St. Matthew Passion

~ Release by J.S. Bach; The Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

1▶12" Vinyl: D139D 1 - Part I

2▼12" Vinyl: D139D 2 - Part I (conclusion), Part II (beginning)
#	Title	Artist	Rating	Length
1	St. Matthew Passion, BWV 244: Recitative: And he went away engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 27. Recitative "And he went away" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		0:50
2	St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bending engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo baritone vocals: Stephen Roberts (UK bass-baritone) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 28. Recitative "The Saviour, low before His Father bending" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		1:08
3	St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo baritone vocals: Stephen Roberts (UK bass-baritone) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 29. Aria (Bass) "Gladly would I take upon me" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		4:26
4	St. Matthew Passion, BWV 244: Recitative: And he came to his disciples engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo bass-baritone vocals [Christus]: John Shirley‐Quirk (bass-baritone) (in 1978-09) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 30. Recitative "And he came to his disciples" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		1:30
5	St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 31. Chorale "O Father, let thy will be done" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		1:15
6	St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo bass-baritone vocals [Christus]: John Shirley‐Quirk (bass-baritone) (in 1978-09) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 32. Recitative "And he came again and found them sleeping" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		2:34
7	St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is taken engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) solo contralto vocals: Alfreda Hodgson (contralto) (in 1978-09) solo soprano vocals: Felicity Lott (soprano) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) partial recording of: St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) publisher: Novello & Co. Ltd. arrangement of: Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244) recording of: St. Matthew Passion: Part I: No. 33. Duet (Soprano & Contralto) & Chorus "Behold, my Saviour now is taken" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		4:55
8	St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo bass-baritone vocals [Christus]: John Shirley‐Quirk (bass-baritone) (in 1978-09) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part I: No. 34. Recitative "And behold, one of the others that were there with Jesus" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		2:35
9	St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) partial recording of: St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) publisher: Novello & Co. Ltd. arrangement of: Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244) recording of: St. Matthew Passion: Part I: No. 35. Chorus "O man, thy grievous sin bemoan" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" part of: St. Matthew Passion: Part I (arr. Elgar & Atkins)	Johann Sebastian Bach		6:56
10	St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) solo contralto vocals: Alfreda Hodgson (contralto) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part II: No. 36. Aria (Contralto) With Chorus "Ah! now is my Saviour gone" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" part of: St. Matthew Passion: Part II (arr. Elgar & Atkins)	Johann Sebastian Bach		4:33
11	St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part II: No. 37. Recitative "And they that had laid hold on Jesus" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" part of: St. Matthew Passion: Part II (arr. Elgar & Atkins)	Johann Sebastian Bach		1:03
12	St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse! engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part II: No. 38. Chorale "How falsely doth the world accuse!" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" part of: St. Matthew Passion: Part II (arr. Elgar & Atkins)	Johann Sebastian Bach		0:57
13	St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo baritone vocals: Richard Jackson (baritone) (in 1978-09) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" part of: St. Matthew Passion: Part II (arr. Elgar & Atkins)	Johann Sebastian Bach		1:24
14	St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falsely engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo tenor vocals: Neil Jenkins (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: St. Matthew Passion: Part II: No. 40. Recitative "He holds his peace though men accuse him falsely" (arr. Elgar & Atkins) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) arranger: Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer) arrangement of: Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" part of: St. Matthew Passion: Part II (arr. Elgar & Atkins)	Johann Sebastian Bach		1:05
15	St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) solo cello: Charles Tunnell (in 1978-09) solo tenor vocals: Neil Jenkins (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II	Johann Sebastian Bach		3:45
16	St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) solo baritone vocals: Richard Jackson (baritone) (in 1978-09) solo bass-baritone vocals [Christus]: John Shirley‐Quirk (bass-baritone) (in 1978-09) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe" recording of: Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"	Johann Sebastian Bach		1:43
17	St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) solo tenor vocals [Evangelist]: Robert Tear (tenor) (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"	Johann Sebastian Bach		0:40
18	St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee? engineer: Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer) producer: Andrew Cornall (engineer / producer) choir vocals: The Bach Choir (in 1978-09) orchestra: The Thames Chamber Orchestra (in 1978-09) conductor: Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09) phonographic copyright (℗) by: The Decca Record Company Limited (for copyrights use only!) (in 1979) recorded at: Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09) recording of: Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1978-09) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Picander part of: Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"	Johann Sebastian Bach		0:55

3▶12" Vinyl: D139D 3 - Part II (continued)

4▶12" Vinyl: D139D 4 - Part II (conclusion)

Credits

Release

liner notes:	Stanley Webb David Willcocks (UK composer, organist, choral conductor) (in 1978-12)

Release group

included in:	Great Choral Favourites by Various Artists (add compilations to this artist)
excerpts:	St. Matthew Passion: Highlights by Bach (Johann Sebastian Bach, German Baroque period composer & musician); The Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)