Essential Mozart Opera

~ Release by Wolfgang Amadeus Mozart (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleRatingLength
1The Marriage of Figaro: Overture
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Georg Solti (Sir Georg Solti, conductor) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Sinfonia (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
part of:
Die Hochzeit des Figaro (German translation)
part of:
Le nozze di Figaro, K. 492 (The Marriage of Figaro, K 492)
3:56
2The Marriage of Figaro: Voi, Che Sapete
producer:
Christopher Raeburn (producer)
mezzo-soprano vocals [Cherubino]:
Frederica von Stade (mezzo-soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1982)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
2:53
3The Marriage of Figaro: Non Più Andrai
engineer and balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
producer:
Christopher Raeburn (producer)
bass vocals [Figaro]:
Samuel Ramey (bass-baritone) (in 1981-06)
bass-baritone vocals:
Samuel Ramey (bass-baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
3:37
4The Marriage of Figaro: Dove Sono
producer:
Christopher Raeburn (producer)
soprano vocals:
Kiri Te Kanawa (soprano) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
4:56
5The Marriage of Figaro: Se vuol ballare, signor Contino
producer:
Christopher Raeburn (producer)
bass vocals [Figaro]:
Samuel Ramey (bass-baritone) (in 1981-06)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena II. (no. 3) Cavatina “Se vuol ballare, signor Contino” (Figaro) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
2:34
6The Marriage of Figaro: Cosa Mi Narri! ... Che Soave Zeffiretto
vocals:
Lucia Popp (soprano) and Kiri Te Kanawa (soprano)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
Sir Georg Solti (conductor)
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena X. Recitativo “Cosa mi narri” (La Contessa, Susanna)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
3:15
7The Marriage of Figaro: Pace, Pace, Mio Dolce Tesoro
producer:
Christopher Raeburn (producer)
vocals:
Kurt Moll (operatic bass), Lucia Popp (soprano), Samuel Ramey (bass-baritone), Frederica von Stade (mezzo-soprano), Kiri Te Kanawa (soprano) and Thomas Allen (baritone)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
balance engineer:
John Dunkerley (engineer) (in 1981-06) and Colin Moorfoot (engineer) (in 1981-06)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena Ultima. (no. 29) Finale “Pace pace, mio dolce tesoro” (Il Conte, Tutti) (in 1981-06)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
6:54
8The Magic Flute: Der Vogelfänger bin ich ja
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
baritone vocals [Papageno]:
Olaf Bär (baritone) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt I. No. 2 Arie „Was hör’ ich?” … „Der Vogelfänger bin ich ja” (Papageno) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
2:48
9The Magic Flute: Pa-Pa-Pa-Pa-Pa-Pa-Papagena!
vocals:
Olaf Bär (baritone) and Eva Lind (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. Duett „Pa-pa-gena!... Pa-pa-geno!” (Papageno, Papagena)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:30
10The Magic Flute: Der Hölle Rache kocht in meinem Herzen
soprano vocals:
Cheryl Studer (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. No. 14 Arie „Der Hölle Rache kocht in meinem Herzen” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
3:04
11The Magic Flute: O zittre nicht, mein lieber Sohn!
vocals:
Cheryl Studer (soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 4 Rezitativ und Arie „O zittre nicht, mein lieber Sohn” ... „Zum Leiden bin ich auserkoren” (Die Königin der Nacht)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
5:04
12The Magic Flute: Ach, ich fühl's, es ist verschwunden
recorded in:
London (Greater London), England, United Kingdom (in 1989-07)
recording engineer:
Martha de Francisco (classical producer and engineer) and Roger de Schot
executive producer:
Eve Edwards
producer:
Eric Smith (classical music producer)
editor:
Kees De Visser (engineer)
soprano vocals [Pamina]:
Kiri Te Kanawa (soprano) (in 1989-07)
orchestra:
Academy of St Martin in the Fields (in 1989-07)
conductor:
Sir Neville Marriner (conductor) (in 1989-07)
balance engineer:
Erdo Groot (sound engineer for recordings of classical music)
recording of:
Die Zauberflöte: Akt II. No. 17 Arie „Ach, ich fühl's, es ist verschwunden“ (Pamina) (in 1989-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
4:45
13The Magic Flute: Hm! Hm! Hm! Hm! Hm! Hm! Hm!
vocals:
Francisco Araiza (tenor), Olaf Bär (baritone), Anne Collins (operatic contralto), Yvonne Kenny (Australian soprano) and Iris Vermillion (mezzo-soprano)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt I. No. 5 Quintet „Hm! hm! hm! hm!” … „Drei Knaben, jung, schön, hold und weise” (Papageno, Tamino, Drei Damen)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
6:29
14The Magic Flute: O Isis und Osiris, welche Wonne
vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Edmund Barham (tenor) and Harry Peeters (Dutch operatic bass-baritone)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Die Zauberflöte: Akt II. No. 18 Chor der Priester „O Isis und Osiris, welche Wonne!” (Priester)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt II
2:47
15Idomeneo: Placido È Il Mar, Andiamo
producer:
Rupert Fäustle and Wilhelm Meister (Tonmeister / recording producer)
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1991-01)
soprano vocals:
Roberta Alexander (soprano) (in 1991-01)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 1991-01)
conductor:
Sir Colin Davis (English conductor) (in 1991-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1991-01)
recording of:
Idomeneo, rè di Creta, K. 366: Act II, Scene VI. No. 15 Coro "Placido è il mar" (Elettra) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act II
4:39
16Idomeneo: Zeffiretti Lusinghieri
producer:
Rupert Fäustle and Wilhelm Meister (Tonmeister / recording producer)
soprano vocals:
Barbara Hendricks (soprano) (in 1991-01)
vocals:
Barbara Hendricks (soprano)
orchestra:
Bavarian Radio Symphony Orchestra (in 1991-01)
conductor:
Sir Colin Davis (English conductor) (in 1991-01)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1991-01)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene I. No. 19 Aria "Zeffiretti lusinghieri" (Ilia) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene II. Recitativo "Ei stesso vien... oh Dei!" (Ilia) (in 1991-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
5:57
17Idomeneo, Scenda Amor, Scenda Imeneo
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra)
conductor:
Sir Colin Davis (English conductor)
recording of:
Idomeneo, rè di Creta, K. 366: Act III, Scene XI. No. 31 Coro "Scenda Amor, scenda Imeneo" (Coro)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Giambattista Varesco
part of:
Idomeneo, rè di Creta, K. 366: Act III
1:42
18La Clemenza Di Tito: Overture
producer:
Erik Smith (British producer, pianist and harpsichordist)
orchestra:
Wiener Staatsopernorchester (Vienna State Opera Orchestra) (from 1967-05 until 1967-06)
conductor:
István Kertész (conductor) (from 1967-05 until 1967-06)
balance engineer:
James Lock (James Locke, engineer) (from 1967-05 until 1967-06) and Kenneth Wilkinson (engineer) (from 1967-05 until 1967-06)
recorded at:
Sofiensaal in Landstraße, Wien (Vienna), Austria (from 1967-05 until 1967-06)
recording of:
La clemenza di Tito, K. 621: Ouverture (from 1967-05 until 1967-06)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
La clemenza di Tito, K. 621
4:51
19La Clemenza Di Tito: Parto, Parto, Ma Tu, Ben Mio
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano)
orchestra:
Orchester der Wiener Staatsoper (Vienna State Opera Orchestra)
conductor:
István Kertész (conductor)
recording of:
La clemenza di Tito, K. 621: Act I, Scene IX. No. 9 Aria "Parto, ma tu ben mio... Guardami e tutto oblio" (Sesto)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
additional librettist:
Caterino Mazzolà
librettist:
Pietro Metastasio
part of:
La clemenza di Tito, K. 621: Act I
5:56
2▶CD