| # | Title | Artist | Rating | Length |
|---|
| 1 | Fidelio: Act 2 - Gott! welch Dunkel hier! | Ludwig van Beethoven | | 5:25 |
| 2 | Fidelio: Act 2 - In des Lebens Frühlingstagen | Ludwig van Beethoven | | 4:50 |
| 3 | Fidelio: Act 2 - Wie kalt ist es in diesem unterirdischen Gewölbe! | Ludwig van Beethoven | | 1:54 |
| 4 | Fidelio: Act 2 - Nur hurtig fort, nur frisch gegraben | Ludwig van Beethoven | | 6:07 |
| 5 | Fidelio: Act 2 - Euch werde Lohn in bessern Welten- engineer:
- Gordon Parry
- producer:
- Erik Smith
- solo bass vocals [Rocco]:
- Kurt Böhme (in 1964-03)
- solo bass-baritone vocals [Don Pizarro]:
- Tom Krause (in 1964-03)
- solo soprano vocals [Leonore]:
- Birgit Nilsson (in 1964-03)
- solo tenor vocals [Florestan]:
- James McCracken (in 1964-03)
- orchestra:
- Wiener Philharmoniker (in 1964-03)
- conductor:
- Lorin Maazel (in 1964-03)
- recorded at:
- Sofiensaal in Landstraße, Wien , Austria (in 1964-03)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13a. Trio "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 13b. Dialog "Alles ist bereit" (Rocco, Leonore, Florestan, Pizarro) (in 1964-03)
- additional librettist:
- Georg Friedrich Treitschke
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 6:34 |
| 6 | Fidelio: Act 2 - Er sterbe!- engineer:
- Gordon Parry
- producer:
- Erik Smith
- solo bass vocals [Rocco]:
- Kurt Böhme (in 1964-03)
- solo bass-baritone vocals [Don Pizarro]:
- Tom Krause (in 1964-03)
- solo soprano vocals [Leonore]:
- Birgit Nilsson (in 1964-03)
- solo tenor vocals [Florestan]:
- James McCracken (in 1964-03)
- solo tenor vocals [Jaquino]:
- Donald Grobe (in 1964-03)
- orchestra:
- Wiener Philharmoniker (in 1964-03)
- conductor:
- Lorin Maazel (in 1964-03)
- recorded at:
- Sofiensaal in Landstraße, Wien , Austria (in 1964-03)
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14a. Quartet "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14b. "Vater Rocco! Der Herr Minister ist angekommen" (Jaquino, Rocco) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Akt II
- recording of:
- Fidelio, op. 72: Act II, Scene I, no. 14c. "Es schlägt der Rache Stunde!" (Leonore, Florestan, Pizarro, Rocco) (in 1964-03)
- composer:
- Ludwig van Beethoven
- part of:
- Fidelio, op. 72: Akt II
| Ludwig van Beethoven | | 5:28 |
| 7 | Fidelio: Act 2 - O namenlose Freude! | Ludwig van Beethoven | | 2:47 |
| 8 | Fidelio: Act 2 - Heil sei dem Tag!- engineer:
- Gordon Parry
- producer:
- Erik Smith
- choir vocals:
- Chor der Wiener Staatsoper (in 1964-03)
- solo baritone vocals [Don Fernando]:
- Hermann Prey (in 1964-03)
- solo bass vocals [Rocco]:
- Kurt Böhme (in 1964-03)
- solo bass-baritone vocals [Don Pizarro]:
- Tom Krause (in 1964-03)
- solo soprano vocals [Leonore]:
- Birgit Nilsson (in 1964-03)
- solo soprano vocals [Marzelline]:
- Graziella Sciutti (in 1964-03)
- orchestra:
- Wiener Philharmoniker (in 1964-03)
- conductor:
- Lorin Maazel (in 1964-03)
- recorded at:
- Sofiensaal in Landstraße, Wien , Austria (in 1964-03)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16a. "Heil sei dem Tag" (Chor) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 2:11 |
| 9 | Fidelio: Act 2 - Des besten Königs Wink und Wille- engineer:
- Gordon Parry
- producer:
- Erik Smith
- choir vocals:
- Chor der Wiener Staatsoper (in 1964-03)
- solo baritone vocals [Don Fernando]:
- Hermann Prey (in 1964-03)
- solo bass vocals [Rocco]:
- Kurt Böhme (in 1964-03)
- solo soprano vocals [Leonore]:
- Birgit Nilsson (in 1964-03)
- solo soprano vocals [Marzelline]:
- Graziella Sciutti (in 1964-03)
- solo tenor vocals [Florestan]:
- James McCracken (in 1964-03)
- orchestra:
- Wiener Philharmoniker (in 1964-03)
- conductor:
- Lorin Maazel (in 1964-03)
- recorded at:
- Sofiensaal in Landstraße, Wien , Austria (in 1964-03)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16b. "Des besten Königs Wink und Wille" (Don Fernando, Chorus, Rocco, Pizarro, Leonore, Marzelline) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16c. "Bestrafet sei der Bösewicht" (Chorus & Don Fernando) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16d. "Du schlossest auf des Edlen Grab (Don Fernando) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16e. "O Gott! O welch ein Augenblick!" (Chor, Leonore, Marzelline, Florestan, Don Fernando, Rocco) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 7:41 |
| 10 | Fidelio: Act 2 - Wer ein holdes Weib errungen- engineer:
- Gordon Parry
- producer:
- Erik Smith
- solo baritone vocals [Don Fernando]:
- Hermann Prey (in 1964-03)
- solo bass vocals [Rocco]:
- Kurt Böhme (in 1964-03)
- solo soprano vocals [Leonore]:
- Birgit Nilsson (in 1964-03)
- solo soprano vocals [Marzelline]:
- Graziella Sciutti (in 1964-03)
- solo tenor vocals [Florestan]:
- James McCracken (in 1964-03)
- solo tenor vocals [Jaquino]:
- Donald Grobe (in 1964-03)
- orchestra:
- Wiener Philharmoniker (in 1964-03)
- conductor:
- Lorin Maazel (in 1964-03)
- recorded at:
- Sofiensaal in Landstraße, Wien , Austria (in 1964-03)
- recording of:
- Fidelio, op. 72: Act II, Scene II, no. 16f. "Wer ein holdes Weib errungen" (Don Fernando, Florestan, Leonore, Marzelline, Rocco, Jaquino) (in 1964-03)
- composer:
- Ludwig van Beethoven (in 1814)
- additional librettist:
- Georg Friedrich Treitschke
- librettist:
- Jean-Nicolas Bouilly
- translator:
- Joseph Sonnleithner
- part of:
- Fidelio, op. 72: Act II, Scene II, no. 16. Finale "Heil sei dem Tag" (Chor, Don Fernando, Rocco, Pizarro, Florestan, Leonore, Marzelline, Jaquino)
| Ludwig van Beethoven | | 4:15 |
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