Matthäus-Passion, BWV 244

~ Release by Johann Sebastian Bach; Nikolaus Harnoncourt, Concentus Musicus Wien, Choir of King's College, Cambridge (see all versions of this release, 3 available)

Annotation

Copyright: A Warner Classics/Teldec release, © 1991 Warner Music UK Limited
A Warner Classics/Teldec release, ℗ 1970 Warner Music UK Limited

Annotation last modified on 2025-01-21 13:10 UTC.

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1Matthäus-Passion, BWV 244: Pt. 1: No. 1, Chor. "Kommt, ihr Töchter helft mir klagen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, I. Chor I & II "Kommt, ihr Töchter, helft mir klagen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach57:29
2Matthäus-Passion, BWV 244: Pt. 1: No. 2, Rezitativ. "Da Jesus diese Rede vollendet hatte"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, II. Rezitativ (Evangelist, Jesus) "Da Jesus diese Rede vollendet hatte" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:48
3Matthäus-Passion, BWV 244: Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, III. Choral "Herzliebster Jesu, was hast du verbrochen" (in 1970-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 166)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:52
4Matthäus-Passion, BWV 244: Pt. 1: No. 4a, Rezitativ. "Da versammleten sich die Hohenpriester"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:29
5Matthäus-Passion, BWV 244: Pt. 1: No. 4b, Chor. "Ja nicht auf das Fest"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVb. Cori "Ja nicht auf das Fest" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:17
6Matthäus-Passion, BWV 244: Pt. 1: No. 4c, Rezitativ. "Da nun Jesus war zu Bethanien"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVc. "Da nun Jesus war zu Bethanien" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:27
7Matthäus-Passion, BWV 244: Pt. 1: No. 4d, Chor. "Wozu dienet dieser Unrat"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVd. Coro "Wozu dienet dieser Unrat" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach0:30
8Matthäus-Passion, BWV 244: Pt. 1: No. 4e, Rezitativ. "Da das Jesus merkete"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IVe. "Da das Jesus merkete" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IVa. "Da versammelten sich die Hohenpriester" (Evangelista) - IVb. Cori "Ja nicht auf das Fest" - IVc. "Da nun Jesus war zu Bethanien" (Evangelista) - IVd. Coro "Wozu dienet dieser Unrat" - IVe. "Da das Jesus merkete"
Johann Sebastian Bach1:40
9Matthäus-Passion, BWV 244: Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, V. Accompagnato-Rezitativ (Alt) "Du lieber Heiland du" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
10Matthäus-Passion, BWV 244: Pt. 1: No. 6, Aria. "Buß und Reu"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VI. Arie (Alt) "Buß und Reu" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:18
11Matthäus-Passion, BWV 244: Pt. 1: No. 7, Rezitativ. "Da ging hin der Zwölfen einer"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VII. Rezitativ (Evangelist, Judas) "Da ging hin der Zwölfen einer" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:32
12Matthäus-Passion, BWV 244: Pt. 1: No. 8, Aria. "Blute nur, du liebes Herz!"
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, VIII. Arie (Sopran) "Blute nur, du liebes Herz" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach4:59
13Matthäus-Passion, BWV 244: Pt. 1: No. 9a, Rezitativ. "Aber am ersten Tage der süßen Brot"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:15
14Matthäus-Passion, BWV 244: Pt. 1: No. 9b, Chor. "Wo willst du, dass wir dir bereiten"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXb. Coro "Wo willst du, dass wir dir bereiten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:25
15Matthäus-Passion, BWV 244: Pt. 1: No. 9c, Rezitativ. "Er sprach. Gehet hin in die Stadt"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXc. "Er sprach: Gehet hin in die Stadt" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
recording of:
Matthäus-Passion, BWV 244: Teil I, IXd. "Und sie wurden sehr betrübt" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach1:38
16Matthäus-Passion, BWV 244: Pt. 1: No. 9e, Chor. "Herr, bin ichs?"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, IXe. Coro "Herr, bin ichs" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, IXa. "Aber am ersten Tage der süssen Brot" - IXb. Coro "Wo willst du, dass wir dir bereiten" - IXc. "Er sprach: Gehet hin in die Stadt" - IXd. "Und sie wurden sehr betrübt" - IXe. Coro "Herr, bin ichs"
Johann Sebastian Bach0:12
17Matthäus-Passion, BWV 244: Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büßen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, X. Choral "Ich bin's, ich sollte büßen" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 294)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:49
18Matthäus-Passion, BWV 244: Pt. 1: No. 11, Rezitativ. "Er antwortete und sprach"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XI. Rezitativ (Evangelist, Jesus, Judas) "Er antwortete und sprach" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:16
19Matthäus-Passion, BWV 244: Pt. 1: No. 12, Rezitativ. "Wiewohl mein Herz in Tränen schwimmt"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XII. Accompagnato-Rezitativ (Sopran) "Wiewohl mein Herz in Tränen schwimmt" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:27
20Matthäus-Passion, BWV 244: Pt. 1: No. 13, Aria. "Ich will dir mein Herz schenken"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIII. Arie (Sopran) "Ich will dir mein Herze schenken" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach3:48
21Matthäus-Passion, BWV 244: Pt. 1: No. 14, Rezitativ. "Und da sie den Lobgesang gesprochen hatten"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIV. Rezitativ (Evangelist, Jesus) "Und da sie den Lobgesang gesprochen hatten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:13
22Matthäus-Passion, BWV 244: Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XV. Choral "Erkenne mich, mein Hüter" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 163)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:07
23Matthäus-Passion, BWV 244: Pt. 1: No. 16, Rezitativ. "Petrus aber antwortete und sprach zu ihm"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVI. Rezitativ (Evangelist, Petrus, Jesus) "Petrus aber antwortete und sprach zu ihm" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:08
24Matthäus-Passion, BWV 244: Pt. 1: No. 17, Choral. "Ich will hier bei dir stehen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVII. Choral "Ich will hier bei dir stehen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:06
25Matthäus-Passion, BWV 244: Pt. 1: No. 18, Rezitativ. "Da kam Jesus mit ihnen zu einem Hofe"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XVIII. Rezitativ (Evangelist, Jesus) "Da kam Jesus mit ihnen zu einem Hofe" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:43
26Matthäus-Passion, BWV 244: Pt. 1: No. 19, Rezitativ und Choral. "O Schmerz! Hier zittert das gequälte Herz!"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XIX. Accompagnato-Rezitativ (Tenor) und Choral (Chor II) "O Schmerz! Hier zittert das gequälte Herz" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:52
27Matthäus-Passion, BWV 244: Pt. 1: No. 20, Aria mit Chor. "Ich will bei meinem Jesu wachen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals:
Nigel Rogers (tenor) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09) and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XX. Arie (Tenor) und Chor II "Ich will bei meinen Jesu wachen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:18
28Matthäus-Passion, BWV 244: Pt. 1: No. 21, Rezitativ. "Und ging hin ein wenig"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach0:50
29Matthäus-Passion, BWV 244: Pt. 1: No. 22, Rezitativ. "Der Heiland fällt vor seinem Vater nieder"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:16
30Matthäus-Passion, BWV 244: Pt. 1: No. 23, Aria. "Gerne will ich mich bequemen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals:
Max van Egmond (bass-baritone) (in 1970-09)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach5:11
31Matthäus-Passion, BWV 244: Pt. 1: No. 24, Rezitativ. "Und er kam zu seinen Jüngern"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:25
32Matthäus-Passion, BWV 244: Pt. 1: No. 25, Choral. "Was mein Gott will, das g'scheh allzeit"
recorded in:
Wien (Vienna), Austria (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 342)
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach1:14
33Matthäus-Passion, BWV 244: Pt. 1: No. 26, Rezitativ. "Und er kam und fand sie aber schlafen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:41
34Matthäus-Passion, BWV 244: Pt. 1: No. 27a, Aria mit Chor. "So ist mein Jesus nun gefangen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
countertenor vocals [Altus]:
Tom Sutcliffe (Counter-tenor, Critic) (in 1970-09)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder, Einstudierung [Sopransolo]: Hans Gillesberger and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIa. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach3:53
35Matthäus-Passion, BWV 244: Pt. 1: No. 27b, Chor. "Sind Blitze, sind Donner in Wolken verschwunden"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIIb. "Sind Blitze, sind Donner in Wolken verschwunden" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
Johann Sebastian Bach1:11
36Matthäus-Passion, BWV 244: Pt. 1: No. 28, Rezitativ. "Und siehe, einer aus denen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach2:35
37Matthäus-Passion, BWV 244: Pt. 1: No. 29, Choral. "O Mensch, bewein' dein' Sünde groß"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil I
Johann Sebastian Bach6:21
38Matthäus-Passion, BWV 244: Pt. 2: No. 30, Aria mit Chor. "Ach, nun ist mein Jesus hin!"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals:
Choir of King’s College, Cambridge (in 1970-09) and Paul Esswood (countertenor) (in 1970-09)
bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:21
39Matthäus-Passion, BWV 244: Pt. 2: No. 31, Rezitativ. "Die aber Jesum gegriffen hatten"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
40Matthäus-Passion, BWV 244: Pt. 2: No. 32, Choral. "Mir hat die Welt trüglich gericht'"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'" (in 1970-09)
lyricist:
Adam Reusner
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 213)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:50
41Matthäus-Passion, BWV 244: Pt. 2: No. 33, Rezitativ. "Und wiewohl viel falsche"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:07
42Matthäus-Passion, BWV 244: Pt. 2: No. 34, Rezitativ. "Mein Jesus schweigt zu falschen Lügen stille"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor II]:
Nigel Rogers (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
43Matthäus-Passion, BWV 244: Pt. 2: No. 35, Aria. "Geduld!"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals and tenor vocals [Tenor II]:
Nigel Rogers (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:31
44Matthäus-Passion, BWV 244: Pt. 2: No. 36a, Rezitativ. "Und der Hohepriester antworte"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:24
45Matthäus-Passion, BWV 244: Pt. 2: No. 36b, Chor. "Er ist des Todes schuldig!"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:12
46Matthäus-Passion, BWV 244: Pt. 2: No. 36c, Rezitativ. "Da speieten sie aus"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:16
47Matthäus-Passion, BWV 244: Pt. 2: No. 36d, Chor. "Weissage uns, Christe"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:22
48Matthäus-Passion, BWV 244: Pt. 2: No. 37, Choral. "Wer hat dich so geschlagen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVII. Choral "Wer hat dich so geschlagen" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 292)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:56
49Matthäus-Passion, BWV 244: Pt. 2: No. 38a, Rezitativ. "Petrus aber saß draußen im Palast"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:53
50Matthäus-Passion, BWV 244: Pt. 2: No. 38b, Chor. "Wahrlich, du bist auch einer von denen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach0:11
51Matthäus-Passion, BWV 244: Pt. 2: No. 38c, Rezitativ. "Da hub er an, sich zu verfluchen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:20
52Matthäus-Passion, BWV 244: Pt. 2: No. 39, Aria. "Erbarme dich"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals and countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1970-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:17
53Matthäus-Passion, BWV 244: Pt. 2: No. 40, Choral. "Bin ich gleich von dir gewichen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1970-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
54Matthäus-Passion, BWV 244: Pt. 2: No. 41a, Rezitativ. "Des Morgens aber hielten alle Hohepriester"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:55
55Matthäus-Passion, BWV 244: Pt. 2: No. 41b, Chor. "Was gehet uns das an?"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:09
56Matthäus-Passion, BWV 244: Pt. 2: No. 41c, Rezitativ. "Und er warf die Silberlinge in den Tempel"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:40
57Matthäus-Passion, BWV 244: Pt. 2: No. 42, Aria. "Gebt mir meinen Jesum wieder"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals:
Max van Egmond (bass-baritone) (in 1970-09)
bass vocals [Bass II]:
Michael Schopper (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:03
58Matthäus-Passion, BWV 244: Pt. 2: No. 43, Rezitativ. "Sie hielten aber einen Rat"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:11
59Matthäus-Passion, BWV 244: Pt. 2: No. 44, Choral. "Befiehl du deine Wege"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:02
60Matthäus-Passion, BWV 244: Pt. 2: No. 45a, Rezitativ mit Chor. "Auf das Fest aber hatte der Landpfleger"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach1:44
61Matthäus-Passion, BWV 244: Pt. 2: No. 45a, Chor. "Barabbam!"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:04
62Matthäus-Passion, BWV 244: Pt. 2: No. 45a, Rezitativ. "Pilatus sprach zu ihnen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:11
63Matthäus-Passion, BWV 244: Pt. 2: No. 45b, Chor. "Laß ihn kreuzigen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVb. "Laß ihn kreuzigen" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLVa. "Auf das Fest aber hatte der Landpfleger Gewohnheit" (Evangelista, Pilatus, Uxor Pilati, Cori) - XLVb. Cori "Lass ihn kreuzigen"
Johann Sebastian Bach0:21
64Matthäus-Passion, BWV 244: Pt. 2: No. 46, Choral. "Wie wunderbarlich ist doch diese Strafe"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVI. Choral "Wie wunderbarlich ist doch diese Strafe" (in 1970-09)
lyricist:
Johann Heermann
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 167)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:59
65Matthäus-Passion, BWV 244: Pt. 2: No. 47, Rezitativ. "Der Landpfleger sagte"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVII. "Der Landpfleger sagte" (Evangelista, Pilatus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:14
66Matthäus-Passion, BWV 244: Pt. 2: No. 48, Rezitativ. "Er hat uns allen wohlgetan"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLVIII. Recitativo (Soprano) "Er hat uns allen wohlgetan" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:13
67Matthäus-Passion, BWV 244: Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Soloists of the Wiener Sängerknaben (The Vienna Boys Choir)
soprano vocals [Sopran]:
Solist der Wiener Sängerknaben (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Sopransolo]: Hans Gillesberger
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIX. Aria (Soprano) "Aus Liebe will mein Heiland sterben" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach4:37
68Matthäus-Passion, BWV 244: Pt. 2: No. 50a, Rezitativ. "Sie schrieen aber noch mehr"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:04
69Matthäus-Passion, BWV 244: Pt. 2: No. 50b, Chor. "Laß ihn kreuzigen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lb. "Laß ihn kreuzigen" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:20
70Matthäus-Passion, BWV 244: Pt. 2: No. 50c, Rezitativ. "Da aber Pilatus sahe"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:25
71Matthäus-Passion, BWV 244: Pt. 2: No. 50d, Chor. "Sein Blut komme über uns"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Ld. "Sein Blut komme über uns" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:43
72Matthäus-Passion, BWV 244: Pt. 2: No. 50e, Rezitativ. "Da gab er ihnen Barrabam los"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, Le. "Da gab er ihnen Barrabam los" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, La. "Sie schrieen aber noch mehr" (Evangelista) - Lb. Cori "Lass ihn kreuzigen" - Lc. "Da aber Pilatus sahe" (Evangelista, Pilatus) - Ld. Cori "Sein Blut komme über uns" - Le. "Da gab er ihnen Barrabam los"
Johann Sebastian Bach0:21
73Matthäus-Passion, BWV 244: Pt. 2: No. 51, Rezitativ. "Erbarm' es Gott"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus II]:
James Bowman (UK countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LI. Recitativo (Alto) "Erbarm es Gott" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
74Matthäus-Passion, BWV 244: Pt. 2: No. 52, Aria. "Können Tränen meinen Wangen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus II]:
James Bowman (UK countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LII. Aria (Alto) "Können Tränen meiner Wangen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach7:30
75Matthäus-Passion, BWV 244: Pt. 2: No. 53a, Rezitativ. "Da nahmen die Kriegsknechte"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:35
76Matthäus-Passion, BWV 244: Pt. 2: No. 53b, Chor und Rezitativ. "Gegrüßet seist du, Jüdenkönig"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIb. "Gegrüßet seist du, Jüdenkönig" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIIIc. "Und speieten ihn an" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LIIIa. "Da nahmen die Kriegsknechte" (Evangelista) - LIIIb. Cori "Gegrüsset seist du, Jüdenkönig" - LIIIc. "Und speieten ihn an" (Evangelista)
Johann Sebastian Bach0:32
77Matthäus-Passion, BWV 244: Pt. 2: No. 54, Choral. "O Haupt voll Blut und wunden"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
alto vocals, bass vocals and tenor vocals:
Choir of King’s College, Cambridge (in 1970-09)
choir vocals [boy voices]:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
choir vocals [male voices]:
Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
soprano vocals:
Regensburger Domspatzen (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIV. Choral "O Haupt voll Blut und Wunden" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 162)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:31
78Matthäus-Passion, BWV 244: Pt. 2: No. 55, Rezitativ. "Und da sie ihn verspottet hatten"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LV. "Und da sie ihn verspottet hatten" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:49
79Matthäus-Passion, BWV 244: Pt. 2: No. 56, Rezitativ. "Ja freilich will in uns das Fleisch und Blut"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVI. Recitativo (Basso) "Ja freilich will in uns das Fleisch und Blut" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach0:35
80Matthäus-Passion, BWV 244: Pt. 2: No. 57, Aria. "Komm, süßes Kreuz, so will ich sagen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals and bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVII. Aria (Basso) "Komm, süßes Kreuz, so will ich sagen" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:04
81Matthäus-Passion, BWV 244: Pt. 2: No. 58a, Rezitativ. "Und da sie an die Stätte kamen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie and die Stätte kamen" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach1:43
82Matthäus-Passion, BWV 244: Pt. 2: No. 58b, Chor. "Der du den Tempel Gottes zerbrichst"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIb. "Der du den Tempel Gottes zerbrichst" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:31
83Matthäus-Passion, BWV 244: Pt. 2: No. 58c, Rezitativ. "Desgleichen auch die Hohenpriester"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIc. "Desgleichen auch die Hohenpriester" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:11
84Matthäus-Passion, BWV 244: Pt. 2: No. 58d, Chor. "Andern hat er geholfen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIId. "Andern hat er geholfen" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:57
85Matthäus-Passion, BWV 244: Pt. 2: No. 58e, Rezitativ. "Desgleischem schmäheten ihn auch die Mörder"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LVIIIe. "Desgleichen schmäheten ihn auch die Mörder" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LVIIIa. "Und da sie an die Stätte kamen" - LVIIIb. Cori "Der du den Tempel Gottes zerbrichst" - LVIIIc. "Desgleichen auch die Hohenpriester" - LVIIId. Cori "Andern hat er geholfen" - LVIIIe. "Desgleichen [...]"
Johann Sebastian Bach0:18
86Matthäus-Passion, BWV 244: Pt. 2: No. 59, Rezitativ. "Ach Golgotha"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LIX. Recitativo (Alto) "Ach Golgotha" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:38
87Matthäus-Passion, BWV 244: Pt. 2: No. 60, Aria mit Chor. "Sehet, Jesus hat die Hand"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
countertenor vocals [Altus I]:
Paul Esswood (countertenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LX. Aria (Alto) "Sehet, Jesus hat die Hand", Coro "Wohin?" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:29
88Matthäus-Passion, BWV 244: Pt. 2: No. 61a, Rezitativ. "Und von der sechsten Stunde an"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass (Christus)]:
Karl Ridderbusch (operatic bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach1:21
89Matthäus-Passion, BWV 244: Pt. 2: No. 61b, Chor. "Der rufet dem Elias!"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIb. "Der rufet dem Elias" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:04
90Matthäus-Passion, BWV 244: Pt. 2: No. 61c, Rezitativ. "Und bald lief einer unter ihnen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIc. "Und bald lief einer unter ihnen" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:17
91Matthäus-Passion, BWV 244: Pt. 2: No. 61d, Chor und Rezitativ. "Halt! laß sehen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXId. "Halt! Laß sehen" (Chorus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIe. "Aber Jesus schriee abermal" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIa. "Und von der sechsten Stunde an" (Evangelista, Jesus) - LXIb. Coro "Der rufet dem Elias" - LXIc. "Und bald lief einer unter ihnen" (Evangelista) - LXId. Coro "Halt! Lass sehen" - LXIe. "Aber Jesus schriee abermal"
Johann Sebastian Bach0:33
92Matthäus-Passion, BWV 244: Pt. 2: No. 62, Choral. "Wenn ich einmal soll scheiden"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXII. Choral "Wenn ich einmal soll scheiden" (in 1970-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 164)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:30
93Matthäus-Passion, BWV 244: Pt. 2: No. 63a, Rezitativ. "Und siehe da, der Vorhang im Tempel zerriß"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriß" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:14
94Matthäus-Passion, BWV 244: Pt. 2: No. 63b, Chor. "Wahrlich, dieser ist Gottes Sohn gewesen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIb. "Wahrlich, dieser ist Gottes Sohn gewesen" (Chori in unisono) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach0:26
95Matthäus-Passion, BWV 244: Pt. 2: No. 63c, Rezitativ. "Und es waren viel Weiber da"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIIIc. "Und es waren viel Weiber da" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXIIIa. "Und siehe da, der Vorhang im Tempel zerriss" (Evangelista) - LXIIIb. Cori "Wahrlich, dieser ist Gottes Sohn gewesen" - LXIIIc. "Und es waren viel Weiber da" (Evangelista)
Johann Sebastian Bach1:07
96Matthäus-Passion, BWV 244: Pt. 2: No. 64, Rezitativ. "Am Abend, da es kühle war"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXIV. Recitativo (Basso) "Am Abend, da es kühle war" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:13
97Matthäus-Passion, BWV 244: Pt. 2: No. 65, Aria. "Mache dich, mein Herze, rein"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
bass vocals [Bass I]:
Max van Egmond (bass-baritone) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXV. Aria (Basso) "Mache dich, mein Herze, rein" (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:56
98Matthäus-Passion, BWV 244: Pt. 2: No. 66a, Rezitativ. "Und Joseph nahm den Leib"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach1:03
99Matthäus-Passion, BWV 244: Pt. 2: No. 66b, Chor. "Herr, wir haben gedacht"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
choir vocals:
Knabenstimmen des Regensburger Domchors (Regensburg Cathedral Choir, German / Regensburger cathedral choir) (in 1970-09) and Männerstimmen des King's College Choir, Cambridge (Alt, Tenor, Bass) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
chorus master:
Einstudierung [Knabenstimmen]: Christoph Lickleder and Sir David Willcocks (UK composer, organist, choral conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIb. "Herr, wir haben gedacht" (Chori) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:55
100Matthäus-Passion, BWV 244: Pt. 2: No. 66c, Rezitativ. "Pilatus sprach zu ihnen"
recorded in:
Wien (Vienna), Austria (in 1970-09)
producer:
Wolf Erichson (engineer/producer)
tenor vocals [Tenor I (Evangelist)]:
Kurt Equiluz (tenor) (in 1970-09)
orchestra:
Concentus Musicus Wien (in 1970-09)
conductor:
Nikolaus Harnoncourt (conductor) (in 1970-09)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1970-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1970-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus)
Johann Sebastian Bach0:38
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