)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss2:50
12Mein Herz ist stumm, op. 19 no. 6
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Mein Herz ist stumm, mein Herz ist kalt, op. 19 no. 6
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder aus »Lotosblätter«, op. 19
Richard Strauss2:56
13Ich wollt ein Sträusslein, op. 68 no. 2
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Ich wollt ein Sträußlein binden, op. 68 no. 2 (for voice and piano)
lyricist:
Clemens Brentano (German poet, † 1842)
composer:
Richard Strauss (German composer) (in 1918)
part of:
6 Lieder nach Gedichten von Clemens Brentano (op. 68; TrV 235; for voice and piano)
Richard Strauss2:59
14Säusle, liebe Myrthe, op. 68 no. 3
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Säusle, liebe Myrte, op. 68 no. 3 (for voice and piano)
lyricist:
Clemens Brentano (German poet, † 1842)
composer:
Richard Strauss (German composer) (in 1918)
part of:
6 Lieder nach Gedichten von Clemens Brentano (op. 68; TrV 235; for voice and piano)
Richard Strauss4:59
15Die Georgine, op. 10 no. 4
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Die Georgine, op. 10 no. 4
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss3:56
16Die Nacht, op. 10 no. 3
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Die Nacht, op. 10 no. 3
lyricist:
Hermann von Gilm zu Rosenegg
composer:
Richard Strauss (German composer)
part of:
8 Gedichte aus »Letzte Blätter« (op 10; TrV 141)
Richard Strauss2:45
17Ständchen, op. 17 no. 2
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Ständchen, op. 17 no. 2
lyricist:
Adolf Friedrich von Schack
composer:
Richard Strauss (German composer)
part of:
6 Lieder (op. 17; TrV 149)
Richard Strauss2:43
18Befreit, op. 39 no. 4
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Befreit, op. 39 no. 4 (for voice and piano)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (from 1897 until 1898)
part of:
5 Lieder for voice and piano (op. 39; TrV 189)
Richard Strauss4:50
19Morgen!, op. 27 no. 4
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Morgen!, op. 27 no. 4 (for voice and piano)
lyricist:
John Henry Mackay (Scottish-German egoist anarchist, thinker and writer)
composer:
Richard Strauss (German composer) (in 1894)
publisher:
Boosey & Hawkes (publisher; do NOT use as release label)
part of:
4 Lieder, op. 27
Richard Strauss3:22
20Wie erkenn' ich mein Treulieb, op. 67 no. 1
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Lieder WoO posth. 22 no. 1: Wie erkenn'ich dein Treulieb
lyricist:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
composer:
Johannes Brahms (German composer)
previously attributed to:
William Shakespeare (English poet and playwright)
translator:
August Wilhelm Schlegel
part of:
Ophelia-Lieder, WoO posth. 22
Richard Strauss3:12
21Guten Morgen, s' ist Sankt Valentinstag, op. 67 no. 2
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Ophelia-Lieder, op. 67 no. 2: Three songs after William Shakespeare: "Guten Morgen, 's ist Sankt Valentinstag"
composer:
Richard Strauss (German composer) (in 1918)
part of:
6 Lieder (op. 67; TrV 238)
Richard Strauss1:17
22Sie trugen ihn auf der Bahre bloß, op. 67 no. 3
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Ophelia-Lieder, op. 67 no. 3: Three songs after William Shakespeare: "Sie trugen ihn auf der Bahre bloß"
lyricist:
William Shakespeare (English poet and playwright)
composer:
Richard Strauss (German composer) (in 1918)
translator:
Ludwig Seeger
part of:
6 Lieder (op. 67; TrV 238)
Richard Strauss3:01
23Ruhe, meine Seele
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Ruhe, meine Seele, op. 27 no. 1
lyricist:
Karl Friedrich Henckell
composer:
Richard Strauss (German composer) (in 1894)
part of:
4 Lieder, op. 27
Richard Strauss3:09
24Leises Lied, op. 39 no. 1
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Leises Lied, op. 39 no. 1 (for voice and piano)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (from 1897 until 1898)
part of:
5 Lieder for voice and piano (op. 39; TrV 189)
Richard Strauss2:38
25Schlechtes Wetter, op. 69 no. 5
piano:
Erik Werba (pianist)
soprano vocals:
Evelyn Lear (soprano)
recording of:
Schlechtes Wetter, op. 69 no. 5 (for voice and piano)
lyricist:
Heinrich Heine (German poet)
composer:
Richard Strauss (German composer) (in 1918)
part of:
5 Kleine Lieder (op. 69; TrV 237)
Richard Strauss2:11
4▼CD
#TitleArtistRatingLength
1St. John Passion: 13. Ich folge dir gleichfalls
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist)
recording of:
Johannes-Passion, BWV 245: Teil I. No. 9 Aria (Sopran) "Ich folge dir gleichfalls"
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach4:02
2St. John Passion: 63. Zerfließe, mein Herze
recording engineer:
Heinz Wildhagen (engineer, producer)
executive producer:
Prof. Dr. Hans Hickmann
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Karl Kolbinger (bassoonist) (from 1964-02 until 1964-03) and Detlev Kühl (bassoonist) (from 1964-02 until 1964-03)
cello:
Kurt Engert (cellist) (from 1964-02 until 1964-03) and Oswald Uhl (cellist) (from 1964-02 until 1964-03)
double bass:
Franz Ortner (double bass player) (from 1964-02 until 1964-03)
flute:
Walther Theurer (from 1964-02 until 1964-03)
lute:
Karl Scheidt (classical guitarist) (from 1964-02 until 1964-03)
oboe [oboe I] and oboe da caccia [oboe da caccia I]:
Edgar Shann (oboist) (from 1964-02 until 1964-03)
oboe [oboe II] and oboe da caccia [oboe da caccia II]:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03)
oboe d'amore:
Kurt Hausmann (oboist) (from 1964-02 until 1964-03) and Edgar Shann (oboist) (from 1964-02 until 1964-03)
organ:
Hedwig Bilgram (harpsichordist and organist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore I]:
Valentin Härtel (violist) (from 1964-02 until 1964-03)
viola d'amore [viola d'amore II]:
Kurt-Christian Stier (violist / violinist) (from 1964-02 until 1964-03)
viola da gamba:
Oswald Uhl (cellist) (from 1964-02 until 1964-03)
soprano vocals:
Evelyn Lear (soprano) (from 1964-02 until 1964-03)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1964-02 until 1964-03)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1964-02 until 1964-03)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1964-02 until 1964-03)
recording of:
Johannes-Passion, BWV 245: Teil II. No. 35 Aria (Sopran) "Zerfließe, mein Herze" (from 1964-02 until 1964-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Johannes-Passion, BWV 245 (St. John Passion, BWV 245)
Johann Sebastian Bach6:27
3Samson 3. How willing my paternal love
recording engineer:
Heinz Wildhagen (engineer, producer)
producer:
Dr. Manfred Richter (Producer for Deutsche Grammophon)
bassoon:
Detlev Kühl (bassoonist) (from 1968-10 until 1968-11)
cello:
Kenneth Heath (cellist) (from 1968-10 until 1968-11)
double bass:
Herbert Duft (double bass player) (from 1968-10 until 1968-11)
flute:
Wolfgang Haag (flautist) (from 1968-10 until 1968-11) and Herbert Segel (flautist) (from 1968-10 until 1968-11)
harpsichord:
Iwona Fütterer (harpsichordist) (from 1968-10 until 1968-11)
horn:
Hermann Baumann (horn player) (from 1968-10 until 1968-11) and Werner Meyendorf (horn) (from 1968-10 until 1968-11)
oboe:
Manfred Clement (oboist) (from 1968-10 until 1968-11) and Andreas Schwinn (oboist) (from 1968-10 until 1968-11)
organ:
Elmar Schloter (organist) (from 1968-10 until 1968-11)
trombone:
Franz Eder (from 1968-10 until 1968-11) and Lothar Zirkelbach (trombonist) (from 1968-10 until 1968-11)
trumpet:
Maurice André (French trumpeter) (from 1968-10 until 1968-11) and Paul Lachenmeier (trumpet) (from 1968-10 until 1968-11)
baritone vocals [Manoa]:
Thomas Stewart (bass-baritone) (from 1968-10 until 1968-11)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (from 1968-10 until 1968-11)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (from 1968-10 until 1968-11)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (from 1968-10 until 1968-11)
recording of:
Samson, HWV 57: Act III. Air: How willing my paternal love (Manoah)
composer:
George Frideric Handel (German‐British baroque composer)
librettist:
Newburgh Hamilton
part of:
Samson, HWV 57: Act III
George Frideric Handel3:28
4Te Deum: 1. Te Deum laudamus
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 1. Te Deum laudamus
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai4:11
5Te Deum: 2. Tibi omnes angeli
bass vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
tenor vocals:
Heinz Toppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 2. Tibi omnes angeli
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:22
6Te Deum: 3. Sanctus
alto vocals:
Kathleen Basler (soprano) and Raili Kostia (mezzo-soprano)
bass vocals:
Manfred Schenk (operatic bass & baritone) and Thomas Stewart (bass-baritone)
choir vocals:
Sing-Akademie zu Berlin
soprano vocals:
Evelyn Lear (soprano) and Marina Türke (soprano)
tenor vocals:
Heinz Hoppe (tenor) and Martin Vantin (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 3. Sanctus
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai1:44
7Te Deum: 4. Pleni sunt coeli
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 4. Pleni sunt coeli
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:30
8Te Deum: 5. Te gloriosus - Te per orbem terrarum
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 5. Te gloriosus - Te per orbem terrarum
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:46
9Te Deum: 6. Tu rex gloriae Jesu Christe
bass vocals:
Thomas Stewart (bass-baritone)
tenor vocals:
Heinz Hoppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 6. Tu rex gloriae Jesu Christe
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:12
10Te Deum: 7. Tu ad liberandum
alto vocals:
Raili Kostia (mezzo-soprano)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 7. Tu ad liberandum
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai3:36
11Te Deum: 8. Tu devicto mortis - Tu ad dexteram Dei
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 8. Tu devicto mortis - Tu ad dexteram Dei
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai3:07
12Te Deum: 9. Judex - Te ergo quaesumus
alto vocals:
Raili Kostia (mezzo-soprano)
bass vocals:
Manfred Schenk (operatic bass & baritone) and Thomas Stewart (bass-baritone)
choir vocals:
Sing-Akademie zu Berlin
soprano vocals:
Evelyn Lear (soprano) and Marina Türke (soprano)
tenor vocals:
Heinz Hoppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 9. Judex - Te ergo quaesumus
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai5:30
13Te Deum: 10. Aeterna fac
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 10. Aeterna fac
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai1:54
14Te Deum: 11. Salvum fac populum
bass vocals:
Manfred Schenk (operatic bass & baritone)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 11. Salvum fac populum
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai0:50
15Te Deum: 12. Per singulos dies
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 12. Per singulos dies
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai2:03
16Te Deum: 13. Dignare Domine
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 13. Dignare Domine
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai4:25
17Te Deum: 14. Miserere
alto vocals:
Raili Kostia (mezzo-soprano)
bass vocals:
Thomas Stewart (bass-baritone)
soprano vocals:
Evelyn Lear (soprano)
tenor vocals:
Heinz Hoppe (tenor)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 14. Miserere
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai4:52
18Te Deum: 15. In te, Domine, speravi
choir vocals:
Sing-Akademie zu Berlin
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993)
conductor:
Mathieu Lange
recording of:
Te Deum: 15. In te, Domine, speravi
composer:
Otto Nicolai (composer and conductor) (in 1832)
part of:
Te Deum
Otto Nicolai5:10
19Die Zauberflote: Ach ich fühls, es ist verschwunden
producer:
Otto Gerdes (conductor and producer) and Wolfgang Lohse
soprano vocals [Pamina]:
Evelyn Lear (soprano) (in 1964-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1964-06)
conductor:
Karl Böhm (Austrian conductor) (in 1964-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1964-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1964-06)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1964-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
Wolfgang Amadeus Mozart4:36
20Nabucco: Neu will ich bauen dir, Jehova, den Altar (Dio di Giuda)
baritone vocals:
Thomas Stewart (bass-baritone)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
tenor vocals:
Gernot Pietsch (tenor)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Horst Stein (conductor)
recording of:
Nabucco: IV. Teil. Arie „Neu will ich bauen Dir, Jehova, den Altar“ (Nabucco, Abdallo, Chor)
composer:
Giuseppe Verdi (Italian opera composer)
translator:
Leo Schottländer
part of:
Nabucco (german lyrics)
Giuseppe Verdi6:20
21Nabucco: Schon geöffnet seh ich das Himmelszelt (Oh, dischiuso è il firmamento)
bass vocals:
Martti Talvela (operatic bass)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Horst Stein (conductor)
recording of:
Nabucco: IV. Teil. „Oh Mädchen, Deine Leiden“ – „Schon geöffnet seh’ ich das Himmelszelt“ (Zacharias, Fenena)
composer:
Giuseppe Verdi (Italian opera composer)
translator:
Leo Schottländer
part of:
Nabucco (german lyrics)
Giuseppe Verdi4:20
5▼CD
#TitleArtistRatingLength
1Der fliegende Hollander: Die Frist ist um
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt I, Nr. 2. Arie "Die Frist ist um"
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt I
Richard Wagner11:46
2Der fliegende Hollander: Jo ho hoe! Traft ihr das Schiff
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt II
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner5:48
3Der fliegende Hollander: Wie aus der Ferne längst vergangner Zeiten
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt II
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner6:04
4Die Walkure: Leb wohl, du kühnes, herrliches Kind!
baritone vocals and baritone vocals [Wotan]:
Thomas Stewart (bass-baritone)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
compilation of:
Die Walküre. Der Augen leuchtendes Paar (Wotan) by Thomas Stewart (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor), Die Walküre. Leb wohl, du kühnes, herrliches Kindi (Wotan) by Thomas Stewart (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor) and Die Walküre. Loge, hör! Lausche hieher! (Watan) by Thomas Stewart (bass-baritone), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
partial recording of:
Der fliegende Holländer, WWV 63: Akt III
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63 (The Flying Dutchman)
Richard Wagner13:34
5Ein Maskenball: Mit starrem Angesicht blickt sie nach oben (Volta la terrea fronte alle)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Patanè (conductor)
recording of:
Ein Maskenball: Mit starrem Angesicht blickt sie nach oben
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ein Maskenball
Giuseppe Verdi1:55
6Ein Maskenball: Lasst ab mit Fragen (Saper vorreste)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Giuseppe Patanè (conductor)
partial recording of:
Ein Maskenball
composer:
Giuseppe Verdi (Italian opera composer)
translated version of:
Un ballo in maschera
Giuseppe Verdi2:10
7Die lustigen Weiber von Windsor: Nun eilt herbei
soprano vocals [Frau Fluth]:
Evelyn Lear (soprano)
orchestra:
Bamberger Symphoniker (Bamberg Symphony)
conductor:
Hans Löwlein (conductor)
recording of:
Die lustigen Weiber von Windsor: Akt I. Nr. 3. „Nun eilt herbei“ … „Ha, ha, ha, er wird mir glauben“
composer:
Otto Nicolai (composer and conductor)
librettist:
Salomon Hermann Mosenthal
part of:
Die lustigen Weiber von Windsor: Akt I
Otto Nicolai5:57
8Hoffmanns Erzahlungen: Leuchte, heller Spiegel, mir (Scintille, diamant)
baritone vocals:
Thomas Stewart (bass-baritone)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Richard Kraus (conductor)
recording of:
Hoffmanns Erzählungen: Akt II. Arie “Leuchte, heller Spiegel, mir” (Dapertutto)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Hoffmanns Erzählungen: Akt II (Giulietta)
Jacques Offenbach3:41
9Tiefland: Hüll in die Mantille dich fester ein
baritone vocals:
Thomas Stewart (bass-baritone)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
soprano vocals:
Inge Borkh (soprano)
tenor vocals:
Hans Hopf (Germanic tenor)
orchestra:
Bamberg Symphony
conductor:
Hans Löwlein (conductor)
chorus master:
Walter Hagen-Groll (chorus master)
recording of:
Tiefland: Aufzug II. „Hüll in die Mantille fester dich ein“ (Sebastiano, Pedro, Marta, Tommaso, Chor)
composer:
Eugen d’Albert (Scottish-German composer)
part of:
Tiefland, op. 34: Akt II
Eugen d’Albert2:41
10Eugen Onegin: Und sei's mein Untergang (Puskai pogibnu ya)
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Bayerischen Staatsoperette München
conductor:
Otto Gerdes (conductor and producer)
partial recording of:
Eugen Onegin (Friedrich von Bodenstedt translation)
writer:
Alexander Puschkin (Alexander Pushkin, Russian writer)
translator:
Friedrich von Bodenstedt
translated version of:
Евгений Онегин
Pyotr Ilyich Tchaikovsky12:16
11Wozzeck: Und ist kein Betrug in seinem Munde erfunden worden
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Wozzeck: Act 3, Scene 1, 'Und ist kein Betrug in seinem Munde erfunden worden'..
composer:
Alban Berg (Austrian composer) (from 1914 until 1922)
part of:
Wozzeck: Act 3
Alban Berg4:10
12Wozzeck: Verwandlung
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Karl Böhm (Austrian conductor)
partial recording of:
Wozzeck: Act 3
composer and librettist:
Alban Berg (Austrian composer)
part of:
Wozzeck
Alban Berg1:03
13Lulu: Wenn sich die Menschen um meinetwillen umgebracht haben
soprano vocals:
Evelyn Lear (soprano)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin)
conductor:
Karl Böhm (Austrian conductor)
recording of:
Lulu: Act 2. "Wenn sich die Menschen" ... "Du kannst mich nicht dem Gericht"
composer:
Alban Berg (Austrian composer) (from 1928 until 1935)
part of:
Lulu: Akt II
Alban Berg2:47
14On the Town: Carnegie Hall Pavane
assistant engineer:
Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon) and Stephan Flock
co-producer:
Pål Christian Moe
executive producer:
Alison Ames
producer:
Arend Prohmann (producer / editor)
editor:
Ingmar Haas (engineer)
choir vocals:
London Voices (from 1992-06-27 until 1992-06-30)
soprano vocals [Ivy]:
Marie McLaughlin (soprano) (from 1992-06-27 until 1992-06-30)
soprano vocals [Madame Dilly]:
Evelyn Lear (soprano) (from 1992-06-27 until 1992-06-30)
orchestra:
London Symphony Orchestra (from 1992-06-27 until 1992-06-30)
conductor:
Michael Tilson Thomas (conductor and pianist) (from 1992-06-27 until 1992-06-30)
chorus master:
Terry Edwards (British choir director) (from 1992-06-27 until 1992-06-30)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Barbican Centre in London (Greater London), England, United Kingdom (from 1992-06-27 until 1992-06-30)
live recording of:
On the Town: Carnegie Hall Pavane (Do-Do-Re-Do) (from 1992-06-27 until 1992-06-30)
lyricist:
Betty Comden and Adolph Green
composer:
Leonard Bernstein
part of:
On the Town
Leonard Bernstein2:36

Credits

Release

part of:Original Masters (Deutsche Grammophon) (order: 14)
Discogs:https://www.discogs.com/release/19764490 [info]