Peter and the Wolf

~ Release by Melbourne Symphony OrchestraJohn Lanchbery, Conductor. Narrated by Dame Edna Everage (see all versions of this release, 2 available)

Tracklist

1CD
#TitleArtistRatingLength
1Peter and the Wolf: Introduction
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage2:13
2Peter and the Wolf: The Story Begins…
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage4:31
3Peter and the Wolf: The Cat
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage1:52
4Peter and the Wolf: Grandpapa
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage2:15
5Peter and the Wolf: The Wolf
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage3:07
6Peter and the Wolf: And Now, This Is How Things Stood
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage1:44
7Peter and the Wolf: In the Meantime…
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage4:28
8Peter and the Wolf: The Hunters
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage2:19
9Peter and the Wolf: The Procession
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
Peter and the Wolf, op. 67 (from 1997-01-29 until 1997-02-01)
composer and librettist:
Сергей Сергеевич Прокофьев (Sergei Prokofiev, Russian composer) (in 1936)
premiered at:
Nezlobin Theatre in Moscow, Russia (on 1936-05-02)
part of:
Works of Sergei Prokofiev by opus number (number: op. 67)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Sergey Prokofiev. Narrated by Dame Edna Everage4:37
10The Story of Babar, the Little Elephant: The Story of Babar
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries3:09
11The Story of Babar, the Little Elephant: Ride on Mother’s Back
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries2:22
12The Story of Babar, the Little Elephant: Babar Comes to a Town
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries3:32
13The Story of Babar, the Little Elephant: Babar’s Car
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries1:43
14The Story of Babar, the Little Elephant: Arthur and Celeste
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries1:41
15The Story of Babar, the Little Elephant: The Search for Arthur and Celeste
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries1:19
16The Story of Babar, the Little Elephant: Babar Returns to the Forest
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries2:41
17The Story of Babar, the Little Elephant: The Bad Mushroom
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries1:48
18The Story of Babar, the Little Elephant: The New King
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries2:26
19The Story of Babar, the Little Elephant: Babar Speaks to Cornelius
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries2:00
20The Story of Babar, the Little Elephant: The Wedding of Babar
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries1:20
21The Story of Babar, the Little Elephant: After the Wedding
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries1:03
22The Story of Babar, the Little Elephant: Night Fell
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Barry Humphries (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
L'Histoire de Babar, le petit éléphant, FP 129 (for narrator and orchestra) (from 1997-01-29 until 1997-02-01)
orchestrator:
Jean Françaix (French composer)
lyricist:
Jean de Brunhoff
composer:
Francis Poulenc (French composer and pianist)
orchestration of:
L’Histoire de Babar, le petit éléphant, FP 129 (for narrator and piano)
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Francis Poulenc. Narrated by Barry Humphries2:21
23The Young Person’s Guide to the Orchestra: Introduction
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage1:07
24The Young Person’s Guide to the Orchestra: Theme
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
partial recording of:
The Young Person’s Guide to the Orchestra, op. 34: I. Theme. Allegro maestoso e largamente (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage2:20
25The Young Person’s Guide to the Orchestra: Woodwind Variations
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: II. Variation A. Presto (flute and piccolo) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: III. Variation B. Lento (oboe) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IV. Variation C. Moderato (clarinet) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: V. Variation D. Allegro alla marcia (bassoon) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage3:18
26The Young Person’s Guide to the Orchestra: String Variations
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: IX. Variation H. Cominciando lento ma poco a poco accelerando (double-bass) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VI. Variation E. Brillante - Alla polacca (violin) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VII. Variation F. Meno mosso (viola) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: VIII. Variation G. (cello) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage4:04
27The Young Person’s Guide to the Orchestra: Harp Variations
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: X. Variation I. Maestoso (harp) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage0:51
28The Young Person’s Guide to the Orchestra: Brass Variations
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XI. Variation J. L’istesso tempo (horn) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XII. Variation K. Vivace (trumpet) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIII. Variation L. Allegro pomposo (trombone) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage2:19
29The Young Person’s Guide to the Orchestra: Percussion Variations
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XIV. Variation M. Moderato (percussion) (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage2:08
30The Young Person’s Guide to the Orchestra: Fugue
sound engineer:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02) and Melissa May (engineer) (from 1997-01 until 1997-02)
producer:
Peter Taplin (producer) (from 1997-01 until 1997-02)
editor:
Jim Atkins (Australian sound engineer) (from 1997-01 until 1997-02)
spoken vocals:
Dame Edna Everage (from 1997-01-29 until 1997-02-01)
orchestra:
Melbourne Symphony Orchestra (from 1997-01-29 until 1997-02-01)
conductor:
John Lanchbery (conductor) (from 1997-01-29 until 1997-02-01)
recorded at:
Hamer Hall in Melbourne, Victoria, Australia (from 1997-01-29 until 1997-02-01)
recording of:
The Young Person’s Guide to the Orchestra, op. 34: XV. Fugue. Allegro molto (from 1997-01-29 until 1997-02-01)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1946)
is based on:
Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau
part of:
The Young Person’s Guide to the Orchestra, op. 34
Melbourne Symphony Orchestra Conducted by John Lanchbery. Composed by Benjamin Britten. Narrated by Dame Edna Everage2:48