Infinite Refrain: Music of Love’s Refuge

~ Release by Randall Scotting, Jorge Navarro Colorado, Academy of Ancient Music, Laurence Cummings (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Vorrei baciarti, SV 123
countertenor vocals:
Randall Scotting (countertenor)
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Settimo libro de madrigali: Vorrei baciarti, o Filli, SV 123
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 123)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi4:06
2Se i languidi miei sguardi, SV 141
countertenor vocals:
Randall Scotting (countertenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Se i languidi miei sguardi, SV 141
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 141)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi6:30
3Ercole in Tebe, Act II: Da torbido nembo
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
partial recording of:
Ercole in Tebe
composer:
Jacopo Melani
librettist:
Giovanni Andrea Moniglia
Jacopo Melani3:08
4Perchè fuggi, SV 128
countertenor vocals:
Randall Scotting (countertenor)
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Settimo libro de' madrigali: "Perché fuggi tra salci", SV 128
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 128)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi3:19
5Ballo detto Pollicio
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Ballo detto Pollicio
composer:
Tarquinio Merula (composer)
Tarquinio Merula2:13
6La Cleopatra, Act III: Dove, m’ascondo
countertenor vocals:
Randall Scotting (countertenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
partial recording of:
La Cleopatra
composer:
Daniele da Castrovillari
Daniele da Castrovillari3:52
7Soave libertate, SV 130
countertenor vocals:
Randall Scotting (countertenor)
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Soave libertate già per si lunga etate, SV 130
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 130)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi3:30
8Eliogabalo, Act I: Io resto solo?… Misero, così va
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
L'Eliogabalo: "Io resto solo ?" ... "Misero, cosi va"
composer:
Francesco Cavalli (Baroque composer)
part of:
L'Eliogabalo
Francesco Cavalli2:44
9Toccata Quarta
harpsichord:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Toccata Quarta, F 2.04
composer:
Girolamo Frescobaldi (composer) (in 1615)
part of:
Frescobaldi Thematic Catalogue Online (number: F 2.04)
part of:
Il primo libro de toccate (1615) (Toccate e partite d’intavolatura di cimbalo (Rome: Borboni, 1615))
part of:
Il primo libro de toccate (1616) (Toccate e partite d’intavolatura di cimbalo (Rome: Borboni, 1616))
part of:
Il primo libro de toccate (1637) (Il primo libro de toccate d’intavolatura di cimbalo et organo, partite di diverse arie et corrente, balletti, ciaccone, passachagli (Rome: Borboni, 1637))
Girolamo Frescobaldi3:37
10Tornate, o cari baci, SV 129
countertenor vocals:
Randall Scotting (countertenor)
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
“Tornate, o cari baci”, SV 129
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 129)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi2:36
11Ercole in Tebe, Act II: Crudo Amor
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
partial recording of:
Ercole in Tebe
composer:
Giovanni Antonio Boretti (Italian bass singer and composer)
additional librettist:
Aurelio Aureli
librettist:
Giovanni Andrea Moniglia
Giovanni Antonio Boretti1:43
12Il Trespolo Tutore Act III: Oh quanti soli – Così stà arioso… – Oblio, che lento aria – Le mie fiamme – Ah, gl’è meglio ridere – A
countertenor vocals:
Randall Scotting (countertenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
partial recording of:
Il Trespolo tutore: Atto III
composer:
Alessandro Stradella (composer)
librettist:
Giovanni Cosimo Villifranchi (Italian librettist)
part of:
Il Trespolo tutore
Alessandro Stradella8:39
13Se pur destina e vole, SV 142
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Se pur destina e vole, SV 142
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 142)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi5:26
14Ballo del Granduca
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Balletti e Correnti, op. 16 (Posth): XIII. Corrente nona
composer:
Giovanni Legrenzi
part of:
Balletti e Correnti, op. 16 (Posth)
Giovanni Legrenzi2:36
15Ercole in Tebe, Act II: Entro l’orrida mole… Se per tè lieto mi lice
countertenor vocals:
Randall Scotting (countertenor)
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
partial recording of:
Ercole in Tebe
composer:
Giovanni Antonio Boretti (Italian bass singer and composer)
additional librettist:
Aurelio Aureli
librettist:
Giovanni Andrea Moniglia
Giovanni Antonio Boretti2:29
16Con che soavità, SV 139
countertenor vocals:
Randall Scotting (countertenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
Settimo libro de madrigali: Con che soavità, labbra odorate, SV 139
lyricist:
Giovanni Battista Guarini
composer:
Philippe de Monte (Flemish composer of the late Renaissance) and Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 139)
part of:
Settimo Libro de Madrigali, SV 117–145
Claudio Monteverdi5:18
17L’incoronazione di Poppea, Act III, SV 308: Pur ti miro, pur ti godo
countertenor vocals:
Randall Scotting (countertenor)
tenor vocals:
Jorge Navarro Colorado (tenor)
orchestra:
Academy of Ancient Music
conductor:
Laurence Cummings (harpsichordist, organist and conductor)
recording of:
L’incoronazione di Poppea: Atto III. “Pur ti miro” (Poppea, Nerone)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
L'Incoronazione di Poppea: Atto III.
Claudio Monteverdi5:03