| # | Titolo | Artista | Valutazione | Durata |
|---|
| 1 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "All that we have said..." (4th movement) | [dialogue] | | 9:12 |
| 2 | Musical Analysis (Bernstein on Beethoven's Symphony No. 3): "The study of Eroica is a lifetime work..." | [dialogue] | | 1:11 |
| 3 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto | Antonín Dvořák | | 8:52 |
| 4 | Symphony no. 9 in E minor, op. 95 "From the New World": II. Largo | Antonín Dvořák | | 13:33 |
| 5 | Symphony no. 9 in E minor, op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák | | 7:16 |
| 6 | Symphony no. 9 in E minor, op. 95 "From the New World": IV. Allegro con fuoco | Antonín Dvořák | | 11:33 |
| 7 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "Does this music sound like the New World to you?" (3rd movement, Trio II; 1st movement) | [dialogue] | | 9:52 |
| 8 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "We come now to the second movement, which has a charming melody, ..." (2nd movement) | [dialogue] | | 3:22 |
| 9 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The third movement is a marvel of ingenuity and deftness" (3rd movement) | [dialogue] | | 1:40 |
| 10 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "And now the last movement. In general I should say that this is the most Slavic of all" (4th movement) | [dialogue] | | 5:00 |
| 11 | Musical Analysis (Bernstein on Dvorák's Symphony No.9): "The final claim of those who argue for the New World Symphony as American music, ..." (4th movement, continued) | [dialogue] | | 1:01 |
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