Maria Callas: Glanzjahre einer Diva (The Great Diva Edition)

~ Release by Maria Callas, Jürgen Kesting (see all versions of this release, 1 available)

Tracklist

1▶CD: Les Débuts de l’assoluta
2▶CD: Exécutions libres de la virtuose
3▶CD: “J’ai chanté comme un chat sauvage” (1)
4▼CD: “J’ai chanté comme un chat sauvage” (2)
#TitleArtistRatingLength
1I vespri siciliani: “In alto mare”
recorded in:
Firenze, Toscana, Italy (on 1951-05-26)
soprano vocals [Elena]:
Maria Callas (soprano) (on 1951-05-26)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1951-05-26)
conductor:
Erich Kleiber (conductor) (on 1951-05-26)
recording of:
I vespri siciliani: Atto I. “In alto mare” … “Deh! tu calma, O Dio possente” … “Corragio, su coraggio” (Elena, Tebaldo, Roberto, Ninetta, Danieli) (on 1951-05-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto I
Giuseppe Verdi4:50
2I vespri siciliani: “O sdegni miei, tacete”
recorded in:
Firenze, Toscana, Italy (on 1951-05-26)
soprano vocals [Elena]:
Maria Callas (soprano) (on 1951-05-26)
tenor vocals [Arrigo]:
Giorgio Kokolios Bardi (Greek operatic tenor) (on 1951-05-26)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1951-05-26)
conductor:
Erich Kleiber (conductor) (on 1951-05-26)
recording of:
I vespri siciliani: Atto IV. “O sdegni miei” … “Volgi il guardo” (Elena, Arrigo) (on 1951-05-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi4:11
3I vespri siciliani: “Arrigo! Ah, parli a un core”
recorded in:
Firenze, Toscana, Italy (on 1951-05-26)
soprano vocals [Elena]:
Maria Callas (soprano) (on 1951-05-26)
tenor vocals [Arrigo]:
Giorgio Kokolios Bardi (Greek operatic tenor) (on 1951-05-26)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1951-05-26)
conductor:
Erich Kleiber (conductor) (on 1951-05-26)
recording of:
I vespri siciliani: Atto IV. “Arrigo! Ah, parli a un core” (Elena, Arrigo) (on 1951-05-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi3:48
4I vespri siciliani: “Pensando a me! È dolce raggio”
recorded in:
Firenze, Toscana, Italy (on 1951-05-26)
soprano vocals [Elena]:
Maria Callas (soprano) (on 1951-05-26)
tenor vocals [Arrigo]:
Giorgio Kokolios Bardi (Greek operatic tenor) (on 1951-05-26)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1951-05-26)
conductor:
Erich Kleiber (conductor) (on 1951-05-26)
recording of:
I vespri siciliani: Atto IV. “Pensando a me” … “È dolce raggio” (Elena, Arrigo) (on 1951-05-26)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
I vespri siciliani: Atto IV
Giuseppe Verdi3:57
5I vespri siciliani: “Mercé, dilette amiche
recorded in:
Firenze, Toscana, Italy (on 1951-05-26)
soprano vocals [Elena]:
Maria Callas (soprano) (on 1951-05-26)
orchestra:
Orchestra del Maggio Musicale Fiorentino (on 1951-05-26)
conductor:
Erich Kleiber (conductor) (on 1951-05-26)
recording of:
I vespri siciliani: Atto V. Bolero “Mercè, dilette amiche” (Elena) (on 1951-05-26)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Charles Duveyrier and Eugène Scribe
translator:
Arnaldo Fusinato
part of:
I vespri siciliani: Atto V
Giuseppe Verdi3:56
6Aida: “Ritorna vincitor”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi6:52
7Aida: “Gloria all'Egitto”
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto II, scena 2. Gran Finale II “Gloria all’Egitto, ad Iside” (Popolo, Sacerdoti) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi2:59
8Aida: “Qui Radamès verrà”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:51
9Aida: “O patria mia”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
partial recording of:
Aida: Atto III: Romanza: “Qui Radamès verrá!” … “O patria mia” (Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi4:30
10Aida: “Ciel! Mio padre”
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto III. Duetto “Ciel! mio padre!” … “A te grave cagion m’adduce” (Aida, Amonasro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:18
11Aida: “Rivedrai le foreste imbalsamate”
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto III: Duetto: “Rivedrai le foreste imbalsamate” – “In armi ora si desta il popol nostro” – “Padre, a costoro schiava non sono” (Aida, Amonasro) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:56
12Aida: “Pur ti riveggo, mia dolce Aida”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
live recording of:
Aida: Atto III. Duetto “Pur ti riveggo, mia dolce Aida…” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:23
13Aida: “Nel fiero anelito”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto III: Duetto: “Nel fiero anelito di nuova guerra” (Radamès, Aida) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi1:48
14Aida: “Fuggiam gli ardori inospiti”
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto III: Duetto: “Fuggiam gli ardori inospiti” / “Là, tra foreste vergini” (Aida, Radamès) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi6:43
15Aida: “Ma dimmi: Per qual via”
baritone vocals [Amonasro]:
Giuseppe Taddei (baritone) (on 1951-07-03)
bass vocals [Ramfis]:
Roberto Silva (operatic bass) (on 1951-07-03)
mezzo-soprano vocals [Amneris]:
Oralia Dominguez (mezzo soprano) (on 1951-07-03)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1951-07-03)
tenor vocals [Radamès]:
Mario Del Monaco (tenor) (on 1951-07-03)
orchestra:
Orquesta del Palacio de Las Bellas Artes (on 1951-07-03)
conductor:
Oliviero de Fabritiis (conductor and composer) (on 1951-07-03)
recorded at:
Palacio de Bellas Artes in Ciudad de México (Mexico City), Mexico (on 1951-07-03)
recording of:
Aida: Atto III: Finale III: “Ma dimmi; per qual via” – “Ah no! ti calma, ascoltami” –“Traditor! … Muori! … Arresta, insano” (Aida, Radamès, Amonasro, Amneris, Ramfis) (on 1951-07-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto III
Giuseppe Verdi3:21
16Aida: “Ritorna vincitor”
recorded in:
London (Greater London), England, United Kingdom (on 1953-06-10)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1953-06-10)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1953-06-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1953-06-10)
recording of:
Aida: Atto I, scena 1. Scena: “Ritorna vincitor!” – “E l’amor mio …” – “I sacri nomi di padre, d’amante” (Aida) (on 1953-06-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto I
Giuseppe Verdi7:15
17Aida: “Fu la sorte dell'armi”
recorded in:
London (Greater London), England, United Kingdom (on 1953-06-10)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1953-06-10)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1953-06-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1953-06-10)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Silenzio! Aida verso noi s'avanza” – “Fu la sorte dell’armi a'tuoi funesta” – “Ebben, qual nuovo fremito t'assal, gentile Aida?” (Amneris, Aida) (on 1953-06-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi5:32
18Aida: “Ah ! Pietà di prenda”
recorded in:
London (Greater London), England, United Kingdom (on 1953-06-10)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1953-06-10)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1953-06-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1953-06-10)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Pietà ti prenda del mio dolor” (Amneris, Aida) (on 1953-06-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi3:03
19Aida: “Numi pietà”
recorded in:
London (Greater London), England, United Kingdom (on 1953-06-10)
soprano vocals [Aida]:
Maria Callas (soprano) (on 1953-06-10)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (on 1953-06-10)
conductor:
Sir John Barbirolli (conductor and cellist) (on 1953-06-10)
recording of:
Aida: Atto II, scena 1. Scena e duetto: “Su! del Nilo al sacro lido” / “Numi pietà” (Amneris, Aida, Coro) (on 1953-06-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Atto II
Giuseppe Verdi1:45
5▶CD: La Renaissance du bel canto: Rossini: “Armida” et “Il turco in Italia”
6▶CD: La Renaissance du bel canto: Bellini “I puritani”
7▶CD: La Renaissance du bel canto: Bellini “La sonnambula”
8▶CD: La Renaissance du bel canto: Lucia di Lammermoor (1)
9▶CD: La Renaissance du bel canto: Lucia di Lammermoor (2)
10▶CD: La Renaissance du bel canto: Lucia di Lammermoor (3)
11▶CD: Maria Callas dans le rôle de Norma (1)
12▶CD: Maria Callas dans le rôle de Norma (2)
13▶CD: Maria Callas dans le rôle de Norma (3)
14▶CD: Maria Callas : Répertoire classique (1)
15▶CD: Maria Callas : Répertoire classique (2)
16▶CD: Maria Callas : Répertoire classique (3)
17▶CD: Maria Callas et Verdi (1)
18▶CD: Maria Callas et Verdi (2)
19▶CD: Maria Callas et Verdi (3)
20▶CD: Maria Callas et Verdi (4)
21▶CD: Maria Callas dans le rôle de Violetta (1)
22▶CD: Maria Callas dans le rôle de Violetta (2)
23▶CD: Maria Callas dans le rôle de Violetta (3)
24▶CD: Maria Callas: Tosca – Puccini – Vérisme (1)
25▶CD: Maria Callas: Tosca – Puccini – Vérisme (2)
26▶CD: Maria Callas: Tosca – Puccini – Vérisme (3)
27▶CD: Maria Callas: Tosca – Puccini – Vérisme (4)