The Complete Works

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Annotation

The 2016 75-CD reissue of the 2013 edition. Decca only has the 2013 edition listed on their site.

Annotation last modified on 2018-04-22 16:58 UTC.

Tracklist

1▶CD: Oberto (Atto I) (Marriner, 1966)
2▶CD: Oberto (Atto II, Appendix) (Marriner, 1966)
3▶CD: Un giorno di regno (Atto I) (Gardelli, 1973)
4▶CD: Un giorno di regno (Atto II) (Gardelli, 1973)
5▶CD: Nabucco (Parte I, Parte II beginning) (Gardelli, 1965)
6▶CD: Nabucco (Parte II conclusion, Parte III, Parte IV) (Gardelli, 1965)
7▶CD: I Lombardi (Atto I, Atto II) (Levine, 1996)
8▶CD: I Lombardi (Atto III, Atto IV) (Levine, 1996)
9▶CD: Ernani (Parte I, Parte II beginning) (Bonynge, 1987)
10▶CD: Ernani (Parte II conclusion, Parte III, Parte IV) (Bonynge, 1987)
11▶CD: I due Foscari (Atto I) (Gardelli, 1976)
12▶CD: I due Foscari (Atto II, Atto III) (Gardelli, 1976)
13▶CD: Giovanna d’Arco (Prologo, Atto I) (Carignani, 2013)
14▶CD: Giovanna d’Arco (Atto II, Atto III) (Carignani, 2013)
15▶CD: Alzira (Prologo, Atto I) (Luisi, 1999)
16▶CD: Alzira (Atto II) (Luisi, 1999)
17▶CD: Attila (Prologo, Atto I beginning) (Gardelli, 1972)
18▶CD: Attila (Atto I conclusion, Atto II, Atto III) (Gardelli, 1972)
19▶CD: Macbeth (Atto I, Atto II) (Abbado, 1976)
20▶CD: Macbeth (Atto III, Atto IV) (Abbado, 1976)
21▶CD: I masnadieri (Atto I, Atto II) (Bonynge, 1982)
22▶CD: I masnadieri (Atto III, Atto IV) (Bonynge, 1982)
23▶CD: Jérusalem (Acte I) (Luisi, 1998)
24▶CD: Jérusalem (Acte II) (Luisi, 1998)
25▶CD: Jérusalem (Acte III, Acte IV) (Luisi, 1998)
26▶CD: Il corsaro (Atto I, Atto II) (Gardelli, 1975)
27▶CD: Il corsaro (Atto III) (Gardelli, 1975)
28▶CD: La battaglia di Legnano (Atto I, Atto II) (Gardelli, 1977)
29▶CD: La battaglia di Legnano (Atto III, Atto IV) (Gardelli, 1977)
30▶CD: Luisa Miller (Atto I, Atto II beginning) (Maag, 1975)
31▶CD: Luisa Miller (Atto II conclusion, Atto III) (Maag, 1975)
32▶CD: Stiffelio (Atto I) (Gardelli, 1979)
33▶CD: Stiffelio (Atto II, Atto III) (Gardelli, 1979)
34▶CD: Rigoletto (Atto I) (Giulini, 1979)
35▶CD: Rigoletto (Atto II, Atto III) (Giulini, 1979)
36▶CD: Il trovatore (Parte I, Parte II) (Giulini, 1984)
37▶CD: Il trovatore (Parte III, Parte IV) (Giulini, 1984)
38▶CD: La traviata (Atto I, Atto II beginning) (Kleiber, 1976)
39▶CD: La traviata (Atto II conclusion, Atto III) (Kleiber, 1976
40▶CD: I vespri siciliani (Atto I, Atto II) (Muti, 1989 & 1990)
41▶CD: I vespri siciliani (Atto III) (Muti, 1989 & 1990)
42▶CD: I vespri siciliani (Atto IV, Atto V) (Muti, 1989 & 1990)
43▶CD: Simon Boccanegra (Prologo, Atto I) (Abbado, 1977)
44▶CD: Simon Boccanegra (Atto II, Atto III) (Abbado, 1977)
45▶CD: Aroldo (Atto I, Atto II) (Luisi, 1997)
46▶CD: Aroldo (Atto III, Atto IV) (Luisi, 1997)
47▶CD: Un ballo in maschera (Atto I, Atto II beginning) (Solti, 1982 & 1983)
48▶CD: Un ballo in maschera (Atto II conclusion, Atto III) (Solti, 1982 & 1983)
49▶CD: La forza del destino (1862 St. Petersburg version) (Atto I, Atto II) (Gergiev, 1995)
50▶CD: La forza del destino (1862 St. Petersburg version) (Atto III) (Gergiev, 1995)
51▶CD: La forza del destino (1862 St. Petersburg version) (Atto IV) (Gergiev, 1995)
52▶CD: La forza del destino (1869 Milan version) (Atto I, Atto II beginning) (Sinopoli, 1985)
53▶CD: La forza del destino (1869 Milan version) (Atto II conclusion, Atto III beginning) (Sinopoli, 1985)
54▶CD: La forza del destino (1869 Milan version) (Atto III conclusion, Atto IV) (Sinopoli, 1985)
55▶CD: Don Carlos (Acte I, Acte II beginning) (Abbado, 1983 & 1984)
56▶CD: Don Carlos (Acte II conclusion, Acte III) (Abbado, 1983 & 1984)
57▶CD: Don Carlos (Acte IV) (Abbado, 1983 & 1984)
58▶CD: Don Carlos (Acte V, Appendix) (Abbado, 1983 & 1984)
59▶CD: Don Carlo (Atto I, Atto II beginning) (Solti, 1965)
60▶CD: Don Carlo (Atto II conclusion, Atto III) (Solti, 1965)
61▶CD: Don Carlo (Atto IV, Atto V) (Solti, 1965)
62▶CD: Aida (Atto I, Atto II beginning) (Karajan, 1959)
63▶CD: Aida (Atto II conclusion, Atto III, Atto IV) (Karajan, 1959)
64▶CD: Otello (Atto I, Atto II) (Chung, 1993)
65▶CD: Otello (Atto III, Atto IV) (Chung, 1993)
66▶CD: Falstaff (Atto I; Atto II, Parte 1) (Giulini, 1982)
67▼CD: Falstaff (Atto II, Parte 2; Atto III) (Giulini, 1982)
#TitleRatingLength
1Falstaff: Atto II, Parte 2. “Presenteremo un bill ... Giunta all'albergo della Giarrettiera“ (Alice, Quickly, Meg, Nannetta)
recorded in:
Los Angeles, California, United States (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. “Giunta all'Albergo della Giarrettiera” (Quickly, Alice, Meg, Nannetta) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
4:11
2Falstaff: Atto II, Parte 2. “Gaie comari di Windsor! è l'ora!“ (Alice, Meg, Quickly, Nannetta)
recorded in:
Los Angeles, California, United States (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. “Gaie comari di Windsor! È l'ora!“ (Quickly, Alice, Meg, Nannetta) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
1:48
3Falstaff: Atto II, Parte 2. “Alfin t'ho colto, raggiante fior...“ (Falstaff, Alice)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. “Alfin t'ho colto, raggiante fior” (Falstaff, Alice) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
3:25
4Falstaff: Atto II, Parte 2. “Quand'ero paggio del Duca di Norfolk ... Voi mi celiate” (Falstaff, Alice, Quickly)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
bass vocals [Pistola]:
William Wildermann (German-born American bass-baritone) (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
tenor vocals [Bardolfo]:
Francis Egerton (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. “Quand'ero paggio del Duca di Norfolk” … “Voi mi celiate” (Falstaff, Alice, Quickly, Meg, Ford, Bardolfo, Pistola) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
1:03
5Falstaff: Atto II, Parte 2. “Mia signora! C'è Mistress Meg e vuol parlarvi” (Quickly, Falstaff, Alice, Meg, Ford, Bardolfo, Pistola)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. “Mia signora! C'è Mistress Meg“ (Quickly, Falstaff, Alice, Meg) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
2:57
6Falstaff: Atto II, Parte 2. “Vien qua ... Al ladro!” (Nannetta, Fenton, Cajus, Ford, Pistola, Bardolfo)
recorded in:
Los Angeles, California, United States (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Fenton]:
Dalmacio Gonzalez (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. "Vien qua" - "Che chiasso!" (Nannetta, Fenton) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto II
1:39
7Falstaff: Atto II, Parte 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
bass vocals [Pistola]:
William Wildermann (German-born American bass-baritone) (in 1982)
choir vocals:
Los Angeles Master Chorale (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Bardolfo]:
Francis Egerton (tenor) (in 1982)
tenor vocals [Cajus]:
Michael Sells (tenor) (in 1982)
tenor vocals [Fenton]:
Dalmacio Gonzalez (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto II, scena 2. “C'è - C'è! - Se t'agguanto!” (Ford, Cajus, Quickly, Meg, Bardolfo, Pistola, Falstaff, Fenton, Nannetta, Alice, gente del vicinato) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto II
5:14
8Falstaff: Atto III, Parte 1. “Ehi! Taverniere! Mondo ladro!“ (Falstaff)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 1. “Ehi! Taverniere!” - “Io, dunque, avrò vissuto tanti anni” (Falstaff) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
6:17
9Falstaff: Atto III, Parte 1. “Reverenza. La bella Alice...“ (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Cajus]:
Michael Sells (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 1. “Reverenza! La bella Alice” (Quickly, Falstaff, Alice, Ford, Nannetta, Meg, Cajus) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
5:43
10Falstaff: Atto III, Parte 1. “Brava. Quelle corana saranno la mia gioia!“ (Ford, Alice, Meg, Fenton, Nannetta, Cajus, Quickly)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Fenton]:
Dalmacio Gonzalez (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 1. “Brava! Quelle corna saranno la mia gioia!” (Ford, Alice, Meg, Fenton, Nannetta) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
5:08
11Falstaff: Atto III, Parte 2. “Dal labbro il canto estasiato vola“ (Fenton, Nannetta, Alice, Quickly, Meg)
recorded in:
Los Angeles, California, United States (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Fenton]:
Dalmacio Gonzalez (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 2. “Dal labbro il canto estasiato vola” (Fenton, Nannetta) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
5:00
12Falstaff: Atto III, Parte 2. “Una, due, tre, quattro“ (Falstaff, Alice, Meg)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 2. “Una, due, tre, quattro, cinque, sei” … “Odo un soave passo!” (Falstaff, Alice, Meg) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
4:11
13Falstaff: Atto III, Parte 2. “Ninfe! Elfi! Silfi! Doridi! Sirene!“ (Nannetta, Falstaff, Alice, voci di donne (fate))
recorded in:
Los Angeles, California, United States (in 1982)
choir vocals:
Los Angeles Master Chorale (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 2. “Sul fil d'un soffio etesio” (Nannetta, Fate) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Falstaff: Atto III
6:01
14Falstaff: Atto III, Parte 2. “Alto là! - Chi va là?” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Ford, Cajus, coro di fate, folletti e diavoli, uornini)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
bass vocals [Pistola]:
William Wildermann (German-born American bass-baritone) (in 1982)
choir vocals:
Los Angeles Master Chorale (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Bardolfo]:
Francis Egerton (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 2. “Alto là!” (Bardolfo, Pistola, Falstaff, Quickly, Alice, Meg, Nannetta, Coro, Ford) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
6:16
15Falstaff: Atto III, Parte 2. “Ogni sorta di gente dozzinale mi beffa” (Falstaff, Ford, Alice, Cajus, Bardolfo, Fenton, Nannetta, Meg, Quickly, Pistola, coro)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
bass vocals [Pistola]:
William Wildermann (German-born American bass-baritone) (in 1982)
choir vocals:
Los Angeles Master Chorale (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Bardolfo]:
Francis Egerton (tenor) (in 1982)
tenor vocals [Cajus]:
Michael Sells (tenor) (in 1982)
tenor vocals [Fenton]:
Dalmacio Gonzalez (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 2. “Ogni sorta di gente dozzinale” (Falstaff, Tutti, Ford, Alice, Cajus, Pistola, Coro, Meg, Quickly, Bardolfo, Fenton, Nannetta) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
3:43
16Falstaff: Atto III, Parte 2. “Facciamo il parentado ... Tutto nel mondo è burla” (Ford, Falstaff, tutti)
recorded in:
Los Angeles, California, United States (in 1982)
baritone vocals [Falstaff]:
Renato Bruson (baritone) (in 1982)
baritone vocals [Ford]:
Leo Nucci (baritone) (in 1982)
bass vocals [Pistola]:
William Wildermann (German-born American bass-baritone) (in 1982)
choir vocals:
Los Angeles Master Chorale (in 1982)
mezzo-soprano vocals [Meg]:
Brenda Boozer (mezzo-soprano) (in 1982)
mezzo-soprano vocals [Quickly]:
Lucia Valentini Terrani (mezzo soprano) (in 1982)
soprano vocals [Alice]:
Katia Ricciarelli (soprano) (in 1982)
soprano vocals [Nannetta]:
Barbara Hendricks (soprano) (in 1982)
tenor vocals [Bardolfo]:
Francis Egerton (tenor) (in 1982)
tenor vocals [Cajus]:
Michael Sells (tenor) (in 1982)
tenor vocals [Fenton]:
Dalmacio Gonzalez (tenor) (in 1982)
orchestra:
Los Angeles Philharmonic (in 1982)
conductor:
Carlo Maria Giulini (conductor) (in 1982)
live recording of:
Falstaff: Atto III, scena 2. “Un coro e terminiam la scena” - “Tutto nel mondo è burla” (Falstaff, Ford, Tutti) (in 1982)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
Falstaff: Atto III
3:24
68▶CD: Requiem (Requiem, Dies irae) (Solti, 1967)
69▶CD: Requiem (Offertorium, Sanctus, Agnus Dei, Libera me) (Solti, 1967) / Quattro pezzi sacri (Solti, 1977 & 1978)
70▶CD: Messa Solenne & Other Sacred Works (Riccardo Chailly, 2000)
71▶CD: Discoveries (Riccardo Chailly, 2002)
72▶CD: Songs (Margaret Price, Geoffrey Parsons, 1986)
73▶CD: Songs, Arias & Other Rarities (Renato Scotto, Paolo Washington, Plácido Domingo, Luciano Pavarotti, Valery Gergiev, Claudio Abbado, James Levine)
74▶CD: String Quartet & Ballet Music (Quartetto Italiano, 1950; de Almeida, 1973; Bonynge, 1976)
75▶CD: Ballet Music (Chailly, 1986 & 1988)

Credits

Release

ASIN:US: B0197GJMZ6 [info]

Release group

includes:Il trovatore (1983 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Rosalind Plowright (soprano / mezzo soprano), Brigitte Fassbaender (mezzo-soprano), Giorgio Zancanaro (baritone), Evgeny Nesterenko (Yevgeni Nesterenko, Russian operatic bass singer), Coro (Chorus of the National Academy of Santa Cecilia) e Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Carlo Maria Giulini (conductor)
La forza del destino (1985 studio cast) by Giuseppe Verdi (Italian opera composer); Rosalind Plowright (soprano / mezzo soprano), Agnes Baltsa (mezzo-soprano), José Carreras (Spanish tenor), Renato Bruson (baritone), Paata Burchuladze (operatic bass), Juan Pons (baritone), John Tomlinson (English operatic bass), Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Giuseppe Sinopoli (conductor)
Luisa Miller (1975 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Pavarotti (tenor), Caballé (soprano), Milnes (baritone), Giaiotti (operatic bass), Reynolds (alto), van Allan (operatic bass-baritone), National Philharmonic (fka the London Promenade Orchestra until 1971, mostly film music and opera), Maag (conductor)
Otello (1993 studio cast) by Giuseppe Verdi (Italian opera composer); Plácido Domingo (tenor), Cheryl Studer (soprano), Sergei Leiferkus (baritone), Orchestre (alternate name of Orchestre de l’Opéra national de Paris between 1990–1994) et Chœurs de l’Opéra Bastille (alternate name of Chœurs de l’Opéra national de Paris between 1990–1994), Myung-Whun Chung (pianist and conductor)
Un ballo in maschera (1982–83 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Luciano Pavarotti (tenor), Margaret Price (soprano), Renato Bruson (baritone), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Sir Georg Solti (conductor)