The Best of… Parts 1 & 2

~ Release by Uriah Heep (see all versions of this release, 1 available)

Tracklist

1▶CD: Part 1
2▼CD: Part 2
#TitleRatingLength
1The Hanging Tree
assistant engineer:
John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1976), Bronze Records Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
The Hanging Tree (from 1976-10 until 1976-11)
writer:
Ken Hensley and Jack Williams (songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
?:??
2Sympathy
assistant engineer:
John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1976-10 until 1976-11)
recording of:
Sympathy (from 1976-10 until 1976-11)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
4?:??
3Wise Man (single edit)
recording of:
Wise Man
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Umble Tunes Ltd. and WB Music Corp. (1929–2019)
?:??
4Free Me
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free Me (from 1977-07 until 1977-09)
lyricist and composer:
Ken Hensley
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
2?:??
5Free n’ Easy
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
assistant mixer:
Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
mixer:
Peter Gallen and Robert M. Corich (remastering engineer and record producer,) (from 1990 until 2004-05)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1977), Castle Copyrights Ltd. (in 1977) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1977)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1977-07 until 1977-09)
recording of:
Free ’n’ Easy (from 1977-07 until 1977-09)
writer:
Mick Box and John Lawton (British vocalist)
publisher:
EMI Music Publishing (do not use as a release label!) and EMI Music Publishing Ltd. (PRS‐affiliated)
4?:??
6Come Back to Me
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Castle Copyrights Ltd. (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Come Back to Me (from 1978-04 until 1978-08)
writer:
Ken Hensley and Lee Kerslake
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), WB Music Corp. (1929–2019) and Umble Tunes Ltd. (in 1978)
5?:??
7Love or Nothing
assistant engineer:
Colin Bainbridge, Julian Cooper (engineer) and John Gallen (UK music producer, recording & mix engineer.)
engineer:
Peter Gallen
producer:
Gerry Bron and Ken Hensley
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1978), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1978)
recorded at and mixed at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1978-04 until 1978-08)
recording of:
Love or Nothing (from 1978-04 until 1978-08)
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
8Woman of the Night (live)
live recording of:
Woman of the Night (in 1979)
writer:
Mick Box, Lee Kerslake and John Lawton (British vocalist)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
9Carry On (single edit)
recording of:
Carry On
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
10Feelings (single edit)
recording of:
Feelings
lyricist and composer:
Ken Hensley
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Umble Tunes Ltd.
?:??
11Easy Livin’ (live 1980)
live recording of:
Easy Livin’ (in 1980)
lyricist and composer:
Ken Hensley
publisher:
A Tale of Two Ditties, Bron Music, EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing Ltd., S. Bron Music Co. Ltd., Sidney Bron Music (also spelled "Sydney") and Umble Tunes Ltd.
?:??
12Suicidal Man (live 1980)
live recording of:
Suicidal Man (in 1980)
writer:
Mick Box, David Byron, Ken Hensley, Lee Kerslake and Gary Thain
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and S. Bron Music Co. Ltd.
?:??
13That’s the Way That It Is
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Bronze Records Ltd. (in 1982) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1982)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
That’s the Way That It Is (from 1981-10 until 1981-12)
lyricist and composer:
Paul Bliss
publisher:
April Music Inc., April Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Paul Bliss Music, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3?:??
14Think It Over
engineer:
Ashley Howe and Nick Rogers (engineer/mixing)
producer and mixer:
Ashley Howe
arranger:
Uriah Heep (British prog/hard rock)
recorded at:
Roundhouse Studios in London (Greater London), England, United Kingdom (from 1981-10 until 1981-12)
recording of:
Think It Over
writer:
Trevor Bolder (British bassist) and John Sloman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Ltd. and Hit Songs Ltd.
3?:??
15Stay on Top
producer:
Ashley Howe
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1983)
recording of:
Stay on Top (from 1983-01 until 1983-03)
lyricist and composer:
Tom Jackson (member of Praying Mantis, Zenith)
publisher:
Angus Publications Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Maze Music Inc.
?:??
16The Other Side of Midnight
producer:
Ashley Howe
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1983) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1983)
recording of:
The Other Side of Midnight (from 1983-01 until 1983-03)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell Artemis Music
?:??
17Too Sacred to Run (live in Moscow)
live recording of:
Too Scared to Run (in 1988)
writer:
Mick Box, Bob Daisley, Peter Goalby, Lee Kerslake and John Sinclair (keyboardist, Uriah Heep/Ozzy Osbourne’s band)
publisher:
Dinsdale Music Ltd., EMI Music Publishing Ltd. (PRS‐affiliated), Hit Songs Ltd., Intersong Music and Intersong Music Ltd.
?:??
18Blood Red Roses
recording of:
Blood Red Roses
writer:
Peter Goalby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Rondor Music (London) Ltd.
?:??
19Hold Your Head Up
phonographic copyright (℗) by:
Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1989)
cover recording of:
Hold Your Head Up
writer:
Rod Argent and Chris White (UK bassist for The Zombies)
publisher:
Al Gallico Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Essex (publisher), Mainstay Music, Inc., Marquis Songs USA and Verulum Music Co Ltd
sub-publisher:
シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
?:??
20Blood on Stone
engineer:
Mat Kemp and Roy Neave
producer:
Trevor Bolder (British bassist)
mixer:
Roy Neave and Trevor "Ross the Boss" Bolder (British bassist)
arranger:
Uriah Heep (British prog/hard rock)
phonographic copyright (℗) by:
Castle Copyrights Ltd. (in 1991) and Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1991)
recorded at:
Chapel Studios in Lincolnshire, England, United Kingdom and Fairview Recording Studio in Willerby, East Riding of Yorkshire, England, United Kingdom
mixed at:
Fairview Recording Studio in Willerby, East Riding of Yorkshire, England, United Kingdom
recording of:
Blood on Stone
writer:
Trevor Bolder (British bassist)
publisher:
BMG Music, BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) and Leosong Copyright Service Ltd.
?:??

Credits

Release

distributed by:BMG Australia Limited (not for release label use!)
copyrighted (©) by and phonographic copyright (℗) by:Castle Communications PLC (not for label use, copyright holder) (in 1997)
Discogs:https://www.discogs.com/release/8002616 [info]