The Complete Works

~ Veröffentlichung von Giuseppe Verdi (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Anmerkung zuletzt geändert am 2018-04-22 16:58 UTC.

Titelliste

1CD: Oberto (Atto I) (Marriner, 1966)
2CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11CD: I due Foscari (Atto I) (Gardelli, 1976)
12CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16CD: Alzira (Atto II) (Luisi, 1999)
17CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23CD: Jérusalem (Acte I) (Luisi, 1998)
24CD: Jérusalem (Acte II) (Luisi, 1998)
25CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27CD: Il corsaro (Atto III) (Gardelli, 1975)
28CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32CD: Stiffelio (Atto I) (Gardelli, 1979)
33CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34CD: Rigoletto (Atto I) (Giulini, 1979)
35CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
Nr.TitelBewertungLänge
1Don Carlos : Acte V. « Toi qui sus le néant des grandeurs de ce monde … France, noble pays » (Elisabeth)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et air « Toi qui sus le néant des grandeurs de ce monde » (Elisabeth) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
10:36
2Don Carlos : Acte V. « C'est elle ! … J'avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure » (Carlos, Elisabeth)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
bass-baritone vocals:
Ruggero Raimondi (bass-baritone)
Chorgesang:
Coro del Teatro alla Scala di Milano
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Tenor-Gesang [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène et duo d’adieu « C'est elle ! … J’avais fait un beau rêve ! … Au revoir dans un monde où la vie est meilleure … » (Elisabeth, Don Carlos, Philippe, L’Inquisiteur, Un moine, Chœur) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
9:44
3Don Carlos : Acte V. « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Bass-Gesang [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
Bass-Gesang [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
Bass-Gesang [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
Chorgesang:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
Chorgesang [Un inquisiteur]:
LIbero Bullo (in 1982-01, in 1984-06), Gaspare Cerri (in 1982-01, in 1984-06), Sebastiano Gernone (in 1982-01, in 1984-06), Ferdinando Meret (in 1982-01, in 1984-06), Giordano Olivo (in 1982-01, in 1984-06), Alfredo Pinardi (in 1982-01, in 1984-06), Eros Sartori (in 1982-01, in 1984-06), Vittorio Sarzano (in 1982-01, in 1984-06) und Armando Vivani (in 1982-01, in 1984-06)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano)
Tenor-Gesang [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
vocals:
Nicolaï Ghiaurov (operatic bass)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) und Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
recording of:
Don Carlos : Acte V. Scène finale « Oui, pour toujours ! » (Philippe, l'Inquisiteur, Elisabeth, Carlos, les Inquisiteurs, un Moine, moines) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
1:40
4Don Carlos : Appendice. Acte I. « L'hiver est long ! » (Les bûcherons et leurs femmes, les chasseurs, un Bûcheron, Elisabeth)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Baritongesang [Un bûcheron]:
Alessandro Corbelli (baritone) (in 1982-01, in 1984-06)
Chorgesang:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) und Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long » (Chœur) (1867 original french version) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte I
recording of:
Don Carlos : Appendice, Acte I. Prélude et introduction « L’hiver est long » (Chœur) (1867 original french version) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte I
9:38
5Don Carlos : Appendice. Acte III. « Que de fleurs … Pour une nuit me voilà Reine » (Dame et seigneurs, Elisabeth, Eboli, les femmes de la Reine)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Chorgesang:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
Mezzosoprangesang [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) und Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) (1867 original french version) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte IV
recording of:
Don Carlos : Acte IV, scène 1. Introduction et chœur « Que de fleurs … Pour une nuit me voilà reine » (Dames et seigneurs, Elisabeth, Eboli, les femmes de la Reine) (1867 original french version) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte IV
4:46
6Don Carlos : Appendice. Acte III. Le Ballet de la Reine (“La peregrina“)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Le Ballet de la Reine (1867 original french version) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte IV
15:15
7Don Carlos : Appendice. Acte IV. « J'ai tout compris » (Elisabeth, Eboli)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Bass-Gesang [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
Chorgesang:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
Mezzosoprangesang [La princesse Eboli]:
Lucia Valentini Terrani (mezzo soprano) (in 1982-01, in 1984-06)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) und Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris » (Elisabeth, Eboli) (1867 original french version) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte IV
recording of:
Don Carlos : Appendice, Acte IV, scène 1. Scène « J'ai tout compris » (Elisabeth, Eboli) (1867 original french version) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte IV
4:47
8Don Carlos : Appendice. Acte IV. « Mon fils, reprenez votre épée ... Qui me rendra ce mort ? » (Philippe, Carlos, les courtisans)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Bass-Gesang [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
Bass-Gesang [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
Bass-Gesang [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
Chorgesang:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Tenor-Gesang [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) und Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
7:23
9Don Carlos : Appendice. Acte V. « Oui, pour toujours ! Il faut un double sacrifice ! … Ah ! Sois maudit ! artisan d'une épreuve détestée ! » (Philippe, Inquisiteur, Carlos, Elisabeth, Moine, les inquisiteurs, moines)
sonstige Unterstützung:
Claudia Hamann (Aufgabe: coordinator)
Produzent(in):
Rainer Brock (Producer and recording supervisor for Deutsche Grammophon)
Bass-Gesang [Le Grand Inquisiteur]:
Nicolaï Ghiaurov (operatic bass) (in 1982-01, in 1984-06)
Bass-Gesang [Philippe II, roi d'Espagne]:
Ruggero Raimondi (bass-baritone) (in 1982-01, in 1984-06)
Bass-Gesang [Un moine]:
Nikita Storojev (operatic bass) (in 1982-01, in 1984-06)
Chorgesang:
Coro del Teatro alla Scala (in 1982-01, in 1984-06)
Soprangesang [Elisabeth de Valois]:
Katia Ricciarelli (soprano) (in 1982-01, in 1984-06)
Tenor-Gesang [Don Carlos, Infant d'Espagne]:
Plácido Domingo (tenor) (in 1982-01, in 1984-06)
Orchester:
Orchestra del Teatro alla Scala (Orchestra of La Scala, Milan) (in 1982-01, in 1984-06)
conductor:
Claudio Abbado (conductor) (in 1982-01, in 1984-06)
chorus master:
Giulio Bertola (conductor and chorus master) (in 1982-01, in 1984-06) und Romano Gandolfi (chorus master and conductor) (in 1982-01, in 1984-06)
Tonmeister(in):
Klaus Hiemann (engineer/producer)
concertmaster:
Franco Lizzio (in 1982-01, in 1984-06)
aufgenommen bei:
Centro Telecinematografico Culturale in Milano (Milan), Milano, Lombardia, Italien (in 1982-01, in 1984-06)
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1982-01)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
recording of:
Don Carlos : Appendice, Acte V. Final « Oui pour toujours... Ah ! Sois maudit ! Artisan d’une œuvre détestée ! » (Philippe, Carlos, les courtisans) (1867 original french version) (in 1984-06)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Camille du Locle und Joseph Méry
Teil von:
Don Carlos: Acte V
4:12
59CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64CD: Otello (Atto I, Atto II) (Chung, 1993)
65CD: Otello (Atto III, Atto IV) (Chung, 1993)
66CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
68CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71CD: Discoveries (Riccardo Chailly, 2002)
72CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75CD: Ballet Music (Chailly, 1986 & 1988)

Nennungen

Veröffentlichung

ASIN:US: B0197GJMZ6 [Info]

Veröffentlichungsgruppe

enthält:Il trovatore (1983 studio cast) von Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) von Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) von Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) von Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) von Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)