The Good Life

~ Release by Paul Smith with Monty Budwig, Frank Capp, Barney Kessel (see all versions of this release, 1 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Boppo for J. J.
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
?:??
A2I Hadn't Anyone 'Til You
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
instrumental recording of:
I Hadn’t Anyone Till You (in 1979-04)
lyricist and composer:
Ray Noble
publisher:
Bourne Co. (not for release label use, this is a music publisher)
?:??
A3Madame Butterfly
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
?:??
A4Some Day My Prince Will Come
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
instrumental recording of:
Someday My Prince Will Come (in 1979-04)
lyricist:
Larry Morey
composer:
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) (in 1937)
part of:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
?:??
A5What I Did For Love
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
?:??
B1The Good Life
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
?:??
B2Perdido
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
recording of:
Perdido (original instrumental version) (in 1979-04)
composer:
Juan Tizol
?:??
B3Here's That Rainy Day
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
instrumental recording of:
Here’s That Rainy Day (in 1979-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
?:??
B4The Fourth Way
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
?:??
B5Send In The Clowns
recording engineer:
Rick Ruggieri
engineer:
digital engineer (engineer/editor)
executive producer:
Jim Hall (US jazz guitarist, composer & arranger) and Dr. Bruce Maier
producer:
Jeffrey Weber
editor:
digital editing and digital editing (editor)
double bass [bass]:
Monty Budwig (in 1979-04)
drums (drum set):
Frank Capp (in 1979-04)
guitar:
Barney Kessel (in 1979-04)
piano:
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (in 1979-04)
recorded at:
Filmways/Heider Recording (fka Wally Heider Recording Studio & Wally Heider Studios until 1978) in Hollywood, Los Angeles, California, United States (from 1979-04-09 until 1979-04-10)
instrumental recording of:
Send In the Clowns (A Little Night Music) (in 1979-04)
lyricist and composer:
Stephen Sondheim
publisher:
Chappell Music Ltd., Fiddleback Music Publishing Co., Inc., Revelation Music Publishing Corp., Rilting Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) and Warner/Chappell North America
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
A Little Night Music (musical)
?:??

Credits

Release

art direction:Jeffrey Weber
photography:Gary Heery (photographer)
miscellaneous support:Heriberto Lurgenstein
Jerold Weber
illustration:Roger Huyssen
design:Stan Evenson
copyrighted (©) by and phonographic copyright (℗) by:Dishwasher, Inc. (in 1979)