The Complete Recordings on Erato

~ Release by John Eliot Gardiner (see all versions of this release, 1 available)

Tracklist

1CD: Purcell: Ode for the Birthday of Queen Mary / Music for the funeral of Queen Mary
2CD: Dixit Dominus / Coronation Anthem no. 1
3CD: Rameau: Les Fêtes d’Hébé (La Danse)
4CD: Handel: The ways of Zion do mourn
5CD: Massenet: Scènes dramatiques / Scènes de féerie / Le Dernier Sommeil de la Vierge
6CD: Massenet: Scènes alsaciennes / Scènes pittoresques / Don Quichotte (2 Interludes)
7CD: Handel: Israel in Egypt: Exodus & Moses’ Song (beginning)
8CD: Handel: Israel in Egypt: Moses’ Song (conclusion)
9CD: Music of the “Chapels Royal”
10CD: Purcell: The Tempest
11CD: Purcell: The Indian Queen
12CD: Messe des morts (Requiem)
13CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 1)
14CD: Handel: L’Allegro, il Penseroso ed il Moderato (Part 2 & 3)
15CD: J.S. Bach: Mottets BWV 226 & 228–231 · Cantata BWV 118 / Kuhnau: Motet BWV 1149
16CD: J.S. Bach: Mottets BWV 225 & 227 · Cantata BWV 50
17CD: Handel: Concerti Grossi, op. 3
18CD: Handel: Water Music
19CD: J.S. Bach: Cantatas BWV 4 & 131
20CD: Handel: Semele, HWV 58 (beginning)
21CD: Handel: Semele, HWV 58 (conclusion)
22CD: Gluck: Don Juan ou Le Festin de Pierre
23CD: Purcell: Hail! Bright Cecilia
24CD: Monteverdi: Balli e Balletti
25CD: Rameau: Dardanus, suite d’orchestre
26CD: Rameau: Les Boréades (beginning)
#TitleArtistRatingLength
1Les Boréades, RCT 31 : Ouverture
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Ouverture (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades
Jean‐Philippe Rameau4:50
2Les Boréades, RCT 31 : Acte 1. “Suivez la chasse, allez” (Alphise, Sémire)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
soprano vocals [Alphise]:
Jennifer Smith (soprano) (in 1982-07)
soprano vocals [Sémire]:
Anne-Marie Rodde (soprano) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. “Suivez la chasse, allez” (Alphise, Sémire) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
Jean‐Philippe Rameau3:00
3Les Boréades, RCT 31 : Acte 1. “La chasse à mes regards n’offre plus rien d’aimable” (Alphise, Sémire, Borilée)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
baritone vocals [Borilée]:
Gilles Cachemaille (bass-baritone) (in 1982-07)
soprano vocals [Alphise]:
Jennifer Smith (soprano) (in 1982-07)
soprano vocals [Sémire]:
Anne-Marie Rodde (soprano) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. “La chasse à mes regards n’offre plus rien d’aimable” (Alphise, Sémire, Borilée) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
Jean‐Philippe Rameau2:57
4Les Boréades, RCT 31 : Acte 1. Danse – “Si l’Hymen a des chaines” (Sémire) – Gavottes
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
soprano vocals [Sémire]:
Anne-Marie Rodde (soprano) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. Danse – “Si l’Hymen a des chaines” (Sémire) – Gavottes (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
Jean‐Philippe Rameau3:30
5Les Boréades, RCT 31 : Acte 1. “C’est dans cet aimable séjour” (Casilis)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
tenor vocals [Calisis]:
John Aler (tenor) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. “C’est dans cet aimable séjour” (Casilis) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
Jean‐Philippe Rameau0:45
6Les Boréades, RCT 31 : Acte 1. Rondeau vif – “La troupe volage” (Sémire, Chœur) – Gavottes
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1982-07)
soprano vocals [Sémire]:
Anne-Marie Rodde (soprano) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. “La troupe volage” (Sémire, Chœur) – Gavottes (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
recording of:
Les Boréades, RCT 31 : Acte I. Rondeau vif (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
part of:
Suite Les Boréades
Jean‐Philippe Rameau4:08
7Les Boréades, RCT 31 : Acte 1. “Un horizon serein” (Alphise, Sémire)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
soprano vocals [Alphise]:
Jennifer Smith (soprano) (in 1982-07)
soprano vocals [Sémire]:
Anne-Marie Rodde (soprano) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. “Un horizon serein” (Alphise, Sémire) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
Jean‐Philippe Rameau7:37
8Les Boréades, RCT 31 : Acte 1. Contredanse en Rondeau
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte I. Contredanse en Rondeau (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte I
Jean‐Philippe Rameau2:00
9Les Boréades, RCT 31 : Acte 2. “Charmes trop dangereux” (Abaris)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
tenor vocals [Abaris]:
Philip Langridge (tenor) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “Charmes trop dangereux” (Abaris) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau2:38
10Les Boréades, RCT 31 : Acte 2. “J’aperçois ce mortel” (Adamas, Abaris)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
baritone vocals [Adamas]:
François Le Roux (baritone) (in 1982-07)
tenor vocals [Abaris]:
Philip Langridge (tenor) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “J’aperçois ce mortel” (Adamas, Abaris) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau4:11
11Les Boréades, RCT 31 : Acte 2. “Avec éclat paraissez à mes yeux” (Adamas, Abaris, Chœur, Alphise)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
baritone vocals [Adamas]:
François Le Roux (baritone) (in 1982-07)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1982-07)
soprano vocals [Alphise]:
Jennifer Smith (soprano) (in 1982-07)
tenor vocals [Abaris]:
Philip Langridge (tenor) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “Avec éclat paraissez à mes yeux” (Adamas, Abaris, Chœur, Alphise) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau1:36
12Les Boréades, RCT 31 : Acte 2. “Boreé, à a clarté dont brillaient mille éclairs” (Alphise, Abaris)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
soprano vocals [Alphise]:
Jennifer Smith (soprano) (in 1982-07)
tenor vocals [Abaris]:
Philip Langridge (tenor) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “Boreé, à a clarté dont brillaient mille éclairs” (Alphise, Abaris) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau4:42
13Les Boréades, RCT 31 : Acte 2. “Chantez le dieu qui nous éclaire” (Abaris, Alphise, Calisis, Borilée, Chœur)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
baritone vocals [Borilée]:
Gilles Cachemaille (bass-baritone) (in 1982-07)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (in 1982-07)
soprano vocals [Alphise]:
Jennifer Smith (soprano) (in 1982-07)
tenor vocals [Abaris]:
Philip Langridge (tenor) (in 1982-07)
tenor vocals [Calisis]:
John Aler (tenor) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “Chantez le dieu qui nous éclaire” (Abaris, Alphise, Calisis, Borilée, Chœur) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau2:05
14Les Boréades, RCT 31 : Acte 2. “Nos peuples, dieu du jour, t’offrent de nouveaux jeux” (Borilée)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
baritone vocals [Borilée]:
Gilles Cachemaille (bass-baritone) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “Nos peuples, dieu du jour, t’offrent de nouveaux jeux” (Borilée) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau0:46
15Les Boréades, RCT 31 : Acte 2. Gavottes – “C’est la liberté” (Borilée) – Air un peu plus gai
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
baritone vocals [Borilée]:
Gilles Cachemaille (bass-baritone) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. Gavottes – “C’est la liberté” (Borilée) – Air un peu plus gai (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau3:25
16Les Boréades, RCT 31 : Acte 2. “Comme un zéphir qui vole et jamais ne s’engage” (Nymph)
recorded in:
Aix-en-Provence, Bouches-du-Rhône, Provence-Alpes-Côte-d'Azur, France (in 1982-07)
producer:
Guy Chesnais (producer)
soprano vocals [Nymph]:
Martine March (soprano) (in 1982-07)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (in 1982-07)
conductor:
John Eliot Gardiner (in 1982-07)
balance engineer:
Michel Lepage (engineer)
recorded at:
Festival d'Aix-en-Provence (1951-07-13 –) (1951)
phonographic copyright (℗) by:
Warner Music UK Ltd. (not for release label use!) (in 1984)
recording of:
Les Boréades, RCT 31 : Acte II. “Comme un zéphir qui vole et jamais ne s’engage” (Nymph) (in 1982-07)
composer:
Jean‐Philippe Rameau (French composer of the Baroque era)
part of:
Les Boréades, RCT 31 : Acte II
Jean‐Philippe Rameau2:13
27CD: Rameau: Les Boréades (continuation)
28CD: Rameau: Les Boréades (conclusion)
29CD: J. S. Bach: Orchestral Suites no. 1 & 2 / Choral BWV 299
30CD: J. S. Bach: Orchestral Suites no. 3 & 4
31CD: Purcell: King Arthur or The British Worthy (beginning)
32CD: Purcell: King Arthur or The British Worthy (conclusion)
33CD: Scarlatti: Stabat Mater / Cavalli: Salve Regina / Gesualdo: Ave dulcissima Maria / Clément: O Maria, vernans rosa
34CD: Handel: Ballet Music (Alcina / Terpsichore / Il pastor fido)
35CD: Chabrier: L’Étoile (beginning)
36CD: Chabrier: L’Étoile (conclusion)
37CD: Handel: Tamerlano (beginning)
38CD: Handel: Tamerlano (continuation)
39CD: Handel: Tamerlano (conclusion)
40CD: Leclair: Scylla et Glaucus (beginning)
41CD: Leclair: Scylla et Glaucus (continuation)
42CD: Leclair: Scylla et Glaucus (conclusion)
43CD: Schubert: Symphonies nos. 8 “Unfinished” & 9 “The Great”
44CD: Bizet: Symphony in C major / L’Arlésienne
45CD: Berlioz: L’Enfance du Christ (beginning)
46CD: Berlioz: L’Enfance du Christ (conclusion)
47CD: Messager: Fortunio (Acte 1 & 2)
48CD: Messager: Fortunio (Acte 3 & 4)
49CD: Gluck: Iphigénie en Aulide (beginning)
50CD: Gluck: Iphigénie en Aulide (conclusion)
51CD: Purcell: Timon of Athens / Dioclesian (beginning)
52CD: Purcell: Dioclesian (conclusion)
53CD: Offenbach: Les Brigands (Acte 1)
54CD: Offenbach: Les Brigands (Acte 2–3)
55CD: Couperin: Le Parnasse / Concert “dans le goût théatral” / Concert instrumental
56CD: Ravel: Shéhérazade · 2 Mélodies hébraïques · 5 Mélodies populaires grecques · Vocalise‐étude en forme de habanera / Duparc: 6 Mélodies
57CD: Carissimi: Judicium Extremum / Historia di Jonas / Historia di Jepthe
58CD: Gluck: Orphée et Eurydice (beginning)
59CD: Gluck: Orphée et Eurydice (conclusion)
60CD: Berlioz: Les Nuits d’été & other mélodies
61CD: Tchaikovsky: Rococo Variations · Nocturne · Pezzo capriccioso / Glazunov: Two Pieces · Chant du ménestrel / Rimsky‐Korsakov: Sérénade / Cui: Deux Morceaux
62CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 1–2)
63CD: Gluck: Le Pèlerins de la Mecque ou La Rencontre imprévue (Acte 3)
64CD: England, my England (Purcell)