Berlioz Masterworks

~ Release by Hector Berlioz; Orchestre symphonique de Montréal, Charles Dutoit (see all versions of this release, 1 available)

Tracklist

1CD: Les Troyens, Acte I
2CD: Les Troyens, Acte II, III
3CD: Les Troyens, Acte IV
#TitleArtistRatingLength
1Les Troyens, H. 133A : Acte IV. Tableau 1. Chasse royale et orage
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
chorus master:
Iwan Edwards (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 29. Chasse royale et orage – Pantomime (Chœur) (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz9:27
2Les Troyens, H. 133A : Acte IV. Tableau 2. « Dites, Narbal, qui cause »
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
bass vocals [Narbal]:
Jean-Philippe Courtis (French operatic bass) (from 1993-10-07 until 1993-10-23)
contralto vocals [Anna]:
Hélène Perraguin (soprano / mezzo-soprano) (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 30. Récitatif « Dites, Narbal, qui cause vos alarmes ? » (Anna, Narbal) (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz3:17
3Les Troyens, H. 133A : Acte IV. Tableau 2. « De quels revers »
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
bass vocals [Narbal]:
Jean-Philippe Courtis (French operatic bass) (from 1993-10-07 until 1993-10-23)
contralto vocals [Anna]:
Hélène Perraguin (soprano / mezzo-soprano) (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 31. Air, cavatine et duo « De quels revers menaces‐tu Carthage » … « Vaine terreur » (Narbal, Anna) (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz3:51
4Les Troyens, H. 133A : Acte IV. Tableau 2. Marche pour l’Entrée de la Reine
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 32. Marche pour l'entrée de la reine (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz1:19
5Les Troyens, H. 133A : Acte IV. Tableau 2. Pas des Almées
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 33. Ballet a) Pas des almées (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz4:13
6Les Troyens, H. 133A : Acte IV. Tableau 2. Danse des esclaves
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 33. Ballet b) Danse des esclaves (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz4:44
7Les Troyens, H. 133A : Acte IV. Tableau 2. Pas d’esclaves nubiennes
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 33 Ballet. c) Pas d'esclaves nubiennes (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz1:22
8Les Troyens, H. 133A : Acte IV. Tableau 2. « Assez, ma sœur »
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
mezzo-soprano vocals [Didon]:
Françoise Pollet (soprano) (from 1993-10-07 until 1993-10-23)
tenor vocals [Iopas]:
Jean-Luc Maurette (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 34. Scène et chant d’Iopas « Assez, ma sœur » (Didon, Iopas) … « Ô blonde Cérès » (Iopas) (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
librettist:
Hector Berlioz (French composer)
part of:
Les Troyens : Acte IV
Hector Berlioz5:40
9Les Troyens, H. 133A : Acte IV. Tableau 2. « Pardonne, lopas »
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
bass vocals [Narbal]:
Jean-Philippe Courtis (French operatic bass) (from 1993-10-07 until 1993-10-23)
contralto vocals [Anna]:
Hélène Perraguin (soprano / mezzo-soprano) (from 1993-10-07 until 1993-10-23)
mezzo-soprano vocals [Didon]:
Françoise Pollet (soprano) (from 1993-10-07 until 1993-10-23)
tenor vocals [Énée]:
Gary Lakes (American tenor) (from 1993-10-07 until 1993-10-23)
tenor vocals [Iopas]:
Jean-Luc Maurette (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 35. Récitatif et quintette « Pardonne, Iopas » (Didon, Enée) … "Ô pudeur !" (Didon, Anna, Énée, Iopas, Narbal) (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz5:11
10Les Troyens, H. 133A : Acte IV. Tableau 2. « Mais bannissons »
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
bass vocals [Narbal]:
Jean-Philippe Courtis (French operatic bass) (from 1993-10-07 until 1993-10-23)
bass vocals [Panthée]:
Michel Philippe (operatic bass) (from 1993-10-07 until 1993-10-23)
choir vocals:
Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (from 1993-10-07 until 1993-10-23)
contralto vocals [Anna]:
Hélène Perraguin (soprano / mezzo-soprano) (from 1993-10-07 until 1993-10-23)
mezzo-soprano vocals [Didon]:
Françoise Pollet (soprano) (from 1993-10-07 until 1993-10-23)
soprano vocals [Ascagne]:
Catherine Dubosc (soprano) (from 1993-10-07 until 1993-10-23)
tenor vocals [Énée]:
Gary Lakes (American tenor) (from 1993-10-07 until 1993-10-23)
tenor vocals [Iopas]:
Jean-Luc Maurette (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
chorus master:
Iwan Edwards (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 36. Récitatif et septuor « Mais bannissons ces tristes souvenirs » (Énée) …« Tout n'est que paix » (Didon, Énée, Ascagne, Anna, Iopas, Narbal, Panthée, Chœur) (from 1993-10-07 until 1993-10-23)
composer:
Hector Berlioz (French composer) (from 1856 until 1858)
part of:
Les Troyens : Acte IV
Hector Berlioz3:50
11Les Troyens, H. 133A : Acte IV. Tableau 2. « Nuit d’ivresse et d’extase »
engineer:
John Dunkerley (engineer) and Neil Hutchinson (sound engineer)
assistant producer:
Christopher Pope (producer)
producer:
Ray Minshull (record producer)
baritone vocals [Le dieu Mercure]:
Michel Beauchemin (from 1993-10-07 until 1993-10-23)
mezzo-soprano vocals [Didon]:
Françoise Pollet (soprano) (from 1993-10-07 until 1993-10-23)
tenor vocals [Énée]:
Gary Lakes (American tenor) (from 1993-10-07 until 1993-10-23)
orchestra:
Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (from 1993-10-07 until 1993-10-23)
conductor:
Charles Dutoit (conductor) (from 1993-10-07 until 1993-10-23)
recorded at:
Église de Saint-Eustache in Saint-Eustache, Québec, Canada (from 1993-10-07 until 1993-10-23)
recording of:
Les Troyens : Acte IV, no. 37. Duo « Nuit d’ivresse et d’extase infinie ! » (Didon, Énée, Mercure) (from 1993-10-07 until 1993-10-23)
composer and librettist:
Hector Berlioz (French composer)
part of:
Les Troyens : Acte IV
Hector Berlioz9:03
4CD: Les Troyens, Acte V
5CD: Requiem (Grande Messe des morts) (beginning)
6CD: Requiem (Grande Messe des morts) (conclusion)
7CD: La Damnation de Faust, I, II Partie
8CD: La Damnation de Faust, III, IV Partie
9CD: Huit Scènes de Faust, L’ Imperiale, Sur les lagunes, etc.
10CD: L’Enfance du Christ, I, II Partie
11CD: L’Enfance du Christ, III Partie, Sara la Baigneuse, etc.
12CD: Symphonie fantastique
13CD: Lélio, ou Le Retour à la vie, Tristia
14CD: Roméo et Juliette, I, II Partie
15CD: Roméo et Juliette, III Partie, Symphonie funèbre et triomphale
16CD: Harold in Italy, Overtures
17CD: Overtures