Andrea Chenier

~ Release by Umberto Giordano; Maria Callas, Mario del Monaco, Orchestre et Chœur du “Teatro alla Scala”, Antonino Votto (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Andrea Chénier: Atto I. “Questo azzurro sofa”
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano2:29
2Andrea Chénier: Atto I. “Son sessant'anni, o vecchio”
baritone vocals [Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
mezzo-soprano vocals [Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La contessa]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena]:
Maria Callas (soprano) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Il giorno intorno già s’insera lentamente!” (Maddalena, Gérard) / “Via, v’affretate” (Contessa, Gérard, Maddalena, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
live partial recording of:
Andrea Chénier: Atto I. “Questo azzurro sofà” (Il Maestro di Casa) / “Compiacente a’colloqui” … “Son sessant’anni, o vecchio” (Gérard) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano4:28
3Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa”
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
mezzo-soprano vocals [La contessa]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [L'abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
live recording of:
Andrea Chénier: Atto I. “Soffoco, moro tutta chiusa” (Maddalena, Contessa, Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano6:50
4Andrea Chénier: Atto I. “O pastorelle addio”
baritone vocals [Fléville]:
Enzo Sordello (baritone) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [L'abate]:
Mario Carlin (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto I. “Al mio dire perdono” (Maddalena, Coro, Chénier, Contessa) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
live partial recording of:
Andrea Chénier: Atto I. “Passiamo la sera allegramente!” (Fléville, L'Abate) / “O Pastorelle, addio” (Coro di Pastori e Pastorelle) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano5:42
5Andrea Chénier: Atto I. “Un di all'azzurro spazio”
baritone vocals [Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
bass vocals [Il maestro di casa]:
Carlo Forti (operatic bass) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [La contessa]:
Maria Amadini (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto I. “Colpito qui m’avete” … “Un dì all’azzurro spazio” (Improvviso) (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer) (until 1896)
librettist:
Luigi Illica
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
Andrea Chénier: Atto I
live partial recording of:
Andrea Chénier: Atto I. “Perdonatemi!” (Maddalena, Contessa, Gérard, Maestro di Casa) / “La notte il giorno portiamo” (Voci lontane) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto I
Umberto Giordano8:47
6Andrea Chénier: Atto II. “Per l'ex inferno”
bass vocals [Il sanculotto Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
mezzo-soprano vocals [La mulatta Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
tenor vocals [L'incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Per l'ex inferno!” (Mathieu, Bersi, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:09
7Andrea Chénier: Atto II. “Temer? Perché?”
baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
live recording of:
Andrea Chénier: Atto II. “Temer? Perché?” (Bersi) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano4:22
8Andrea Chénier: Atto II. “Io non ho amato ancor”
baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Roucher!” (Chénier, Roucher) / “Credo a una possanza arcana” (Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano1:58
9Andrea Chénier: Atto II. “Calligrafia invero feminini”
baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Calligrafia invero femminil!” (Roucher, Chénier) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano2:43
10Andrea Chénier: Atto II. “La donna che mi hai chiesto”
baritone vocals [Gérard]:
Aldo Protti (bass-baritone) (on 1955-01-08)
baritone vocals [Roucher]:
Enrico Campi (operatic bass-baritone) (on 1955-01-08)
bass vocals [Mathieu]:
Michele Cazzato (operatic bass) (on 1955-01-08)
choir vocals:
Coro del Teatro alla Scala di Milano (on 1955-01-08)
mezzo-soprano vocals [Bersi]:
Silvana Zanolli (mezzo-soprano) (on 1955-01-08)
soprano vocals [Maddalena]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [Un incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live partial recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
live recording of:
Andrea Chénier: Atto II. “Ecco laggiù Gérard!” (La Folla, Mathieu) / “La donna che mi hai chiesto di cercare” (L'Incredibile, Chénier, Gérard, Roucher, La Folla) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
live recording of:
Andrea Chénier: Atto II. “Eccole! Strani tempi” (Roucher, Chénier) … “Non mi saluti? Trattieni qui Chénier” (Bersi, Roucher, L'Incredibile, Chénier, Mathieu) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano8:23
11Andrea Chénier: Atto II. “Eravate possente”
soprano vocals [Maddalena]:
Maria Callas (soprano) (on 1955-01-08)
tenor vocals [Chénier]:
Mario Del Monaco (tenor) (on 1955-01-08)
tenor vocals [Un incredibile]:
Mariano Caruso (tenor) (on 1955-01-08)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (on 1955-01-08)
conductor:
Antonino Votto (conductor) (on 1955-01-08)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (on 1955-01-08)
live recording of:
Andrea Chénier: Atto II. “Ecco l'altare” … “Eravate possente” … “Ora soave” (Maddalena, Chénier, L'Incredibile) (on 1955-01-08)
composer:
Umberto Giordano (Italian opera composer)
librettist:
Luigi Illica
part of:
Andrea Chénier: Atto II
Umberto Giordano7:15
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