Four Classic Albums Plus

~ Veröffentlichung von Dean Martin (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

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1▼CD
Nr.TitelBewertungLänge
1Volare (Nel Blu dipinto di blu)
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Verfasser(in):
Franco Migliacci, Domenico Modugno und Mitchell Parish
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
43:01
2Write to Me From Naples
recording of:
Write to Me From Naples
Verfasser(in):
Alex Alstone (a.k.a. Siegfried Stein/Gaston Lecoque) und Jimmy Kennedy (Irish songwriter)
2:48
3The Test of Time
2:14
4Don’t You Remember?
conductor:
Dick Stabile
recording of:
Don’t You Remember?
Texter und Komponist(in):
Ace Dinning (US songwriter and bandleader)
2:24
5The Look
cover recording of:
The Look
Verfasser(in):
Sebastián Iradier und Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
2:19
6Return to Me
Produzent(in):
Lee Gillette
conductor:
Gus Levene
cover recording of:
Return to Me
Verfasser(in):
Daniel DiMinno (American composer, lyricist, author) und Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Arrangement von:
Return to Me (Regresa a mí)
52:25
7Buona sera
conductor:
Gus Levene
recording of:
Buona sera
Texter:
Carl Sigman
Komponist(in):
Peter de Rose
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
übersetzte Version von:
Buona sera signorina (italian version for Fred Buscaglione)
2:22
8I Know I Can’t Forget
3:04
9Angel Baby
recording of:
Angel Baby
Verfasser(in):
Carl Niessen und John Michael (US songwriter, mostly known for the song “Angel Baby”)
2:47
10When You’re Smiling
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
recording of:
When You’re Smiling (the Whole World Smiles With You)
Texter:
Mark Fisher (early 20th century songwriter) und Joe Goodwin
Komponist(in):
Larry Shay
publisher:
Mills Music, Inc.
53:03
11Makin’ Love Ukulele Style
2:13
12Promise Her Anything
recording of:
Promise Her Anything (But Give Her Love)
Verfasser(in):
Roy Alfred (Tin Pan Alley lyricist and composer)
2:58
13Sway
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1952)
Orchester:
Dick Stabile and His Orchestra (in 1952)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1952)
cover recording of:
Sway (in 1952)
Texter:
Norman Gimbel
Komponist(in):
Pablo Beltrán Ruiz
publisher:
Latin-American Music Publishing Co. Ltd.
Version von:
¿Quién será?
42:43
14Let Me Go, Lover
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Let Me Go, Lover
Texter:
Al Hill (Ben Weisman, Fred Wise, Kay Twomey)
Komponist(in):
Jenny Lou Carson
basiert auf:
Let Me Go, Devil
53:02
15Mambo italiano
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1954-11-26)
Orchester:
Dick Stabile and His Orchestra (am 1954-11-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1954)
cover recording of:
Mambo Italiano (original english version) (am 1954-11-26)
Texter und Komponist(in):
Bob Merrill (songwriter, and lyricist of the hit musical Funny Girl)
2:20
16Sleep Warm
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-14)
cover recording of:
Sleep Warm (am 1958-10-14)
Texter:
Alan Bergman (American lyricist) und Marilyn Bergman
Komponist(in):
Lew Spence
3:52
17Hit the Road to Dreamland
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-15)
cover recording of:
Hit the Road to Dreamland (am 1958-10-15)
Texter:
Johnny Mercer
Komponist(in):
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
2:51
18Dream
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Dream (am 1958-10-13)
Texter und Komponist(in):
Johnny Mercer (in 1944)
publisher:
Capitol Songs Inc., Mercer Music, Michael H. Goldsen Inc., Warner Bros. Music Corp., Warner Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
3:21
19Cuddle Up a Little Closer
cover recording of:
Cuddle Up a Little Closer
Texter:
Otto Harbach
Komponist(in):
Karl Hoschna
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:11
20Sleepy Time Gal
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-15)
cover recording of:
Sleepy Time Gal (am 1958-10-15)
Texter:
Joseph R. Alden und Raymond B. Egan
Komponist(in):
Ange Lorenzo und Richard A. Whiting
2:49
21Good Night Sweetheart
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Goodnight, Sweetheart (am 1958-10-13)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ray Noble
Übersetzer:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
1941
3:10
22All I Do Is Dream of You
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-15)
cover recording of:
All I Do Is Dream of You (Singin’ in the Rain) (am 1958-10-15)
Texter:
Arthur Freed
Komponist(in):
Nacio Herb Brown (US songwriter)
publisher:
EMI United Partnership Ltd.
Teil von:
Singin’ in the Rain (stage musical)
Teil von:
Singin’ in the Rain (soundtrack of the 1952 film)
2:45
23Let’s Put Out the Lights
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-14)
cover recording of:
Let’s Put Out the Lights and Go to Sleep (from the 1932 show “George White’s Music Hall Varieties”) (am 1958-10-14)
Texter und Komponist(in):
Herman Hupfeld
2:45
24Dream a Little Dream of Me
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Dream a Little Dream of Me (am 1958-10-13)
Texter:
Gus Kahn (in 1931)
Komponist(in):
Fabian André (in 1931) und Wilbur Schwandt (in 1931)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Essex Music, Inc., Étienne Marrix Music, Francis, Day & Hunter Ltd., Gilbert Keyes Music Company, Infoswan Publications, One Less Car Music, Words & Music, Inc. (US work publisher) und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
3:17
25Wrap Your Troubles in Dreams
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-15)
cover recording of:
Wrap Your Troubles in Dreams (am 1958-10-15)
Texter:
Ted Koehler (in 1931) und Billy Moll (songwriter) (in 1931)
Komponist(in):
Harry Barris (in 1931)
publisher:
Campbell Connelly & Co. Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc. und Ted Koehler Music Co.
2:59
26Goodnight, My Love
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-14)
recording of:
Goodnight, My Love (1936) (am 1958-10-14)
Texter:
Harry Revel (British-born American composer)
Komponist(in):
Mack Gordon
3:03
27Brahms’ Lullaby
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-14)
recording of:
The Cradle Song (Brahms’ Lullaby) (am 1958-10-14)
Komponist(in):
Johannes Brahms (German composer)
Übersetzer:
Natalia Macfarren
übersetzte Version von:
5 Lieder, op. 49: Nr. 4. Wiegenlied “Guten Abend, gute Nacht” (original for voice and piano)
3:01
2▼CD
Nr.TitelKünstlerBewertungLänge
1Innamorata
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
recording of:
Innamorata (in 1956)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
Dean Martin2:25
2Standing on the Corner
Produzent(in):
Lee Gillette und Voyle Gilmore
vocals:
Dean Martin (American singer/actor) (in 1956)
Orchester:
Dick Stabile and His Orchestra (in 1956)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1956)
cover recording of:
Standing on the Corner (The Most Happy Fella) (in 1956)
Texter und Komponist(in):
Frank Loesser
Teil von:
The Most Happy Fella (full musical)
Dean Martin2:49
3My Rifle, My Pony and Me
recording of:
My Rifle, My Pony and Me
Texter:
Dimitri Tiomkin
Komponist(in):
Dimitri Tiomkin und Paul Francis Webster
Dean Martin2:45
4I Can’t Believe That You’re in Love With Me
cover recording of:
I Can’t Believe That You’re in Love With Me
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
Dean Martin with orchestra conducted by Nelson Riddle2:25
5True Love
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
cover recording of:
True Love (High Society) (in 1960)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Dean Martin with orchestra conducted by Nelson Riddle2:33
6You’re Nobody ’til Somebody Loves You
Produzent(in):
Lee Gillette
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
You’re Nobody Till Somebody Loves You (am 1960-05-10)
Verfasser(in):
James Cavanaugh, Russ Morgan (Big Band orchestra leader) und Larry Stock
publisher:
Capitol Records (imprint of Capitol Records, Inc.), Shapiro, Bernstein & Co., Inc. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin with orchestra conducted by Nelson Riddle4.352:15
7On the Street Where You Live
conductor:
Nelson Riddle
cover recording of:
On the Street Where You Live (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
My Fair Lady (full musical)
Dean Martin with orchestra conducted by Nelson Riddle3:42
8Imagination
cover recording of:
Imagination
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Dorsey Brothers Music und Music Sales Corporation (American copyright holder in both popular and classical music)
Dean Martin with orchestra conducted by Nelson Riddle3:15
9Until the Real Thing Comes Along
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
Until the Real Thing Comes Along (am 1960-05-10)
Texter und Komponist(in):
Sammy Cahn, Saul Chaplin, L.E. Freeman, Mann Holiner und Alberta Nichols
publisher:
Anne-Rachel Music Corp., Cahn Music Company, Chappell & Co., Inc. (USA) und WB Music Corp. (1929–2019)
Dean Martin with orchestra conducted by Nelson Riddle3:02
10Please Don’t Talk About Me When I’m Gone
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
Please Don’t Talk About Me When I’m Gone (am 1960-05-10)
Texter:
Sidney Clare
Komponist(in):
Sam H. Stept
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Remick Music Corp.
Dean Martin with orchestra conducted by Nelson Riddle2:25
11I’ve Grown Accustomed to Her Face
cover recording of:
I’ve Grown Accustomed to Her Face (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe (in 1956)
publisher:
Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
My Fair Lady (full musical)
Dean Martin with orchestra conducted by Nelson Riddle2:43
12Someday
cover recording of:
Someday (You’ll Want Me to Want You)
Texter und Komponist(in):
Jimmie Hodges (Songwriter, composer, author, producer and publisher) (in 1944)
publisher:
Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., Songs of Universal, Inc. (BMI) und Main Street Songs, Inc. (am 1944-12-29)
Dean Martin with orchestra conducted by Nelson Riddle2:22
13Mean to Me
Bass:
Joe Comfort (am 1960-05-10)
Bratsche / Viola:
Alvin Dinkin (am 1960-05-10) und Paul Robyn (am 1960-05-10)
Cello:
Jacques Gasselin (am 1960-05-10), Edgar Lustgarten (am 1960-05-10) und Eleanor Slatkin (US cellist, b. Aller) (am 1960-05-10)
Geige / Violine:
Victor Bay (am 1960-05-10), Alex Beller (am 1960-05-10), Dan Lube (am 1960-05-10), Felix Slatkin (am 1960-05-10), Marshall Sosson (am 1960-05-10) und Gerald Vinci (American violinist and strings conductor) (am 1960-05-10)
Gitarre:
Al Hendrickson (am 1960-05-10)
Klavier:
Bill Miller (pianist) (am 1960-05-10)
Posaune:
Russell Brown (Swing trombonist) (am 1960-05-10), Dick Noel (trombone) (am 1960-05-10), Tom Pederson (am 1960-05-10) und Thomas Shepard (am 1960-05-10)
Saxophon:
Buddy Collette (am 1960-05-10), Plas Johnson (am 1960-05-10), Harry Klee (am 1960-05-10), Joe Koch (am 1960-05-10) und Wilbur Schwartz (am 1960-05-10)
Schlagzeug:
Alvin Stoller (am 1960-05-10)
Trompete:
Pete Candoli (am 1960-05-10), Conrad Gozzo (am 1960-05-10), Carroll Lewis (trumpeter) (am 1960-05-10) und Shorty Sherock (am 1960-05-10)
vocals:
Dean Martin (American singer/actor) (am 1960-05-10)
Orchester:
Nelson Riddle and His Orchestra (am 1960-05-10)
conductor:
Nelson Riddle (am 1960-05-10)
aufgenommen bei:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1960-05-10)
cover recording of:
Mean to Me (am 1960-05-10)
Texter:
Roy Turk
Komponist(in):
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. und Pencil Mark Music (ASCAP)
Dean Martin with orchestra conducted by Nelson Riddle2:10
14Heaven Can Wait
cover recording of:
Heaven Can Wait
Verfasser(in):
Eddie DeLange und Jimmy Van Heusen
Dean Martin with orchestra conducted by Nelson Riddle2:30
15Just in Time
Produzent(in):
Lee Gillette
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint)
cover recording of:
Just in Time (Bells Are Ringing)
Texter:
Betty Comden (in 1956) und Adolph Green (in 1956)
Komponist(in):
Jule Styne (in 1956)
publisher:
Chappell Music (UK), Stratford Music Corporation und Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Bells Are Ringing (stage musical)
Dean Martin with orchestra conducted by Nelson Riddle2:15
16Return to Me
Produzent(in):
Lee Gillette
conductor:
Gus Levene
cover recording of:
Return to Me
Verfasser(in):
Daniel DiMinno (American composer, lyricist, author) und Carmen Lombardo
publisher:
Southern Music Publ. Co. Ltd. und Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Arrangement von:
Return to Me (Regresa a mí)
Dean Martin52:25
17Angel Baby
recording of:
Angel Baby
Verfasser(in):
Carl Niessen und John Michael (US songwriter, mostly known for the song “Angel Baby”)
Dean Martin2:46
18Memories Are Made of This
Produzent(in):
Lee Gillette
Hintergrundgesang:
The Easy Riders (in 1955)
vocals:
Dean Martin (American singer/actor) (in 1955)
Orchester:
Dick Stabile and His Orchestra (in 1955)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1955)
cover recording of:
Memories Are Made of This (in 1955)
Verfasser(in):
Richard Dehr (in 1955), Terry Gilkyson (in 1955) und Frank Miller (American singer & songwriter) (in 1955)
Dean Martin52:18
19The Man Who Plays the Mandolino
recording of:
The Man Who Plays the Mandolino (Guaglione, english version)
Texter:
Alan Bergman (American lyricist) und Nicola Salerno (Italian lyricist Nicola Salerno)
Verfasser(in):
Marilyn Bergman
Komponist(in):
Giuseppe Fanciulli
übersetzte Version von:
Guaglione
Dean Martin2:53
20Write to Me From Naples
recording of:
Write to Me From Naples
Verfasser(in):
Alex Alstone (a.k.a. Siegfried Stein/Gaston Lecoque) und Jimmy Kennedy (Irish songwriter)
Dean Martin2:48
21Volare
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1958-07-14)
Orchester:
Dick Stabile and His Orchestra (am 1958-07-14)
conductor:
Gus Levene (am 1958-07-14)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1958)
recording of:
Volare (Nel blu dipinto di blu) (English lyrics) (am 1958-07-14)
Texter:
Franco Migliacci und Domenico Modugno
Verfasser(in):
Franco Migliacci, Domenico Modugno und Mitchell Parish
Komponist(in):
Domenico Modugno
Übersetzer:
Mitchell Parish
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Robbins Music Corp.
übersetzte Version von:
Nel blu dipinto di blu (Volare)
Dean Martin43:01
22Rio Bravo
vocals:
Dean Martin (American singer/actor)
conductor:
Gus Levene
recording of:
Rio Bravo (Main Title)
Komponist(in):
Dimitri Tiomkin und Paul Francis Webster
arranger:
Fred Oldörp
Dean Martin53:01
23I’ve Got My Love to Keep Me Warm
recording of:
I’ve Got My Love to Keep Me Warm (in 1959)
Texter und Komponist(in):
Irving Berlin (in 1937)
publisher:
Irving Berlin Music Company, Irving Berlin Music Corp., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Dean Martin2:44
24Baby, It’s Cold Outside
Produzent(in):
Lee Gillette
Sologesang:
Dean Martin (American singer/actor) (am 1959-08-06)
conductor:
Gus Levene (am 1959-08-06)
arranger:
Frank Loesser
phonographisches Urheberrecht (℗) von:
Capitol (UK) Ltd. (in 1959) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1959)
cover recording of:
Baby, It’s Cold Outside (1948 song by Frank Loesser) (am 1959-08-06)
Texter und Komponist(in):
Frank Loesser
publisher:
Frank Music Corp., Kobalt Music Publishing Australia Pty Ltd, MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company), MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Teil von:
The 22nd Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1949 winner)
Dean Martin3.52:23
25The Naughty Lady of Shady Lane
vocals:
Dean Martin (American singer/actor)
cover recording of:
The Naughty Lady of Shady Lane
Verfasser(in):
Roy Bennett (US songwriter) und Sid Tepper
Dean Martin52:55
26That’s Amore
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor) (am 1953-08-13)
Orchester:
Dick Stabile and His Orchestra (am 1953-08-13)
conductor:
Dick Stabile (am 1953-08-13)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1953)
aufgenommen bei:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1953-08-13)
recording of:
That’s Amore (am 1953-08-13)
Texter:
Jack Brooks (English–American lyricist)
Komponist(in):
Harry Warren (US composer and lyricist)
publisher:
Famous Chappell, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Four Jays Music Co., Paramount Music Corp., Peermusic Pty. Ltd. (Australia) und Universal Songs (publisher)
sub-publisher:
BMG Ariola Belgium (do not use this as an imprint!) und BMG Unisongs Music Publishers BV
Teil von:
The 26th Academy Award for Best Original Song (Nummer: 2)
Teil von:
The Real Book (compilation of jazz standards, Volume I)
Dean Martin4.353:08
27Good Night Sweetheart
conductor:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (am 1958-10-13)
cover recording of:
Goodnight, Sweetheart (am 1958-10-13)
Verfasser(in):
James Campbell (British songwriter and music publisher), Reginald Connelly und Ray Noble
Übersetzer:
Rudy Vallée
publisher:
Campbell Connelly Inc. (ASCAP affiliated) und EMI Robbins Catalog Inc. (ASCAP)
Teil von:
1941
Dean Martin3:10
28Ain’t That a Kick in the Head
Produzent(in):
Lee Gillette
vocals:
Dean Martin (American singer/actor)
recording of:
Ain’t That a Kick in the Head
Texter:
Sammy Cahn
Komponist(in):
Jimmy Van Heusen
publisher:
Maraville Music Corp.
Dean Martin with orchestra conducted by Nelson Riddle4.52:24