Hollywood… Basie’s Way

~ Release by Count Basie and His Orchestra (see all versions of this release, 2 available)

Tracklist

1▼12" Vinyl
#TitleRatingLength
A1Secret Love
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
12 Songs: Secret Love (on 1966-12-14)
composer:
Sammy Fain
arranger:
武満徹 (Tōru Takemitsu, composer)
arrangement of:
Secret Love (song from “Calamity Jane”)
part of:
12 Songs for guitar
2:54
A2Laura
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
Laura (1945 song) (on 1966-12-14)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
2:27
A3In the Still of the Night
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
In the Still of the Night (Cole Porter song) (on 1966-12-14)
lyricist and composer:
Cole Porter (composer) (in 1937)
publisher:
Chappell (company that specialized in library and production music) and Chappell & Co., Inc. (USA)
1:59
A4A Foggy Day
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
A Foggy Day (in London Town) (on 1966-12-21)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
2:14
A5The Shadow of Your Smile
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental recording of:
The Shadow of Your Smile (Love Theme from “The Sandpiper”) (on 1967-01-16)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc., EMI United Partnership Ltd., Marissa Music, Miller Music Corp. and Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
sub-publisher:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 38th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1965 winner)
3:24
A6The Trolley Song
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
The Trolley Song (“‘Clang, Clang, Clang,’ Went the Trolley…”) (on 1966-12-21)
lyricist:
Ralph Blane
composer:
Hugh Martin
publisher:
EMI Feist Catalog Inc., EMI United Partnership Ltd. and United Partnership Ltd.
part of:
The 17th Academy Award for Best Original Song (number: 2)
part of:
Meet Me in St. Louis (1944 film)
2:17
B1Strangers in the Night
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental cover recording of:
Strangers in the Night (on 1967-01-16)
lyricist:
Charles Singleton (composer/lyricist) and Eddie Snyder
composer:
Bert Kaempfert (German orchestra leader, producer and songwriter)
publisher:
Champion Music, Champion Music Corp., EMI Music Publishing Germany (GmbH & Co. KG), Roosevelt Music Co., Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Songs of Universal, Inc. (BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing GmbH, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
2:58
B2A Fine Romance
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
A Fine Romance (from “Swing Time”) (on 1966-12-21)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Chappell & Co.
part of:
Swing Time (film)
2:47
B3Carioca
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1967-01-16)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
2:24
B4Hurry Sundown Blues
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Bobby Plater (on 1967-01-16) and Marshall Royal (on 1967-01-16)
baritone saxophone:
Charlie Fowlkes (on 1967-01-16)
bass:
Norman Keenan (on 1967-01-16)
bass trombone:
Bill Hughes (trombone) (on 1967-01-16)
drums (drum set):
Eddie Shaughnessy (on 1967-01-16)
guitar:
Freddie Green (on 1967-01-16)
membranophone:
Ed Shaughnessy (on 1967-01-16)
piano:
Count Basie (pianist) (on 1967-01-16)
tenor saxophone:
Eric Dixon (woodwind) (on 1967-01-16) and Billy Mitchell (US jazz saxophonist) (on 1967-01-16)
trombone:
Dick Boone (on 1967-01-16), Harlan Floyd (on 1967-01-16), Bill Hughes (trombone) (on 1967-01-16) and Grover Mitchell (trombone) (on 1967-01-16)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1967-01-16), Sonny Cohn (on 1967-01-16), Harry “Sweets” Edison (on 1967-01-16) and Gene Goe (on 1967-01-16)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1967-01-16)
instrumental recording of:
Hurry Sundown (on 1967-01-16)
writer:
Buddy Kaye and Hugo Montenegro
2:45
B5It Might as Well Be Spring
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-21), Bobby Plater (on 1966-12-21) and Marshall Royal (on 1966-12-21)
baritone saxophone:
Charlie Fowlkes (on 1966-12-21)
bass:
Norman Keenan (on 1966-12-21)
bass trombone:
Bill Hughes (trombone) (on 1966-12-21)
drums (drum set):
Eddie Shaughnessy (on 1966-12-21)
guitar:
Freddie Green (on 1966-12-21)
membranophone:
Ed Shaughnessy (on 1966-12-21)
piano:
Count Basie (pianist) (on 1966-12-21)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-21) and Billy Mitchell (US jazz saxophonist) (on 1966-12-21)
trombone:
Dick Boone (on 1966-12-21), Harlan Floyd (on 1966-12-21), Bill Hughes (trombone) (on 1966-12-21) and Grover Mitchell (trombone) (on 1966-12-21)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-21), Sonny Cohn (on 1966-12-21), Harry “Sweets” Edison (on 1966-12-21) and Gene Goe (on 1966-12-21)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-21)
instrumental recording of:
It Might as Well Be Spring (State Fair) (on 1966-12-21)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
composer:
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 18th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1945 winner)
part of:
State Fair (1945 film soundtrack)
part of:
State Fair (1962 film soundtrack)
part of:
State Fair
2:32
B6Days of Wine and Roses
recording engineer and engineer:
C. Robert Fine
producer:
Loren Becker, Teddy Reig and Robert Byrne
alto saxophone:
Jerry Dodgion (on 1966-12-14) and Marshall Royal (on 1966-12-14)
baritone saxophone:
Charlie Fowlkes (on 1966-12-14)
bass:
Norman Keenan (on 1966-12-14)
bass trombone:
Bill Hughes (trombone) (on 1966-12-14)
drums (drum set):
Eddie Shaughnessy (on 1966-12-14)
guitar:
Freddie Green (on 1966-12-14)
membranophone:
Ed Shaughnessy (on 1966-12-14)
piano:
Count Basie (pianist) (on 1966-12-14)
tenor saxophone:
Eric Dixon (woodwind) (on 1966-12-14) and Billy Mitchell (US jazz saxophonist) (on 1966-12-14)
trombone:
Dick Boone (on 1966-12-14), Harlan Floyd (on 1966-12-14), Bill Hughes (trombone) (on 1966-12-14) and Grover Mitchell (trombone) (on 1966-12-14)
trumpet:
Al Aarons (American jazz trumpeter, who also played the horn, flugelhorn) (on 1966-12-14), Sonny Cohn (on 1966-12-14), Harry “Sweets” Edison (on 1966-12-14) and Gene Goe (on 1966-12-14)
arranger:
Chico O’Farrill
recorded at:
Finesound Studio in Manhattan, New York, New York, United States (on 1966-12-14)
instrumental recording of:
Days of Wine and Roses (on 1966-12-14)
lyricist:
Johnny Mercer
composer:
Henry Mancini (US composer, conductor & arranger)
publisher:
Johnny Mercer Music Publishing, Inc., M. Witmark & Sons, Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
part of:
The 35th Academy Award for Best Original Song (number: 1), Grammy Award: Song of the Year nominees (number: 1964 winner) and Academy Award for Best Original Song (number: 1962 winner)
2:39

Credits

Release

art direction:Daniel Pezza
design/illustration:Charles E. Murphy
photography:Sigrid Owen
producer:Loren Becker
Teddy Reig
Robert Byrne
mastering:George Piros