Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

1CD: Disc 01 - Oberto (Marriner, 1997)
2CD: Disc 02 - Oberto (Marriner, 1997)
3CD: Disc 03 - Un giorno di regno (Gardelli, 1973)
4CD: Disc 04 - Un giorno di regno (Gardelli, 1973)
5CD: Disc 05 - Nabucco (Gardelli, 1965)
6CD: Disc 06 - Nabucco (Gardelli, 1965)
7CD: Disc 07 – I Lombardi (Gardelli, 1972)
8CD: Disc 08 – I Lombardi (Gardelli, 1972)
9CD: Disc 09 – Ernani (Bonynge, 1987/1998)
#TitleRatingLength
1Ernani: Atto I. Preludio
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 1) Preludio
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:23
2Ernani: Atto I. “Evviva! beviam!” (Coro)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Armstrong (conductor) and Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 2) Coro d’Introduzione. “Evviva!… beviamo” (Ribelli e Banditi)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3a) “Ernani pensoso!” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:21
3Ernani: Atto I. “Mercé, dilette amici... Come rugiada al cespite” (Ernani)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 3b) Recitativo & Cavatina “Mercè, dilette amici … Come rugiada al cespite” (Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 3c) “Si rapisca…” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:02
4Ernani: Atto I. “Dell'esilio nel dolore” (Ernani)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 3d) “Dell’esilio nel dolore … O tu che l’alma adora” (Ernani, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
Ernani: Atto I (Il bandito)
3:08
5Ernani: Atto I. “Surta e la notte... Ernani! Ernani, involami” (Elvira)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 4a) Scena “Surta è la notte” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4b) Cavatina “Ernani!… Ernani, involami” (Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 4c) “Quante d’Iberia giovani” (Coro, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
6:22
6Ernani: Atto I. “Tutto sprezzo che d'Ernani” (Elvira)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 4d) “Tutto sprezzo, che d’Ernani” (Elvira, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:13
7Ernani: Atto I. “Fa che a me venga” (Carlo)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
soprano vocals [Giovanna]:
Linda McLeod (Mezzo-soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5a) Scena “Fa’ che a me venga…” (Carlo, Giovanna, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:13
8Ernani: Atto I. “Da quel di che t'ho veduta” (Carlo)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5b) Duetto “Da quel dì che t’ho veduta” (Carlo, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:47
9Ernani: Atto I. “Non t'ascolto, mia sarai” (Carlo)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 5c) Scena “Non t’ascolta…mia sarai…” (Carlo, Elvira, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 5d) Terzetto “Tu se’, Ernani!…mel dice lo sdegno” (Carlo, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:44
10Ernani: Atto I. “Che mai vegg'io!... Infelice! e tuo credevi” (Silva)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6a) Scena “Che mai vegg’io!” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6b) Cavatina “Infelice!… e tuo credevi” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6c) “L’offeso onor, signori” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:38
11Ernani: Atto I. “Infin che un brando vindice” (Silva)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6d) Cabaletta “Infin che un brando vindice” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
2:58
12Ernani: Atto I. “Uscite” (Silva)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
bass vocals [Jago]:
Alastair Miles (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals:
Linda McLeod (Mezzo-soprano) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Don Riccardo]:
Richard Morton (operatic tenor) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6e) Scena “Uscite…Ma, signore…” (Silva, Ernani, Carlo, Jago, Riccardo, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6f) “Vedi come il buon vegliardo” (Carlo, Riccardo, Silva, Ernani, Elvira, Jago, Giovanna, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
4:14
13Ernani: Atto I. “Mio signor, dolente io sono” (Silva)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
baritone vocals [Don Carlo]:
Leo Nucci (baritone) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
bass vocals [Jago]:
Alastair Miles (operatic bass) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
soprano vocals [Giovanna]:
Linda McLeod (Mezzo-soprano) (in 1987-05)
tenor vocals [Don Riccardo]:
Richard Morton (operatic tenor) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto I. (no. 6g) “Mio signor, dolente io sono…” (Silva, Carlo, Elvira, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
recording of:
Ernani: Atto I. (no. 6h) Finale “Io tuo fido?…” (Ernani, Elvira, Carlo, Silva, Riccardo, Giovanni, Jago, Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto I (Il bandito)
3:57
14Ernani: Atto II. “Esultiamo! Letizia ne inondi”! (Coro)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
choir vocals:
Chorus of the Welsh National Opera (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
chorus master:
Andrew Greenwood (conductor) (in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 7) Coro d’introduzione “Esultiamo!… Letizia ne innondi” (Coro)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:33
15Ernani: Atto II. “Jago, qui tosto il pellegrin adduci” (Silva)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8a) Recitativo “Jago, qui tosto il pellegrin adduci” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:12
16Ernani: Atto II. “Oro, quant'oro ogn'avido” (Ernani)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8b) Terzetto “Oro, quant’oro ogni avido” (Ernani, Elvira, Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 8c) Scena “In queste mura ogn’ospite” (Silva)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:19
17Ernani: Atto II. “Tu, perfida!” (Ernani)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8d) Duettino “Tu perfida…Come fissarmi ardisci?” (Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
1:50
18Ernani: Atto II. “Ah, morir potessi adesso” (Elvira, Ernani)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8e) “Ah, morir, potessi adesso” (Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
2:21
19Ernani: Atto II. “Scellerati, il mio furore” (Silva)
recording engineer:
James Lock (James Locke, engineer) (in 1987-05) and John Pellowe (audio engineer) (in 1987-05)
assistant producer:
Michael Haas (classical music producer) (in 1987-05)
producer:
Andrew Cornall (engineer / producer) (in 1987-05)
editor:
Deborah Gilbert (engineer) (in 1987-05)
bass vocals [Don Ruy Gomez de Silva]:
Paata Burchuladze (operatic bass) (in 1987-05)
soprano vocals [Elvira]:
Joan Sutherland (soprano) (in 1987-05)
tenor vocals [Ernani]:
Luciano Pavarotti (tenor) (in 1987-05)
orchestra:
Orchestra of the Welsh National Opera (in 1987-05)
conductor:
Richard Bonynge (conductor and pianist) (in 1987, in 1987-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1998)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (in 1987-05)
recording of:
Ernani: Atto II. (no. 8f) Seguito del Terzetto “Scellerati, il mio fuore” (Silva, Jago, Ernani)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
recording of:
Ernani: Atto II. (no. 8g) Stretta del Terzetto “No, vendetta più tremenda” (Silva, Ernani, Elvira)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Ernani: Atto II (L’ospite)
3:20
10CD: Disc 10 – Ernani (Bonynge, 1987/1998)
11CD: Disc 11 - I due Foscari (Gardelli, 1977)
12CD: Disc 11 - I due Foscari (Gardelli, 1977)
13CD: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
14CD: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
15CD: Disc 15 - Alzira (Luisi, 2001)
16CD: Disc 16 - Alzira (Luisi, 2001)
17CD: Disc 17 - Attila (Gardelli, 1972)
18CD: Disc 18 - Attila (Gardelli, 1972)
19CD: Disc 19 - Macbeth (Abbado, 1976)
20CD: Disc 20 - Macbeth (Abbado, 1976)
21CD: Disc 21 – I masnadieri (Bonynge, 1982)
22CD: Disc 22 – I masnadieri (Bonynge, 1982)
23CD: Disc 23 - Jérusalem (Luisi, 1998)
24CD: Disc 24 - Jérusalem (Luisi, 1998)
25CD: Disc 25 - Jérusalem (Luisi, 1998)
26CD: Disc 26 - Il corsaro (Gardelli, 1975)
27CD: Disc 27 - Il corsaro (Gardelli, 1975)
28CD: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
29CD: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
30CD: Disc 30 - Luisa Miller (Maazel, 1979)
31CD: Disc 31 - Luisa Miller (Maazel, 1979)
32CD: Disc 32 - Stiffelio (1979)
33CD: Disc 33 - Stiffelio (1980)
34CD: Disc 34 - Rigoletto (Chailly, 1989)
35CD: Disc 35 - Rigoletto (Chailly, 1989)
36CD: Disc 36 – Il trovatore (Mehta, 1990)
37CD: Disc 37 – Il trovatore (Mehta, 1990)
38CD: Disc 38 – La traviata (Pritchard, 1962)
39CD: Disc 39 – La traviata (Pritchard, 1962)
40CD: Disc 40 – I vespri siciliani (Levine, 1973)
41CD: Disc 41 – I vespri siciliani (Levine, 1973)
42CD: Disc 42 – I vespri siciliani (Levine, 1973)
43CD: Disc 43 - Simon Boccanegra (Solti, 1989)
44CD: Disc 44 - Simon Boccanegra (Solti, 1989)
45CD: Disc 45 - Aroldo (Luisi, 2001)
46CD: Disc 46 - Aroldo (Luisi, 2001)
47CD: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
48CD: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
49CD: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
50CD: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
51CD: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
52CD: Disc 52 – Don Carlo (Solti, 1965)
53CD: Disc 53 – Don Carlo (Solti, 1965)
54CD: Disc 54 – Don Carlo (Solti, 1965)
55CD: Disc 55 - La forza del destino (Sinopoli, 1987)
56CD: Disc 56 - La forza del destino (Sinopoli, 1987)
57CD: Disc 57 - La forza del destino (Sinopoli, 1987)
58CD: Disc 58 – Aida (Karajan, 1959)
59CD: Disc 59 – Aida (Karajan, 1959)
60CD: Disc 60 - Requiem (1968)
61CD: Disc 61 - Requiem (1968)
62CD: Disc 62 – Don Carlos (Abbado, 1984)
63CD: Disc 63 – Don Carlos (Abbado, 1984)
64CD: Disc 64 – Don Carlos (Abbado, 1984)
65CD: Disc 65 – Don Carlos (Abbado, 1984)
66CD: Disc 66 - Otello (1954)
67CD: Disc 67 - Otello (1954)
68CD: Disc 68 - Falstaff (Solti, 1963)
69CD: Disc 69 - Falstaff (Solti, 1963)
70CD: Disc 70 - Opere sacre (Messa solenne) (2000)
71CD: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
72CD: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
73CD: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
74CD: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]