Pelleas & Melisande

~ Release by Claude Debussy (see all versions of this release, 1 available)

Tracklist

1▶CD: Pelléas et Mélisande, Acts I & II
2▶CD: Pelléas et Mélisande, Acts III & IV
3▼CD: Pelléas et Mélisande a) Act V b) 14 Songs c) 4 Arias & Songs
#TitleRatingLength
Pelleas et Mélisande: Acte V: “Ce nʼest pas de cette petite blessure...”
producer:
Louis Beydts
baritone vocals [Golaud]:
Henri Etcheverry (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Arkel]:
Paul Cabanel (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Le Médecin]:
Armand Narçon (operatic bass) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelléas et Mélisande: Act V. "Ce n'est pas de cette petite blessure qu'elle peut mourir ..." (Le médecin, Arkel, Golaud) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
3:11
Pelleas et Mélisande: Acte V: “Ouvrez la fenêtre, ouvrez la fenêtre...”
producer:
Louis Beydts
bass vocals [Arkel]:
Paul Cabanel (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Le Médecin]:
Armand Narçon (operatic bass) (from 1941-04-24 until 1941-05-26)
soprano vocals [Mélisande]:
Irène Joachim (soprano) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelléas et Mélisande: Act V. "Ouvrez la fenêtre, ouvrez la fenêtre ..." (Mélisande, Arkel, Le médecin) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
3:48
Pelleas et Mélisande: Acte V: “Mélisande... Mélisande...”
producer:
Louis Beydts
baritone vocals [Golaud]:
Henri Etcheverry (bass-baritone) (from 1941-04-24 until 1941-05-26)
soprano vocals [Mélisande]:
Irène Joachim (soprano) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelleas & Melisande: Acte V: “Mélisande... Mélisande...” (Golaud, Mélisande) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
4:04
Pelleas et Mélisande: Acte V: “Non, non, nous nʼavons pas été coupables”
producer:
Louis Beydts
baritone vocals [Golaud]:
Henri Etcheverry (bass-baritone) (from 1941-04-24 until 1941-05-26)
soprano vocals [Mélisande]:
Irène Joachim (soprano) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelléas et Mélisande: Act V. "Non, non, nous n'avons pas été coupables" (Mélisande, Golaud) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
2:14
Pelleas et Mélisande: Acte V: “Qu'avez-vous fait ? Vous allez la tuer”
producer:
Louis Beydts
baritone vocals [Golaud]:
Henri Etcheverry (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Arkel]:
Paul Cabanel (bass-baritone) (from 1941-04-24 until 1941-05-26)
soprano vocals [Mélisande]:
Irène Joachim (soprano) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelléas et Mélisande: Act V. "Qu'avez-vous fait? Vous allez la tuer" (Arkel, Golaud, Mélisande) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
2:49
Pelleas et Mélisande: Acte V: “Quʼy a-t-il ? Quʼest-ce que toutes ces femmes viennent faire ici ?”
producer:
Louis Beydts
baritone vocals [Golaud]:
Henri Etcheverry (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Arkel]:
Paul Cabanel (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Le Médecin]:
Armand Narçon (operatic bass) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelléas et Mélisande: Act V. "Qu'y-a-t-il? Qu'est-ce que toutes ces femmes viennent faire ici?" (Golaud, Le médecin, Arkel) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
2:39
Pelleas et Mélisande: Acte V: “Attention... Attention...”
producer:
Louis Beydts
bass vocals [Arkel]:
Paul Cabanel (bass-baritone) (from 1941-04-24 until 1941-05-26)
bass vocals [Le Médecin]:
Armand Narçon (operatic bass) (from 1941-04-24 until 1941-05-26)
conductor:
Roger Désormière (conductor) (from 1941-04-24 until 1941-05-26)
phonographic copyright (℗) by:
EMI Pathé Marconi S.A. (not for release label use; succeeded by EMI France in the 1990s) (in 1942, in 1988)
recorded at:
Salle du Conservatoire in Paris, Île-de-France, France (from 1941-04-24 until 1941-05-26)
recording of:
Pelléas et Mélisande: Act V. "Attention... attention" (Arkel, Le médecin) (from 1941-04-24 until 1941-05-26)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande, L. 88, CD 93: Acte V (aka Acte V, Scène 1)
6:04
Mélodies, Fêtes galantes: En sourdine
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : I. En sourdine “Calmes dans le demi-jour” (for voice and piano) (from 1936-03-12 until 1936-03-13)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
En sourdine, L. 28, CD 42 “Calmes dans le demi-jour” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
2:48
Mélodies, Fêtes galantes: Fantoches
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : II. Fantoches “Scaramouche et Pulcinella” (for voice and piano) (from 1936-03-12 until 1936-03-13)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Fantoches, L. 21, CD 26 “Scaramouche et Pulcinella” (première version, for voice and piano)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
1:20
Mélodies, Fêtes galantes: Clair de lune
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Fêtes galantes (1er recueil), L. 80, CD 86 : III. Clair de lune “Votre âme est un paysage choisi” (for voice and piano) (from 1936-03-12 until 1936-03-13)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1891 until 1892)
version of:
Clair de lune, L. 32, CD 45 “Votre âme est un paysage choisi” (for voice and piano, 1st version)
part of:
Fêtes galantes (1er recueil), L. 80, CD 86 (for voice and piano)
2:54
Mélodies, Fêtes galantes: Les ingénus
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Fêtes galantes II, L. 104: I. Les Ingénus (from 1936-03-12 until 1936-03-13)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
2:01
Mélodies, Fêtes galantes: Le faune
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Fêtes galantes II, L. 104: II. Le Faune (from 1936-03-12 until 1936-03-13)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
1:40
Mélodies, Fêtes galantes: Colloque sentimental
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Fêtes galantes II, L. 104: III. Colloque sentimental (from 1936-03-12 until 1936-03-13)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Fêtes galantes (Deuxième recueil), L. 104, CD 114
3:32
Trois chansons de Bilitis : La Flûte de Pan
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 1. La Flûte de Pan «Pour le jour des Hyacinthies» (from 1936-03-12 until 1936-03-13)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:34
Trois chansons de Bilitis : La Chevelure
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 2. La Chevelure «Il m’a dit «Cette nuit d’ai rêvé»» (from 1936-03-12 until 1936-03-13)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
3:08
Trois chansons de Bilitis : Le Tombeau des Naïades
piano:
Alfred Cortot (French pianist) (from 1936-03-12 until 1936-03-13)
soprano vocals:
Maggie Teyte (british soprano) (from 1936-03-12 until 1936-03-13)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recorded at:
Abbey Road Studios: Studio 3 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1936-03-12 until 1936-03-13)
recording of:
Chansons de Bilitis, L. 90, CD 97: No. 3. Le Tombeau des naïades: «Le long du bois couvert de givre» (from 1936-03-12 until 1936-03-13)
lyricist:
Pierre Louÿs
composer:
Claude Debussy (French composer) (from 1897-06 until 1898-08)
part of:
Chansons de Bilitis, L. 90, CD 97 (for voice and piano)
2:46
Le Promenoir des deux amants : Auprès de cette grotte sombre
piano:
Alfred Cortot (French pianist)
soprano vocals:
Maggie Teyte (british soprano)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Le promenoir des deux amants, L. 118, CD 129 : I. "Auprès de cette grotte sombre" (for voice and piano)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1904)
part of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano)
2:25
Le Promenoir des deux amants : Crois mon conseil, chère Climène
piano:
Alfred Cortot (French pianist)
soprano vocals:
Maggie Teyte (british soprano)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Le promenoir des deux amants, L. 118, CD 129 : II. "Crois mon conseil, chère Climène" (for voice and piano)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1910)
part of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano)
2:02
Le Promenoir des deux amants : Je tremble en voyant ton visage
piano:
Alfred Cortot (French pianist)
soprano vocals:
Maggie Teyte (british soprano)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Le promenoir des deux amants, L. 118, CD 129 : III. "Je tremble en voyant ton visage" (for voice and piano)
lyricist:
Tristan l'Hermite (French poet and dramatist)
composer:
Claude Debussy (French composer) (in 1910)
part of:
Le promenoir des deux amants, L. 118, CD 129 (for voice and piano)
2:07
Proses lyriques nᵒ 2 : De grève
piano:
Alfred Cortot (French pianist)
soprano vocals:
Maggie Teyte (british soprano)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Proses lyriques, L. 84, CD 90 : II. De grève « Sur la mer les crépuscules tombent » (for voice and piano)
lyricist:
Claude Debussy (French composer)
composer:
Claude Debussy (French composer) (from 1892 until 1893-07)
dedicated to:
Raymond Bonheur (composer, 1861-1939)
part of:
Proses lyriques, L. 84, CD 90 (for voice and piano)
3:47
Ballades de François Villon Nᵒ 3 : Ballade des femmes de Paris
piano:
Alfred Cortot (French pianist)
soprano vocals:
Maggie Teyte (british soprano)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
recording of:
Trois Ballades de François Villon, L. 119: III. Ballade des femmes de Paris (for voice and piano)
lyricist:
François Villon
composer:
Claude Debussy (French composer) (in 1910-05)
part of:
Ballades de François Villon, L. 119 (for voice and piano)
2:15
Pelléas et Mélisande : Acte III. “Mes longs cheveux descendent”
recorded in:
Paris, Île-de-France, France (in 1904, in 1904-05)
producer:
Fred Gaisberg
piano:
Claude Debussy (French composer) (in 1904, in 1904-05)
soprano vocals:
Mary Garden (soprano, then mezzo‐soprano) (in 1904, in 1904-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
produced for:
The Gramophone and Typewriter Ltd. (name used briefly by The Gramophone Co., Ltd. in the early 1900s) (in 1904)
partial recording of:
Pelléas et Mélisande, L. 88, CD 93 (original piano version) (in 1904)
composer:
Claude Debussy (French composer) (from 1893 until 1895)
recording of:
Pelléas et Mélisande: Act III, Scene I. "Mes longs cheveux descendent" (in 1904)
composer:
Claude Debussy (French composer) (from 1893 until 1902)
librettist:
Maurice Maeterlinck (Belgian playwriter & poet)
part of:
Pelléas et Mélisande: Acte III, Scène 1: Une des tours du château
1:51
Ariettes oubliées Nᵒ 1 : Il pleure dans mon cœur
recorded in:
Paris, Île-de-France, France (in 1904-05)
producer:
Fred Gaisberg
piano:
Claude Debussy (French composer) (in 1904-05)
soprano vocals:
Mary Garden (soprano, then mezzo‐soprano) (in 1904-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
produced for:
The Gramophone and Typewriter Ltd. (name used briefly by The Gramophone Co., Ltd. in the early 1900s) (in 1904)
recording of:
Ariettes oubliées, L. 60, CD 63a : II. Il pleut doucement sur la ville "Il pleure dans mon cœur comme il pleure sur la ville" (for voice and piano) (in 1904-05)
additional lyricist:
Arthur Rimbaud
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1887-03)
is based on:
Il pleure dans mon cœur (Paul Verlaine's poem)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
2:17
Ariettes oubliées Nᵒ3 : LʼOmbre des arbres
recorded in:
Paris, Île-de-France, France (in 1904-05)
producer:
Fred Gaisberg
piano:
Claude Debussy (French composer) (in 1904-05)
soprano vocals:
Mary Garden (soprano, then mezzo‐soprano) (in 1904-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
produced for:
The Gramophone and Typewriter Ltd. (name used briefly by The Gramophone Co., Ltd. in the early 1900s) (in 1904)
recording of:
Ariettes oubliées, L. 60, CD 63a : III. Le rossignol qui, du haut d’une branche "L’ombre des arbres dans la rivière embrumée" (for voice and piano) (in 1904-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (from 1885-01-06 until 1885-01-10)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
2:27
Ariettes oubliées Nᵒ5 : Aquarelles - Green
recorded in:
Paris, Île-de-France, France (in 1904-05)
producer:
Fred Gaisberg
piano:
Claude Debussy (French composer) (in 1904-05)
soprano vocals:
Mary Garden (soprano, then mezzo‐soprano) (in 1904-05)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988)
produced for:
The Gramophone and Typewriter Ltd. (name used briefly by The Gramophone Co., Ltd. in the early 1900s) (in 1904)
recording of:
Ariettes oubliées, L. 60, CD 63a : V. Aquarelles, 1. Green "Voici des fruits, des fleurs, des feuilles" (for voice and piano) (in 1904-05)
lyricist:
Paul Verlaine (French poet)
composer:
Claude Debussy (French composer) (in 1886-01)
is based on:
Green (Paul Verlaine's poem)
part of:
Ariettes oubliées, L. 60, CD 63a (for voice and piano)
1:37

Credits

Release

manufactured in:United Kingdom
liner notes translator:Paul Myers (classical record producer)
rights society:BIEM (international rights organization representing member societies from 58 countries)
MCPS (UK rights society; do not use this as a label or work publisher!)
Discogs:https://www.discogs.com/release/10122525 [info]
ASIN:UK: B000026GCZ [info]
other databases:http://www.worldcat.org/oclc/19818062 [info]
https://rateyourmusic.com/release/comp/roger-desormiere-irene-joachim-jacques-jansen-henri-etcheverry-maggie-teyte-alfred-cortot-mary-garden-claude-debussy/pelleas-et-melisande-melodies.p/ [info]