Choral Works

~ Release by Elgar; Sir Adrian Boult (see all versions of this release, 1 available)

Tracklist

1▶CD
2▶CD
3▶CD
4▼CD
#TitleArtistRatingLength
1The Apostles, op. 49: Part 2: Introduction
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: Introduction (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar4:20
2The Apostles, op. 49: Part 2: IV. The Betrayal: And it came to pass
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass"
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar1:59
3The Apostles, op. 49: Part 2: IV. The Betrayal: Then gathered the Chief Priests and Pharisees
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:24
4The Apostles, op. 49: Part 2: IV. The Betrayal: Hail, Master!
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
partial recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Andante. "And it came to pass" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar5:01
5The Apostles, op. 49: Part 2: IV. The Betrayal: In the Place of the High Priest: Then Judas, which had betrayed him
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: The Temple (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar3:57
6The Apostles, op. 49: Part 2: IV. The Betrayal: The Temple: Without the temple
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: IV. The Betrayal: Without the Temple (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: IV. The Betrayal
Edward Elgar9:04
7The Apostles, op. 49: Part 2: V. Golgotha
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: V. Golgotha (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar4:37
8The Apostles, op. 49: Part 2: VI. At the Sepulchre
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VI. At the Sepulchre (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II
Edward Elgar4:24
9The Apostles, op. 49: Part 2: VII. The Ascension: We trusted that it had been He
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: Moderato. "We trusted that it had been He" (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar5:15
10The Apostles, op. 49: Part 2: VII. The Ascension: Give us one heart
producer:
Christopher Bishop (conductor/producer)
bass vocals [Jesus]:
John Carol Case (English baritone) (from 1973-10-23 until 1974-07-02)
bass vocals [Judas]:
Clifford Grant (operatic bass and actor) (from 1973-10-23 until 1974-07-02)
bass vocals [St. Peter]:
Benjamin Luxon (baritone) (from 1973-10-23 until 1974-07-02)
choir vocals:
Choir of Downe House School, Choir of Downe House School (Purley) (from 1973-10-23 until 1974-07-02) and London Philharmonic Choir (from 1973-10-23 until 1974-07-02)
contralto vocals [Mary Magdalene]:
Helen Watts (contralto) (from 1973-10-23 until 1974-07-02)
soprano vocals [The Angel] and soprano vocals [The Blessed Virgin]:
Sheila Armstrong (soprano) (from 1973-10-23 until 1974-07-02)
tenor vocals [St. John]:
Robert Tear (tenor) (from 1973-10-23 until 1974-07-02)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (from 1973-10-23 until 1974-07-02)
conductor:
Sir Adrian Boult (conductor) (from 1973-10-23 until 1974-07-02)
chorus master:
John Alldis (chorusmaster and conductor) (from 1973-10-23 until 1974-07-02) and Dorothy Dickinson (choir music director) (from 1973-10-23 until 1974-07-02)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
concertmaster:
Rodney Friend (violinist) (from 1973-10-23 until 1974-07-02)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (on 1973-10-23, from 1973-10-29 until 1973-10-30, on 1973-11-05, on 1973-11-07, on 1973-12-20, on 1973-12-31, on 1974-07-02)
recording of:
The Apostles, op. 49: Part II: VII. The Ascension: In Heaven / On Earth (from 1973-10-23 until 1974-07-02)
composer:
Edward Elgar (composer)
part of:
The Apostles, op. 49: Part II: VII. The Ascension
Edward Elgar9:21
11The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: General introduction
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:56
12The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Elgar’s use of leitmotiv: Introduction to The Apostles and The Kingdom
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:16
13The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ, the Man of Sorrows
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:49
14The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Spirit of the Lord
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:07
15The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Christ’s Loneliness
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:18
16The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: The Beatitudes
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult3:08
17The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: Judas
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:42
18The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for the principal characters: St. Peter
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:26
19The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Gospel
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:51
20The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Church
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult0:40
21The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes used for abstract ideas: The Fellowship of the Apostles
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:17
22The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The New Faith (Christianity)
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult3:04
23The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: In the name of Jesus Christ
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult0:42
24The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: The Real Presence (Christ)
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:10
25The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Light of Life
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult2:24
26The Apostles & The Kingdom: An Illustrated Introduction by Sir Adrian Boult: Motto themes only used in The Kingdom: Motto theme quoted from The Dream of Gerontius
producer:
Christopher Bishop (conductor/producer)
spoken vocals:
Sir Adrian Boult (conductor) (on 1974-06-24)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1974-06-24)
samples from:
The Dream of Gerontius by Elgar (Edward Elgar, composer); Richard Lewis (Welsh tenor), Dame Janet Baker (mezzo‐soprano and alto), Kim Borg (operatic bass), Hallé Choir & Sheffield Philharmonic Chorus, Ambrosian Singers (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir), Hallé Orchestra, Sir John Barbirolli (conductor and cellist) and The Wand of Youth - Suites 1 & 2 / Three Bavarian Dances / Polonia / Triumphal March From “Caractacus” / Meditation From “The Light of Life” by Elgar (Edward Elgar, composer); London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Sir Adrian Boult (conductor)
partial recording of:
The Apostles & The Kingdom: An Illustrated Introduction (on 1974-06-24)
writer:
Sir Adrian Boult (conductor) and Michael Kennedy (classical music critic and writer)
is based on:
The Apostles, op. 49
is based on:
The Dream of Gerontius, op. 38
is based on:
The Kingdom, op. 51
is based on:
The Light of Life, op. 29 (Alternative title: 'Lux Christi')
Sir Adrian Boult1:48
5▶CD
6▶CD

Credits

Release group

included in:The Complete Recordings