La Divina: Maria Callas in All Her Roles 2

~ Release by Maria Callas (see all versions of this release, 3 available)

Tracklist

46CD: Giuseppe Verdi: Un ballo in maschera (Act 2 conclusion, Act 3) (Studio, Recorded 1956)
#TitleArtistRatingLength
1Un ballo in maschera: Act II. “Ahimè! s'appressa alcun” (Amelia, Riccardo, Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:13
2Un ballo in maschera: Act II. “Amico, gelosa t'affido una cura” (Riccardo, Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14c. "Amico, gelosa t'affido una cura" (Riccardo, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi0:55
3Un ballo in maschera: Act II. “Odi tu come fremono cupi” (Amelia, Renato, Riccardo)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 14d. Cabaletta "Odi tu come fremono cupi" (Amelia, Renato, Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi1:57
4Un ballo in maschera: Act II. “Seguitemi” (Renato, Amelia, Coro, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi2:39
5Un ballo in maschera: Act II. “Ve', se di notte qui colla sposa” (Renato, Amelia, Coro, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
Giuseppe Verdi5:07
6Un ballo in maschera: Act III, Scene 1. “A tal colpa è nulla il pianto” (Renato, Amelia)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:19
7Un ballo in maschera: Act III, Scene 1. “Morrò, ma prima in grazia” (Amelia)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:32
8Un ballo in maschera: Act III, Scene 1. “Alzati! là tuo figlio” (Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:53
9Un ballo in maschera: Act III, Scene 1. “Eri tu che macchiavi quell'anima…O dolcezze perdute! O memorie” (Renato)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:18
10Un ballo in maschera: Act III, Scene 1. “Siam soli, Udite” (Renato, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:37
11Un ballo in maschera: Act III, Scene 1. “Dunque l'onta di tutti sol una” (Renato, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi0:55
12Un ballo in maschera: Act III, Scene 1. “D'uno grazia ci supplico” (Renato, Samuel, Tom, Amelia)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi3:58
13Un ballo in maschera: Act III, Scene 1. “Qual è dunque l'eletto?…Ah! del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. “Qual e dunque l'eletto … Ah! Del Conte la morte si vuole!” (Renato, Samuel, Tom, Amelia) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:21
14Un ballo in maschera: Act III, Scene 1. “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:06
15Un ballo in maschera: Act III, Scene 1. “Ah! Di che fulgor, che musiche” (Renato, Oscar, Amelia, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:44
16Un ballo in maschera: Act III, Scene 2. “Forse la soglia attinse” (Riccardo)
producer:
Walter Jellinek (British classical producer)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:38
17Un ballo in maschera: Act III, Scene 2. “Ma se m'è forza perderti” (Riccardo)
producer:
Walter Jellinek (British classical producer)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:45
18Un ballo in maschera: Act III, Scene 2. “Ah! dessa è là” (Riccardo, Oscar)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:38
19Un ballo in maschera: Act III, Scene 3. “Fervono amori e danze” (Coro, Samuel, Renato, Tom, Oscar)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22b. Coro “Fervono amori e danze” (1) (Coro, Samuel, Tom, Renato) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:09
20Un ballo in maschera: Act III, Scene 3. “Saper vorreste di che si veste” (Oscar)
producer:
Walter Jellinek (British classical producer)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi2:02
21Un ballo in maschera: Act III, Scene 3. “Fervono amori e danze” (Coro, Renato, Oscar)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:29
22Un ballo in maschera: Act III, Scene 3. “Ah! perché qui! fuggite” (Amelia, Riccardo)
producer:
Walter Jellinek (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (in 1956)
soprano vocals [Amelia]:
Maria Callas (soprano) (in 1956)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (in 1956)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (in 1956)
conductor:
Antonino Votto (conductor) (in 1956)
chorus master:
Norberto Mola (chorus master) (in 1956)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (in 1956)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:39
23Un ballo in maschera: Act III, Scene 3. “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, Coro)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24e “E tu ricevi il mio!” (Renato, Riccardo, Amelia, Oscar, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi1:15
24Un ballo in maschera: Act III, Scene 3. “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Coro, Samuel, Tom)
producer:
Walter Jellinek (British classical producer)
baritone vocals [Renato]:
Tito Gobbi (baritone) (from 1956-09-04 until 1956-09-09)
bass vocals [Samuel]:
Silvio Maionica (operatic bass) (from 1956-09-04 until 1956-09-09)
bass vocals [Tom]:
Nicola Zaccaria (operatic bass) (from 1956-09-04 until 1956-09-09)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1956-09-04 until 1956-09-09)
soprano vocals [Amelia]:
Maria Callas (soprano) (from 1956-09-04 until 1956-09-09)
soprano vocals [Oscar]:
Eugenia Ratti (soprano) (from 1956-09-04 until 1956-09-09)
tenor vocals [Riccardo]:
Giuseppe Di Stefano (tenor) (from 1956-09-04 until 1956-09-09)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1956-09-04 until 1956-09-09)
conductor:
Antonino Votto (conductor) (from 1956-09-04 until 1956-09-09)
chorus master:
Norberto Mola (chorus master) (from 1956-09-04 until 1956-09-09)
balance engineer:
Robert Beckett (classical recording engineer, EMI mainly)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1956-09-04 until 1956-09-09)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1956-09-04 until 1956-09-09)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
Giuseppe Verdi4:42
47CD: Giuseppe Verdi: La forza del destino (Acts 1 & 2) (Studio, Recorded 1954)
48CD: Giuseppe Verdi: La forza del destino (Act 3) (Studio, Recorded 1954)
49CD: Giuseppe Verdi: La forza del destino (Act 4) (Studio, Recorded 1954)
50CD: Giuseppe Verdi: Rigoletto (Act 1) (Studio, Recorded 1955)
51CD: Giuseppe Verdi: Rigoletto (Acts 2 & 3) (Studio, Recorded 1955)
52CD: Giuseppe Verdi: La traviata (Act 1 • Act 2, Scene 1) (Studio, Recorded 1953)
53CD: Giuseppe Verdi: La traviata (Act 2, Scene 2 • Act 3) (Studio, Recorded 1953)
54CD: Giuseppe Verdi: Il trovatore (Acts 1 & 2) (Studio, Recorded 1956)
55CD: Giuseppe Verdi: Il trovatore (Acts 3 & 4) (Studio, Recorded 1956)
56CD: The First Recordings (1949) (Studio, Recorded 1949)
57CD: The Callas Rarities (1953-1969) (Studio, Recorded 1953, 1958, 1960 & 1961)
58CD: The Callas Rarities (1953-1969) (Studio, Recorded 1962, 1964, 1965 & 1969)
59CD: Operatic Arias by Puccini (Studio, Recorded 1954)
60CD: Lyric and Coloratura Arias (Studio, Recorded 1954)
61CD: Callas at La Scala (Studio, Recorded 1955)
62CD: Callas Portrays Verdi Heroines (Verdi Arias I) (Studio, Recorded 1958)
63CD: Mad Scenes (Studio, Recorded 1958)
64CD: Great Arias from French Opera (Callas à Paris I) (Studio, Recorded 1961)
65CD: More Arias from French Opera (Callas à Paris II) (Studio, Recorded 1963)
66CD: Rossini & Donizetti Arias (Studio, Recorded 1963 & 1964)
67CD: Mozart, Beethoven, Weber Recital (Studio, Recorded 1963 & 1964)
68CD: Verdi Arias II (Studio, Recorded 1963 & 1964)
69CD: Verdi Arias III (Studio, Recorded 1965 & 1969)
70CD: Vincenzo Bellini: Norma (Act 1, Scene 1 • Act 1, Scene 2 beginning) (Live, Recorded 1952)
71CD: Vincenzo Bellini: Norma (Act 1, Scene 2 conclusion • Act 2) (Live, Recorded 1952)
72CD: Vincenzo Bellini: Il pirata (Act 1) (Live, Recorded 1959)
73CD: Vincenzo Bellini: Il pirata (Act 2) (Live, Recorded 1959)
74CD: Vincenzo Bellini: La sonnambula (Act 1 beginning) (Live, Recorded 1955)
75CD: Vincenzo Bellini: La sonnambula (Act 1 conclusion • Act 2) (Live, Recorded 1955)
76CD: Vincenzo Bellini: La sonnambula (Act 1) (Live, Recorded 1957)
77CD: Vincenzo Bellini: La sonnambula (Act 2) (Live, Recorded 1957)
78CD: Luigi Cherubini: Medea (Act 1) (Live, Recorded 1953)
79CD: Luigi Cherubini: Medea (Acts 2 & 3) (Live, Recorded 1953)
80CD: Gaetano Donizetti: Anna Bolena (Act 1) (Live, Recorded 1957)
81CD: Gaetano Donizetti: Anna Bolena (Act 2) (Live, Recorded 1957)
82CD: Gaetano Donizetti: Lucia di Lammermoor (Act 1) (Live, Recorded 1955)
83CD: Gaetano Donizetti: Lucia di Lammermoor (Acts 2 & 3) (Live, Recorded 1955)
84CD: Gaetano Donizetti: Poliuto (Act 1) (Live, Recorded 1960)
85CD: Gaetano Donizetti: Poliuto (Acts 2 & 3) (Live, Recorded 1960)
86CD: Umberto Giordano: Andrea Chénier (Acts 1 & 2) (Live, Recorded 1955)
87CD: Umberto Giordano: Andrea Chénier (Acts 3 & 4) (Live, Recorded 1955)
88CD: Christoph Willibald Gluck: Alceste (Act 1) (Live, Recorded 1954)
89CD: Christoph Willibald Gluck: Alceste (Acts 2 & 3) (Live, Recorded 1954)
90CD: Christoph Willibald Gluck: Ifigenia in Tauride (Acts 1 & 2) (Live, Recorded 1957)