The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 41-50) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Tracklist

1▶CD: Don Carlo (1884 4 Act Version)
2▶CD: Don Carlo (1884 4 Act Version)
3▼CD: Don Carlo (1884 4 Act Version)
#TitleArtistRatingLength
1Atto Terzo. Prima Scena: Ella giammai m'amò
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi10:00
2Atto Terzo. Prima Scena: Il Grand' Inquisitor!
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [Il Grande Inquisitore]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
tenor vocals [Il Conte di Lerma]:
Horst Nitsche (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi9:10
3Atto Terzo. Prima Scena: Giustizia, giustizia, Sire!
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:12
4Atto Terzo. Prima Scena: Ardita troppo voi favellate
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ardita troppo voi favellate” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:59
5Atto Terzo. Prima Scena: Ah! sii maledetto, sospetto fatale
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:26
6Atto Terzo. Prima Scena: Pietà! Pietà! perdon!
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:56
7Atto Terzo. Prima Scena: O don fatale, o don crudel
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:30
8Atto Terzo. Seconda Scena: Son io, mio Carlo
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:25
9Atto Terzo. Seconda Scena: Per me giunto è il di supremo
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi5:51
10Atto Terzo. Seconda Scena: Io morrò ma lieto in core
baritone vocals [Rodrigo]:
Piero Cappuccilli (baritone) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:44
11Atto Terzo. Seconda Scena: Mio Carlo, a te la spada io rendo
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [Il Grande Inquisitore]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
mezzo-soprano vocals [Eboli]:
Aγνή Mπάλτσα (Agnes Baltsa, mezzo-soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
tenor vocals [Il Conte di Lerma]:
Horst Nitsche (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:24
12Atto Quarto: Tu che le vanità
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi12:05
13Atto Quarto: È dessa!... Un detto, un sol
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
chorus master:
Walter Hagen-Groll (chorus master) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi6:32
14Atto Quarto: Ma lassù ci vedremo
bass vocals [Filippo]:
Nicolaï Ghiaurov (operatic bass) (from 1978-09-15 until 1978-09-20)
bass vocals [Il Grande Inquisitore]:
Ruggero Raimondi (bass-baritone) (from 1978-09-15 until 1978-09-20)
bass vocals [Un frate]:
José van Dam (Belgian operatic bass-baritone) (from 1978-09-15 until 1978-09-20)
soprano vocals [Elisabetta]:
Mirella Freni (soprano) (from 1978-09-15 until 1978-09-20)
tenor vocals [Don Carlo]:
José Carreras (Spanish tenor) (from 1978-09-15 until 1978-09-20)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1978-09-15 until 1978-09-20)
conductor:
Herbert von Karajan (conductor) (from 1978-09-15 until 1978-09-20)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1978-09-15 until 1978-09-20)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (from 1978-09-15 until 1978-09-20)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi5:51
4▶CD: Otello (Berliner Philharmoniker)
5▶CD: Otello (Berliner Philharmoniker)
6▶CD: Il Trovatore (Berliner Philharmoniker)
7▶CD: Il Trovatore (Berliner Philharmoniker)
8▶CD: Der Fliegende Holländer, Acts 1 and 2 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
9▶CD: Der Fliegende Holländer, Acts 2 and 3 (Konzertvereinigung Wiener Staatsopernchor, Berliner Philharmoniker)
10▶CD: Lohengrin, Acts 1 and 2 (Chor der Deutschen Oper, Berlin, Berliner Philharmoniker)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)