À la gloire de Dieu

~ Release by Barber, Stravinsky, Tippett, Poulenc; The Sixteen, BBC Philharmonic, Harry Christophers (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1The Unanswered Question
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
The Unanswered Question, S. 50 (version 2) (from 1994-09-23 until 1994-09-24)
composer:
Charles Ives (composer) (from 1930 until 1935)
version of:
The Unanswered Question, S. 50 (version 1)
Charles Ives5:11
2Agnus Dei
choir vocals:
The Sixteen (UK choir)
orchestra:
BBC Philharmonic
conductor:
Harry Christophers (conductor)
recording of:
Agnus Dei (arr. Samuel Barber for chorus)
lyricist:
[anonymous] (special purpose artist)
composer:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1936)
arranger:
Samuel Barber (American orchestral, choral, opera & piano composer) (in 1967)
part of:
Works of Samuel Barber by opus number (number: op. 11)
arrangement of:
Adagio for Strings
Samuel Barber8:28
3Symphony of Psalms: Part I
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Symphony of Psalms: I. "Exaudi orationem meam, Domine" (from 1994-09-23 until 1994-09-24)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1930)
part of:
Symphony of Psalms
Igor Stravinsky3:00
4Symphony of Psalms: Part II
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Symphony of Psalms: II. "Expectans expectavi Dominum" (from 1994-09-23 until 1994-09-24)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1930)
part of:
Symphony of Psalms
Igor Stravinsky6:45
5Symphony of Psalms: Part III
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Symphony of Psalms: III. "Alleluia" (from 1994-09-23 until 1994-09-24)
composer:
Игорь Фёдорович Стравинский (Igor Stravinsky, Russian composer) (in 1930)
part of:
Symphony of Psalms
Igor Stravinsky10:28
6Five Negro Spirituals from “A Child of Our Time”: Steal Away
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Five Negro Spirituals from "A Child of Our Time": No. 1. Steal Away (from 1994-09-23 until 1994-09-24)
lyricist:
Wallace Willis
composer:
Sir Michael Tippett (composer)
arrangement of:
Steal Away (to Jesus)
is based on:
A Child of Our Time: Part I: A Spiritual "Steal Away"
part of:
Five Negro Spirituals from "A Child of Our Time"
Sir Michael Tippett2:45
7Five Negro Spirituals from “A Child of Our Time”: Nobody Knows
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Five Negro Spirituals from "A Child of Our Time": No. 2. Nobody Knows (from 1994-09-23 until 1994-09-24)
composer:
Sir Michael Tippett (composer)
is based on:
A Child of Our Time: Part II: A Spiritual "Nobody knows the trouble I see"
part of:
Five Negro Spirituals from "A Child of Our Time"
Sir Michael Tippett1:29
8Five Negro Spirituals from “A Child of Our Time”: Go Down, Moses
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Five Negro Spirituals from "A Child of Our Time": No. 3. Go Down, Moses (from 1994-09-23 until 1994-09-24)
composer:
Sir Michael Tippett (composer)
is based on:
A Child of Our Time: Part II: A Spiritual of Anger "Go down, Moses"
part of:
Five Negro Spirituals from "A Child of Our Time"
Sir Michael Tippett2:46
9Five Negro Spirituals from “A Child of Our Time”: By and By
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Five Negro Spirituals from "A Child of Our Time": No. 4. By and By (from 1994-09-23 until 1994-09-24)
composer:
Sir Michael Tippett (composer)
is based on:
A Child of Our Time: Part II: A Spiritual "O by and by"
part of:
Five Negro Spirituals from "A Child of Our Time"
Sir Michael Tippett1:25
10Five Negro Spirituals from “A Child of Our Time”: Deep River
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Five Negro Spirituals from "A Child of Our Time": No. 5. Deep River (from 1994-09-23 until 1994-09-24)
lyricist:
[anonymous] (special purpose artist)
composer:
Sir Michael Tippett (composer)
is based on:
A Child of Our Time: Part III: A Spiritual "Deep river"
part of:
Five Negro Spirituals from "A Child of Our Time"
Sir Michael Tippett3:31
11Sept Répons des Ténèbres: I. Una hora
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: I. Una hora non potuistis vigilate mecum (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc3:29
12Sept Répons des Ténèbres: II. Judas, mercator pessimus
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: II. Judas mercator pessimus (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc2:36
13Sept Répons des Ténèbres: III. Jesum tradidit
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: III. Jesum tradidit impius (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc4:24
14Sept Répons des Ténèbres: IV. Caligaverunt
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: IV. Caligaverunt oculi mei (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc2:39
15Sept Répons des Ténèbres: V. Tenebrae factae sunt
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: V. Tenebrae factae sunt (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc4:03
16Sept Répons des Ténèbres: VI. Sepulto Domino
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: VI. Sepulto Domino (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc2:55
17Sept Répons des Ténèbres: VII. Ecce quomodo
recording engineer:
Mike Hatch (engineer/editor)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
choir vocals:
The Sixteen (UK choir) (from 1994-09-23 until 1994-09-24)
solo soprano vocals:
Libby Crabtree (from 1994-09-23 until 1994-09-24)
orchestra:
BBC Philharmonic (from 1994-09-23 until 1994-09-24)
conductor:
Harry Christophers (conductor) (from 1994-09-23 until 1994-09-24)
recorded at:
Free Trade Hall in Manchester, Greater Manchester, England, United Kingdom (from 1994-09-23 until 1994-09-24)
recording of:
Sept Répons des Ténèbres: VII. Ecce quomodo moritur justus (from 1994-09-23 until 1994-09-24)
composer:
Francis Poulenc (French composer and pianist) (from 1961 until 1962)
part of:
Sept répons des ténèbres, FP 181
Francis Poulenc5:37