The Complete EMI Recordings 1946-1984, Volume 2: Opera & Vocal (discs 1-10) (editable pseudo-release)

~ Release by Herbert von Karajan (see all versions of this release, 7 available)

Annotation

editable pseudo-release

Annotation last modified on 2014-03-27 12:08 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene IX. No. 7 Duettino "Là ci darem la mano" (Don Giovanni, Zerlina)
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (on 1947-12-09)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-09)
conductor:
Herbert von Karajan (conductor) (on 1947-12-09)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1947-12-09)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (on 1947-12-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:11
2Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XIII. No. 10 Aria "Or sai chi l'onore" (Donna Anna)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Cebotari (on 1947-12-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-16)
conductor:
Herbert von Karajan (conductor) (on 1947-12-16)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1947-12-16)
recording of:
Don Giovanni: Atto I. No. 10 Aria “Or sai chi l’onore” (Donna Anna) (on 1947-12-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart2:43
3Il dissoluto punito, ossia il Don Giovanni, K. 527: Act I, Scene XVI. No. 12 Aria "Batti, batti, oh bel Masetto" (Zerlina)
producer:
Walter Legge (British classical producer)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-11)
conductor:
Herbert von Karajan (conductor) (on 1947-12-11)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1947-12-11)
recording of:
Don Giovanni: Atto I. No. 12 Aria “Batti, batti, oh bel Masetto” (Zerlina) (on 1947-12-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte (in 1787)
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:30
4Il dissoluto punito, ossia il Don Giovanni, K. 527: Act II, Scene XII. No. 23 Recitativo accompagnato "Crudele! - Ah no, mio bene!" (Donna Anna)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Cebotari (on 1947-12-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-16)
conductor:
Herbert von Karajan (conductor) (on 1947-12-16)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1947-12-16)
recording of:
Don Giovanni: Atto II. No. 23 Recitativo accompagnato “Crudele! - Ah no, mio bene!” (Donna Anna) (on 1947-12-16)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto II
part of:
Don Giovanni: Atto II
Wolfgang Amadeus Mozart6:56
5Le nozze di Figaro, K. 492: Act I, Scene VIII. No. 10 Aria "Non più andrai, farfallone amoroso" (Figaro)
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (on 1947-12-09)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-09)
conductor:
Herbert von Karajan (conductor) (on 1947-12-09)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1947-12-09)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena VIII. (no. 10) Aria “Non più andrai, farfallone amoroso” (Figaro) (on 1947-12-09)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart3:24
6Le nozze di Figaro, K. 492: Act II, Scene II. No. 12 Arietta "Voi che sapete che cosa è amor" (Cherubino)
producer:
Walter Legge (British classical producer)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-11)
conductor:
Herbert von Karajan (conductor) (on 1947-12-11)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1947-12-11)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena II. (no. 12) Canzona “Voi che sapete che cosa è amor” (Cherubino) (on 1947-12-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1786)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Wolfgang Amadeus Mozart2:44
7Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna)
producer:
Walter Legge (British classical producer)
soprano vocals:
Irmgard Seefried (soprano) (on 1947-12-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-11)
conductor:
Herbert von Karajan (conductor) (on 1947-12-11)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1947-12-11)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (on 1947-12-11)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart4:31
8Cavalleria Rusticana: Intermezzo
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1949-01-21)
conductor:
Herbert von Karajan (conductor) (on 1949-01-21)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1949-01-21)
recording of:
Cavalleria rusticana: Intermezzo (on 1949-01-21)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni4:00
9Manon Lescaut: Intermezzo
producer:
Walter Legge (British classical producer)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-12)
conductor:
Herbert von Karajan (conductor) (on 1947-12-12)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1947-12-12)
recording of:
Manon Lescaut: Atto III. Intermezzo (Intermezzo between Acts II and III) (on 1947-12-12)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut
Giacomo Puccini4:36
10La Bohème: Sì, mi chiamano Mimì
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-11-06)
conductor:
Herbert von Karajan (conductor) (on 1948-11-06)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1948-11-06)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (on 1948-11-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:43
11La Bohème: Quando me'n'vò soletta (Musetta's Waltz)
producer:
Walter Legge (British classical producer)
soprano vocals:
Ljuba Welitsch (soprano) (on 1948-11-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-11-10)
conductor:
Herbert von Karajan (conductor) (on 1948-11-10)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1948-11-10)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz) (on 1948-11-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Giacomo Puccini2:28
12Gianni Schicchi: O mio babbino caro
producer:
Walter Legge (British classical producer)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1948-11-06)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-11-06)
conductor:
Herbert von Karajan (conductor) (on 1948-11-06)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1948-11-06)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (on 1948-11-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:59
13Die Zauberflöte, K. 620: Act I, Scene XIV. No. 7 Duet "Bei Männern, welche Liebe fühlen" (Pamina, Papageno)
producer:
Walter Legge (British classical producer)
baritone vocals:
Erich Kunz (baritone) (on 1947-12-08)
soprano vocals:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (on 1947-12-08)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-08)
conductor:
Herbert von Karajan (conductor) (on 1947-12-08)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1947-12-08)
recording of:
Die Zauberflöte: Akt I. No. 7 Duett „Bei Männern, welche Liebe fühlen” (Pamina, Papageno) (on 1947-12-08)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:07
14Die Entführung aus dem Serail, K. 384: Act II, Scene III. No. 11 Aria "Martern aller Arten" (Konstanze)
producer:
Walter Legge (British classical producer)
soprano vocals and soprano vocals [Konstanze]:
Elisabeth Schwarzkopf (German-born Austrian/British soprano) (in 1946-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1946-10)
conductor:
Herbert von Karajan (conductor) (in 1946-10)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (in 1946-10)
recording of:
Die Entführung aus dem Serail, K. 384: Akt II, Szene III. No. 11 Arie "Introduktion - Martern aller Arten - Doch du bist entschlossen" (Konstanze) (in 1946-10)
composer:
Wolfgang Amadeus Mozart (classical composer)
additional librettist:
Johann Gottlieb Stephanie ('The Younger')
librettist:
Christoph Friedrich Bretzner
part of:
Die Entführung aus dem Serail, K. 384: Akt II
Wolfgang Amadeus Mozart8:49
15Der Zigeunerbaron: So elend und treu
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Cebotari (on 1948-11-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-11-16)
conductor:
Herbert von Karajan (conductor) (on 1948-11-16)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1948-11-16)
recording of:
Der Zigeunerbaron: Akt I, Nr. 11. „So elend und so treu“ … „O habet acht“ (Barinkay, Saffi) (on 1948-11-16)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
part of:
Der Zigeunerbaron: Akt I
Johann Strauss II3:13
16The Bartered Bride, B143: "Endlich allein... Wie fremd und tot"
producer:
Walter Legge (British classical producer)
soprano vocals:
Hilde Konetzni (soprano) (on 1947-12-15)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1947-12-15)
conductor:
Herbert von Karajan (conductor) (on 1947-12-15)
balance engineer:
Douglas Larter
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1947-12-15)
recording of:
Die verkaufte Braut: Akt. III "Endlich allein ... Wie fremd und tot" (on 1947-12-15)
composer:
Bedřich Smetana (composer)
additional librettist:
Max Kalbeck
librettist:
Karel Sabina
part of:
Die verkaufte Braut
Bedřich Smetana8:10
17Ariadne auf Naxos, Op. 60: Opera: Conclusion: "Es gibt ein Reich, wo alles rein ist" (Ariadne)
producer:
Walter Legge (British classical producer)
soprano vocals:
Maria Cebotari (on 1948-11-16)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1948-11-16)
conductor:
Herbert von Karajan (conductor) (on 1948-11-16)
balance engineer:
Douglas Larter
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt, Wien (Vienna), Austria (on 1948-11-16)
recording of:
Ariadne auf Naxos, op. 60: Oper. [5] “Es gibt ein Reich, wo alles rein ist” (Ariadne) (on 1948-11-16)
composer:
Richard Strauss (German composer)
librettist:
Hugo von Hofmannsthal
part of:
Ariadne auf Naxos, op. 60: Oper
Richard Strauss6:32
2▶CD
3▶CD: Die Zauberflöte (Wiener Philharmoniker)
4▶CD: Die Zauberflöte (Wiener Philharmoniker)
5▶CD: Le Nozze di Figaro, Acts 1 and 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
6▶CD: Le Nozze di Figaro, Acts 3 and 4 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
7▶CD: Salome (Wiener Philharmoniker)
9▶CD: Aida, Act 1 (Chor der Wiener Staatsoper, Wiener Philharmoniker)
10▶CD: Aida, Act 2 (Chor der Wiener Staatsoper, Wiener Philharmoniker)

Credits

Release group

includes:Ariadne auf Naxos (1954 studio cast) by Richard Strauss (German composer); Schwarzkopf (German-born Austrian/British soprano), Seefried (soprano), Streich (soprano), Schock (tenor), Prey (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Così fan tutte (1954 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Elisabeth Schwarzkopf (German-born Austrian/British soprano), Nan Merriman (mezzo-soprano), Léopold Simoneau (tenor), Rolando Panerai (baritone), Sesto Bruscantini (bass-baritone), Lisa Otto (soprano), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) and Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
Die Fledermaus (1955 studio cast) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son); Herbert von Karajan (conductor), Schwarzkopf (German-born Austrian/British soprano), Gedda (tenor), Streich (soprano), Krebs (tenor), Kunz (baritone), Christ (Austrian tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) & Chorus (London choir aka New Philharmonia Chorus from 1964–1977)
Die Zauberflöte (1950 studio cast) by Mozart (Wolfgang Amadeus Mozart, classical composer); Dermota (tenor), Seefried (soprano), Kunz (baritone), Lipp (soprano), Weber (operatic bass), London (bass-baritone), Singverein Der Musikfreunde Wien, Wiener Philharmoniker (Vienna Philharmonic), Herbert von Karajan (conductor)
Falstaff (1956 studio cast) by Verdi (Giuseppe Verdi, Italian opera composer); Tito Gobbi (baritone), Luigi Alva (tenor), Rolando Panerai (baritone), Tomaso Spataro (tenor), Renato Ercolani (tenor), Nicola Zaccaria (operatic bass), Elisabeth Schwarzkopf (German-born Austrian/British soprano), Anna Moffo (soprano), Nan Merriman (mezzo-soprano), Fedora Barbieri (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Herbert von Karajan (conductor)
Hänsel und Gretel (1953 studio cast) by Humperdinck (German composer); Herbert von Karajan (conductor), Grümmer (soprano), Schwarzkopf (German-born Austrian/British soprano), Schürhoff (german operatic soprano), Metternich (baritone), von Ilosvay (contralto), Felbermayer (soprano), Choirs of Loughton High School & Bancroft’s School, Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
Otello (1973-74 studio cast) by Giuseppe Verdi (Italian opera composer); Jon Vickers (tenor), Mirella Freni (soprano), Peter Glossop (baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)