Sure on This Shining Night: The Romantic Song in America

~ Release by Robert White, Samuel Sanders (see all versions of this release, 1 available)

Annotation

subtitle on back cover: 20th-Century Romantic Songs of America

Annotation last modified on 2014-05-28 03:03 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1The Children: The Children
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Children: No. 1. The Children (from 1996-07-29 until 1996-07-31)
lyricist:
Leonard Feeney
composer:
Theodore Chanler
part of:
The Children
Theodore Chanler1:21
2Robert Browning Songs, op. 44 no. 1: The Year's at the Spring
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Year's at the Spring, op. 44 no. 1 (from 1996-07-29 until 1996-07-31)
lyricist:
Robert Browning (English poet and playwright)
composer:
Amy Beach (composer/pianist) (from 1899 until 1900)
part of:
3 Browning Songs, op. 44
Amy Beach1:01
3When Stars Are in the Quiet Skies, L. 7 no. 102
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
When Stars Are in the Quiet Skies (from 1996-07-29 until 1996-07-31)
lyricist:
Edward Bulwer-Lytton (1st Baron Lytton)
composer:
George Whitefield Chadwick (in 1910)
George Whitefield Chadwick3:22
4Orpheus With His Lute
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Orpheus with his lute (from 1996-07-29 until 1996-07-31)
lyricist:
William Shakespeare (English poet and playwright)
composer:
William Schuman (American composer) (in 1944)
William Howard Schuman2:06
5Rose Marie: Rose Marie
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Rose-Marie (title song of the 1924 operetta) (from 1996-07-29 until 1996-07-31)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) and Otto Harbach
composer:
Rudolf Friml
publisher:
Chappell & Co.
part of:
Rose-Marie (1924 operetta-style musical)
Rudolf Friml2:52
6The Side Show, S. 348
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Side Show, S. 348 (from 1996-07-29 until 1996-07-31)
lyricist and composer:
Charles Ives (composer) (in 1921)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 348)
Charles Ives0:38
7The Cloisters, no. 2: Song to the Witch of the Cloisters
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Cloisters: No. 2. Song to the Witch of the Cloisters (from 1996-07-29 until 1996-07-31)
lyricist:
William M. Hoffman
composer:
John Corigliano (composer) (in 1965)
part of:
The Cloisters
John Corigliano3:05
8Sure on this shining night, op. 13 no. 3
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Sure on This Shining Night, op. 13 no. 3 (from 1996-07-29 until 1996-07-31)
lyricist:
James Agee (writer)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (from 1937 until 1940)
publisher:
G. Schirmer Inc.
part of:
Four Songs, op. 13
Samuel Barber2:25
9Shakespeare Songs, no. 3: Sigh No More, Ladies
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Sigh No More, Ladies (from 1996-07-29 until 1996-07-31)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Virgil Thomson (composer)
Virgil Thomson2:19
10Songs of the Clown, op. 29 no. 1: Come Away, Death
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Songs of the Clown, op. 29: No. 1. Come Away Death (from 1996-07-29 until 1996-07-31)
lyricist:
William Shakespeare (English poet and playwright)
composer:
Erich Wolfgang Korngold (Austrian composer and conductor) (in 1943)
adaptations:
Songs of the Clown, op. 29: No. 1. Come away, death (catch-all for arrangements)
part of:
Songs of the Clown, op. 29
Erich Wolfgang Korngold2:36
11On Hearing "The Last Rose of Summer"
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Nine English Songs: No. 1. On hearing "The last rose of summer" (from 1996-07-29 until 1996-07-31)
lyricist:
Charles Wolfe (Irish poet)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1942 until 1944)
part of:
Nine English Songs
Paul Hindemith2:46
12Echo
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Nine English Songs: No. 2. Echo (from 1996-07-29 until 1996-07-31)
lyricist:
Thomas Moore (Irish poet)
composer:
Paul Hindemith (German composer, 1895–1963) (from 1942 until 1944)
part of:
Nine English Songs
Paul Hindemith1:09
13If I Could Tell You
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
If I Could Tell You (from 1996-07-29 until 1996-07-31)
lyricist:
Madeleine Marshall
composer:
Idabelle Smith Firestone (in 1940)
Idabelle Smith Firestone3:16
14The Collection, S. 230
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Collection, S. 230 (from 1996-07-29 until 1996-07-31)
composer:
Charles Ives (composer) (in 1920)
part of:
A Descriptive Catalogue of the Music of Charles Ives (number: S. 230)
Charles Ives2:23
15The Lord's Prayer
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Lord’s Prayer (from 1996-07-29 until 1996-07-31)
lyricist:
[traditional] (special purpose artist)
composer:
Albert Hay Malotte (composer) (in 1935)
Albert Hay Malotte2:38
16Poems of Emily Dickinson, no. 1: Nature, the Gentlest Mother
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Twelve Poems of Emily Dickinson: I. Nature, the gentlest mother (from 1996-07-29 until 1996-07-31)
lyricist:
Emily Dickinson
composer:
Aaron Copland (composer) (in 1950)
dedicated to:
David Diamond (composer of classical music)
part of:
Twelve Poems of Emily Dickinson
Aaron Copland3:48
17The Tiger
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Tiger (from 1996-07-29 until 1996-07-31)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Eric Ewazen (American composer)
Eric Ewazen2:35
18Never More Will the Wind
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
I Will Breath a Mountain: No. 5. Never more will the wind (from 1996-07-29 until 1996-07-31)
lyricist:
Hilda Doolittle
composer:
William Bolcom (American composer and pianist) (in 1990)
part of:
I Will Breath a Mountain
William Bolcom1:42
19Little Elegy
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Two Songs: I. Little Elegy (from 1996-07-29 until 1996-07-31)
lyricist:
Elinor Morton Wylie
composer:
Ned Rorem (American composer) (in 1948)
Ned Rorem1:20
20The Desert Song: One Alone
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
The Desert Song: Act II. One Alone (Pierre, Men) (from 1996-07-29 until 1996-07-31)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein), Otto Harbach and Frank Mandel
composer:
Sigmund Romberg
part of:
The Desert Song: Act II. Eastern and Western Love
Sigmund Romberg3:06
21Do Not Go, My Love
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Do Not Go, My Love (from 1996-07-29 until 1996-07-31)
lyricist:
Rabindranath Tagore
composer:
Richard Hageman
Richard Hageman2:34
22To a Stranger
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
To a Stranger (from 1996-07-29 until 1996-07-31)
lyricist:
Walt Whitman (19th c. American poet, essayist, and journalist)
composer:
Marc Marder (contrabass player and composer)
Marc Marder2:19
23When I Have Sung My Songs
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
When I Have Sung My Songs (from 1996-07-29 until 1996-07-31)
lyricist and composer:
Ernest Charles
Ernest Charles2:08
24These, My Ophelia
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
These, My Ophelia (from 1996-07-29 until 1996-07-31)
lyricist:
Archibald MacLeish
composer:
Theodore Chanler (in 1935)
Theodore Chanler2:12
25Poems by John Masefield, no. 1: An Old Song Re-sung
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
An Old Song Resung (from 1996-07-29 until 1996-07-31)
lyricist:
John Masefield (poet)
composer:
Charles Tomlinson Griffes
part of:
The Works of Charles T. Griffes. A Descriptive Catalogue (number: A.56)
Charles Tomlinson Griffes1:47
26Naughty Marietta: Ah! Sweet Mystery of Life
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Naughty Marietta: Act II. Ah! Sweet Mystery of Life (aka The Dream Melody) (from 1996-07-29 until 1996-07-31)
lyricist:
Rida Johnson Young
composer:
Victor Herbert (American composer)
part of:
Naughty Marietta: Act II
Victor Herbert2:27
27June Night, op. 51 no. 2
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
June Night, op. 51 no. 2 (from 1996-07-29 until 1996-07-31)
lyricist:
Ella Higginson
composer:
Horatio Parker (American composer)
Horatio Parker1:43
28Triolet
recording engineer:
Julian Millard (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
piano:
Samuel Sanders (pianist) (from 1996-07-29 until 1996-07-31)
tenor vocals:
Robert White (tenor) (from 1996-07-29 until 1996-07-31)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 1996-07-29 until 1996-07-31)
recording of:
Triolet (from 1996-07-29 until 1996-07-31)
lyricist:
Eugene O'Neill
composer:
John Musto (in 1987)
John Musto1:12

Credits

Release

liner notes:Robert White (tenor) (in 1997)
executive producer:Nick Flower
Joanna Gamble (alto vocalist and producer)
Edward Perry (producer and founder of Hyperion, aka Ted Perry)
design:Terry Shannon (designer)
ASIN:US: B000002ZYW [info]