Baroque Masterpieces 16: Johann Sebastian Bach – 2 Secular Cantatas

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Annotation

This CD is CD 16 of the box set Baroque Masterpieces and not an individual release.

Annotation last modified on 2018-03-25 21:46 UTC.

Tracklist

1▼CD
#TitleRatingLength
1Wedding Cantata (Hochzeitskantate), BWV 202: Aria: „Weichet nur, betrübte Schatten“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": I. Aria "Weichet nur, betrübte Schatten" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
2Wedding Cantata (Hochzeitskantate), BWV 202: Recitativo: „Die Welt wird wieder neu“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": II. Recitativo "Die Welt wird wieder neu" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
3Wedding Cantata (Hochzeitskantate), BWV 202: Aria: „Phöbus eilt mit schnellen Pferden“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": III. Aria "Phoebus eilt mit schnellen Pferden" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
4Wedding Cantata (Hochzeitskantate), BWV 202: Recitativo: „Drum sucht auch Amor sein Vergnügen“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IV. Recitativo "Drum sucht auch Amor sein Vergnügen" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
5Wedding Cantata (Hochzeitskantate), BWV 202: Aria: „Wenn die Frühlingslüfte streichen“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
6Wedding Cantata (Hochzeitskantate), BWV 202: Recitativo: „Und dieses ist das Glücke“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VI. Recitativo "Und dieses ist das Glücke" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
7Wedding Cantata (Hochzeitskantate), BWV 202: Aria: „Sich üben im Lieben“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VII. Aria "Sich üben im Lieben" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
8Wedding Cantata (Hochzeitskantate), BWV 202: Recitativo: „So sei das Band der keuschen Liebe“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": VIII. Recitativo "So sei das Band der keuschen Liebe" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
9Wedding Cantata (Hochzeitskantate), BWV 202: Aria: „Sehet in Zufriedenheit“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Reinhard Peters (conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": IX. Gavotte "Sehet in Zufriedenheit" (in 1964)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
?:??
10Non sà che sia dolore, BWV 209: Sinfonia
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": I. Sinfonia (in 1966)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
?:??
11Non sà che sia dolore, BWV 209: Recitativo: „Non sà che sia dolore“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": II. Recitativo "Non sa che sia dolore" (in 1966)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
?:??
12Non sà che sia dolore, BWV 209: Aria: „Parti pur col dolore“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": III. Aria "Parti pur e con dolore" (in 1966)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
?:??
13Non sà che sia dolore, BWV 209: Recitativo: „Tuo saver al tempo e l’età“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": IV. Recitativo "Tuo saver al tempo" (in 1966)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
?:??
14Non sà che sia dolore, BWV 209: Aria: „Recitti gramezza e pavento“
soprano vocals:
Elly Ameling (soprano)
orchestra:
Collegium Aureum
conductor:
Franzjosef Maier (German violinist and conductor)
performer:
Collegium Aureum (from 1964 until 1968)
recorded at:
Fuggerschloss Kirchheim in Kirchheim in Schwaben, Bayern (Bavaria), Germany (from 1964 until 1968)
recording of:
Kantate, BWV 209 "Non sa che sia dolore": V. Aria "Ricetti gramezza e pavento" (in 1966)
premiered in:
Leipzig, Sachsen (Saxony), Germany (in 1729)
composed in:
Leipzig, Sachsen (Saxony), Germany
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1729)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 209 "Non sa che sia dolore"
?:??