Epilogue: A Tribute to John Duffey

~ Release by Various Artists (see all versions of this release, 2 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Sad and Lonesome Day
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Eddie Adcock
bass:
Mark Schatz
guitar:
Kenny Smith (Bluegrass guitarist)
mandolin [used John Duffey's Gibson F-12 mandolin]:
Akira Otsuka (Bluegrass mandolin and lead guitar player)
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
lead vocals:
Randy Waller
tenor vocals:
Lou Reid
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Sad and Lonesome Day
lyricist and composer:
A.P. Carter
Randy Waller & Lou Reid2:36
2If That’s the Way You Feel
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
bass:
Jason Moore (US bluegrass bassist)
guitar and baritone vocals:
Kenny Smith (Bluegrass guitarist)
mandolin:
Adam Steffey (bluegrass mandolin player)
resonator guitar [dobro]:
Nils Lofgren
lead vocals:
Amanda Smith (bluegrass musician)
tenor vocals [low tenor]:
Alan Bartram
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
If That's the Way You Feel
writer:
Peggy Stanley and Ralph Stanley (US bluegrass singer and banjo player)
Amanda Smith3:20
3If I Were a Carpenter
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Bill Emerson
bass:
Jason Moore (US bluegrass bassist)
guitar:
Wyatt Rice
guitar [lead guitar]:
Phil Rosenthal
mandolin [used John Duffey's Gibson F-12 mandolin]:
Wayne Benson
resonator guitar [dobro] and baritone vocals:
Mike Auldridge
lead vocals:
Jonathan Edwards (American singer-songwriter/musician)
tenor vocals:
Dede Wyland
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
If I Were a Carpenter
lyricist and composer:
Tim Hardin
publisher:
Allen Stanton Productions, Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Faithful Virtue Music
Jonathan Edwards2:45
4Lonesome River
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Ron Stewart (bluegrass multi-instrumentalist session player, known for fiddle)
bass:
Todd Phillips (double bassist)
guitar:
Wyatt Rice
mandolin [used John Duffey's Gibson F-12 mandolin]:
David Grisman
lead vocals:
Dudley Connell
other vocals [harmony vocals]:
Don Rigsby
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
The Lonesome River
writer:
Carter Stanley and Ralph Stanley (US bluegrass singer and banjo player)
Dudley Connell2:57
5Sunrise
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Béla Fleck
bass:
Todd Phillips (double bassist)
guitar:
Kenny Smith (Bluegrass guitarist)
mandolin:
Sam Bush (bluegrass fiddler/mandolinist)
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
instrumental recording of:
Sunrise
composer:
John Duffey
publisher:
Fort Knox Music Inc. and Trio Music Company
Sam Bush & Béla Fleck3:22
6Going to the Races
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Ron Stewart (bluegrass multi-instrumentalist session player, known for fiddle)
bass:
Ronnie Simpkins
guitar:
David Grier
mandolin:
Ron Inscore (bluegrass mandolin player)
baritone vocals:
Eddie Adcock
lead vocals:
James King (Bluegrass/gospel musician)
tenor vocals:
Lou Reid
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Going to the Races
lyricist and composer:
Carter Stanley
James King2:01
7Some Old Day
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Ron Stewart (bluegrass multi-instrumentalist session player, known for fiddle)
bass:
Ronnie Simpkins
guitar:
Kenny Smith (Bluegrass guitarist)
mandolin [used John Duffey's Gibson F-12 mandolin]:
Wayne Benson
baritone vocals:
Lou Reid
bass vocals:
Shelton Feazell (bluegrass musician)
lead vocals:
John Cowan
tenor vocals [low tenor]:
David Parmley
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Some Old Day
writer:
Gladys Stacey and Louise Certain
John Cowan2:43
8Girl From the North Country
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Sammy Shelor
bass:
Jason Moore (US bluegrass bassist)
guitar:
Kenny Smith (Bluegrass guitarist)
mandolin:
Adam Steffey (bluegrass mandolin player)
baritone vocals:
David Parmley
lead vocals:
Steve Gulley
tenor vocals:
Don Rigsby
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Girl From the North Country
lyricist and composer:
Bob Dylan (in 1963-01)
publisher:
Sony/ATV Music Publishing (UK) Ltd., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), Warner/Chappell (Warner/Chappell Music, Inc.) (from 1963 until 1991) and Special Rider Music (from 1991 to present)
Steve Gulley3:32
9He Was a Friend of Mine
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
bass:
Ronnie Simpkins
guitar:
Tony Rice
mandolin [used John Duffey's Gibson F-12 mandolin]:
Akira Otsuka (Bluegrass mandolin and lead guitar player)
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
baritone vocals:
David Parmley
bass vocals:
Shelton Feazell (bluegrass musician)
lead vocals:
Dudley Connell
tenor vocals:
John Cowan
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
Dudley Connell & John Cowan3:09
10Poor Ellen Smith
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Béla Fleck
bass:
Jason Moore (US bluegrass bassist)
guitar [guitars]:
Wyatt Rice
mandolin [used John Duffey's Gibson F-12 mandolin]:
Wayne Benson
vocals:
Tim O’Brien (US bluegrass musician)
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
Tim O’Brien2:23
11Reason for Being
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Ben Eldridge
bass:
Jason Moore (US bluegrass bassist)
guitar [guitars]:
Wyatt Rice
mandolin [used John Duffey's Gibson F-12 mandolin]:
Akira Otsuka (Bluegrass mandolin and lead guitar player)
resonator guitar [dobro], lead vocals and tenor vocals:
Fred Travers
baritone vocals:
David Parmley
lead vocals [lead on chorus]:
Ronnie Bowman
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
cover recording of:
Reason for Being
writer:
John Duffey and Ann Hill (songwriter and composer)
publisher:
Zap Publishing Co.
Fred Travers3:17
12Ain’t Gonna Work Tomorrow
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Sammy Shelor
bass:
Todd Phillips (double bassist)
guitar [guitars]:
Wyatt Rice
mandolin [used John Duffey's Gibson F-12 mandolin]:
Marc MacGlashan
resonator guitar [dobro]:
Jerry Douglas (US guitar and dobro player)
baritone vocals:
Eddie Adcock
lead vocals and tenor vocals:
Don Rigsby
lead vocals [lead on chorus]:
Steve Gulley
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Ain’t Gonna Work Tomorrow
writer:
Charlie Louvin and Ira Louvin
publisher:
Central Songs
Don Rigsby2:42
13Chim-Chim-Cher-Ee
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
bass:
Tom Gray (US bluegrass bassist)
guitar:
Bruce Molsky
resonator guitar [dobro]:
Mike Auldridge and Fred Travers
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Chim Chim Cher-ee (Mary Poppins)
lyricist and composer:
Richard M. Sherman and Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd., The Walt Disney Co. and Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
part of:
The 37th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1964 winner)
part of:
Mary Poppins (stage version)
part of:
Mary Poppins (1964 film version)
Bruce Molsky1:28
14Cold Wind a Blowin’
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo:
Ron Stewart (bluegrass multi-instrumentalist session player, known for fiddle)
bass:
Jason Moore (US bluegrass bassist)
guitar:
Kenny Smith (Bluegrass guitarist)
mandolin [used John Duffey's Gibson F-12 mandolin]:
Marc MacGlashan
baritone vocals:
Eddie Adcock
lead vocals [lead vocal verse 1 and chorus]:
Ronnie Bowman
lead vocals [lead vocal verse 2] and tenor vocals [tenor on chorus]:
Lou Reid
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
A Cold Wind A’Blowin’
writer:
John Duffey and Ann Hill (songwriter and composer)
publisher:
Zap Publishing Co.
Ronnie Bowman & Lou Reid2:17
15Christmas Time Back Home
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Rick Watson (musician, engineer and producer)
banjo:
Bill Emerson
bass:
Jason Moore (US bluegrass bassist)
guitar [lead guitar]:
Jack Lawrence (US folk guitarist)
guitar [rhythm guitar]:
Kenny Smith (Bluegrass guitarist)
mandolin [used John Duffey's Gibson F-12 mandolin]:
Lou Reid
resonator guitar [dobro]:
Mike Auldridge
lead vocals [lead vocals verse 1]:
Jimmy Gaudreau and Randy Waller
lead vocals [lead vocals verse 2]:
Lou Reid and John Starling
lead vocals [lead vocals verse 3]:
Dudley Connell and Jonathan Edwards (American singer-songwriter/musician)
other vocals [1st chorus harmony]:
Eddie Adcock and Tom Gray (US bluegrass bassist)
other vocals [2nd chorus harmony]:
Mike Auldridge and Phil Rosenthal
other vocals [last chorus harmony]:
Eddie Adcock, Martha Adcock, Mike Auldridge, Beth Rosenthal, Ronnie Bowman, Dudley Connell, John Cowan, Jonathan Edwards (American singer-songwriter/musician), Shelton Feazell (bluegrass musician), Jimmy Gaudreau, Tom Gray (US bluegrass bassist), Steve Gulley, James King (Bluegrass/gospel musician), Tim Kruzic (bluegrass musician), Tim O’Brien (US bluegrass musician), David Parmley, Lou Reid, Don Rigsby, Phil Rosenthal, Rickie Simpkins, Amanda Smith (bluegrass musician), Kenny Smith (Bluegrass guitarist), John Starling, Chris Stifel, Ron Thomason, Fred Travers, Randy Waller, Rick Watson (musician, engineer and producer) and Dede Wyland
mixed at:
Watson Audio and Video in Durham, New Hampshire, United States
recording of:
Christmas Time Back Home
writer:
John Duffey and Ann Hill (songwriter and composer)
publisher:
Zap Publishing Co.
John Duffey Tribute All-Stars3:14
16Bringing Mary Home
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
banjo and baritone vocals:
Eddie Adcock
bass:
Ronnie Simpkins
guitar and lead vocals:
John Starling
guitar [lead guitar]:
Ben Eldridge
mandolin and tenor vocals:
Lou Reid
resonator guitar [dobro]:
Fred Travers
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
Bringing Mary Home
writer:
John Duffey, Joe Kingston (bluegrass musician/writer) and Chaw Mank (bluegrass musician/writer)
publisher:
Belinda AB (in 1978)
John Starling3:49
17First Tear
producer:
Ronnie Freeland and Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixer:
Ronnie Freeland
mandolin [used John Duffey's Gibson F-12 mandolin]:
Akira Otsuka (Bluegrass mandolin and lead guitar player)
mixed at and engineered at:
Burnt Hill Studio in Clarksburg, Maryland, United States
recording of:
First Tear
composer:
Akira Otsuka (Bluegrass mandolin and lead guitar player)
Akira Otsuka1:21

Credits

Release group

tribute to:John Duffey