Kantaten, BWV 79-82

~ Release by Johann Sebastian Bach, Nikolaus Harnoncourt,Gustav Leonhardt (see all versions of this release, 1 available)

Tracklist

1▼CD
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1Cantata, BWV 79 "Gott der Herr ist Sonn und Schild": 1. [Coro] "Gott, der Herr, ist Sonn und Schild"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": I. Coro "Gott der Herr ist Sonn und Schild" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach5:01
2Cantata, BWV 79 "Gott der Herr ist Sonn und Schild": 2. Aria (Alto) "Gott ist unsre Sonn und Schild!"
alto vocals:
Paul Esswood (countertenor) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": II. Aria (Alt) "Gott ist unser Sonn und Schild!" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:40
3Cantata, BWV 79 "Gott der Herr ist Sonn und Schild": 3. Choral (Coro) "Nun danket alle Gott"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": III. Choral "Nun danket alle gott'" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Martin Rinckart (German poet) (in 1636)
part of:
Breitkopf 389 Choralgesänge (number: 259)
is based on:
Nun danket alle Gott (Lutheran choral)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach2:12
4Cantata, BWV 79 "Gott der Herr ist Sonn und Schild": 4. Recitativo (Basso) "Gottlob, wir wissen den rechten Weg"
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": IV. Recitativo (Bass) "Gottlob, wir wissen den rechten Weg" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:52
5Cantata, BWV 79 "Gott der Herr ist Sonn und Schild": 5. Aria (Soprano, Basso) "Gott, ach Gott, verlaß die Deinen nimmermehr"
bass vocals:
Max van Egmond (bass-baritone) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": V. Aria (Duetto Sopran, Bass) "Gott, ach Gott, verlaß die Deinen" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach3:12
6Cantata, BWV 79 "Gott der Herr ist Sonn und Schild": 6. Choral (Coro) "Erhalt uns in der Wahrheit"
choir vocals:
Collegium Vocale Gent (from 1977-05-04 until 1977-05-06) and Knabenchor Hannover (Hanover Boys' Choir, German boys choir) (from 1977-05-04 until 1977-05-06)
orchestra:
Leonhardt‐Consort (Netherlands-based baroque ensemble) (from 1977-05-04 until 1977-05-06)
conductor:
Gustav Leonhardt (conductor, harpsichordist) (from 1977-05-04 until 1977-05-06)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1977-05-04 until 1977-05-06)
recording of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild": VI. Choral "Erhalt uns in der Wahrheit" (from 1977-05-04 until 1977-05-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1725)
librettist:
Ludwig Helmbold (in 1575)
part of:
Breitkopf 389 Choralgesänge (number: 267)
part of:
Kantate, BWV 79 "Gott der Herr ist Sonn und Schild"
Johann Sebastian Bach0:35
7Cantata, BWV 80 "Ein feste Burg ist unser Gott": 1. [Coro] "Ein feste Burg ist unser Gott"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": I. Coro "Ein feste Burg ist unser Gott" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
is based on:
Ein feste Burg ist unser Gott
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach5:11
8Cantata, BWV 80 "Ein feste Burg ist unser Gott": 2. Aria (Soprano, Basso) "Mit unser Macht"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": II. Aria (Bass) con Choral (Sopran) "Alles, was von Gott geboren" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
9Cantata, BWV 80 "Ein feste Burg ist unser Gott": 3. Recitativo (Basso) "Erwäge doch, Kind Gottes"
bass vocals:
Ruud van der Meer (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": III. Recitativo (Bass) "Erwäge doch, Kind Gottes" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:41
10Cantata, BWV 80 "Ein feste Burg ist unser Gott": 4. Aria (Soprano) "Komm in mein Herzenshaus"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": IV. Aria (Sopran) "Komm in mein Herzenshaus" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:08
11Cantata, BWV 80 "Ein feste Burg ist unser Gott": 5. Choral (Coro) "Und wenn die Welt voll Teufel wär"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": V. Choral "Und wenn die Welt voll Teufel wär" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:18
12Cantata, BWV 80 "Ein feste Burg ist unser Gott": 6. Recitativo (Tenore) "So stehe denn bei Christi blutgefärbten Fahne"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VI. Recitativo (Tenor) "So stehe dann bei Christi blutgefärbten Fahne" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:13
13Cantata, BWV 80 "Ein feste Burg ist unser Gott": 7. Duetto (Alto, Tenore) "Wie selig sind doch die"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VII. Duetto (Alt, Tenor) "Wie selig sind doch die, die Gott im Munde tragen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach3:42
14Cantata, BWV 80 "Ein feste Burg ist unser Gott": 8. Choral (Coro) "Das Wort sie sollen lassen stahn"
treble vocals:
Wilhelm Wiedl (boy soprano) (from 1977-03 until 1977-05)
vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott": VIII. Choral "Das Wort sie sollen lassen stahn" (from 1977-03 until 1977-05)
lyricist:
Martin Luther (German theologian of the Reformation)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1715 until 1730)
part of:
Breitkopf 389 Choralgesänge (number: 76)
part of:
Kantate, BWV 80 "Ein feste Burg ist unser Gott"
Johann Sebastian Bach1:01
15Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 1. Aria (Alto) "Jesus schläft, was soll ich hoffen?"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": I. Aria (Alt) "Jesus schläft, was soll ich hoffen?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach4:10
16Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 2. Recitativo (Tenore) "Herr! warum trittest du so ferne?"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": II. Recitativo (Tenor) "Herr, warum trittest du so ferne?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:57
17Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 3. Aria (Tenore) "Die schäumenden Wellen von Belials Bächen"
tenor vocals:
Kurt Equiluz (tenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": III. Aria (Tenor) "Die schäumenden Wellen von Belials Bächen" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach3:01
18Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 4. Arioso (Basso) "Ihr Kleingläubigen, warum seid ihr so furchtsam?"
bass vocals:
Ruud van der Meer (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": IV. Arioso (Bass) "Ihr Kleingläubigen, warum seid ihr so furchtsam?" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:03
19Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 5. Aria (Basso) "Schweig, aufgetürmtes Meer!"
bass vocals:
Philippe Huttenlocher (baritone) (in 1977-03) and Ruud van der Meer (in 1977-03)
orchestra:
Concentus Musicus Wien (in 1977-03)
conductor:
Nikolaus Harnoncourt (conductor) (in 1977-03)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (in 1977-03, from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": V. Aria (Bass) "Schweig, aufgetürmtes Meer!" (in 1977-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach5:17
20Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 6. Recitativo (Alto) "Wohl mir, mein Jesus spricht ein Wort"
alto vocals:
Paul Esswood (countertenor) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VI. Recitativo (Alt) "Wohl mir, mein Jesus spricht ein Wort" (from 1977-03 until 1977-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach0:18
21Cantata, BWV 81 "Jesus schläft, was soll ich hoffen?": 7. Choral (Coro) "Unter deinen Schirmen"
choir vocals:
Tölzer Knabenchor (Tölz Boys’ Choir) (from 1977-03 until 1977-05)
orchestra:
Concentus Musicus Wien (from 1977-03 until 1977-05)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-03 until 1977-05)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-03 until 1977-05)
recording of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen": VII. Choral "Unter deinen Schirmen" (from 1977-03 until 1977-05)
lyricist:
Johann Franck (German poet of the 17th century)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
part of:
Breitkopf 389 Choralgesänge (number: 197)
part of:
Kantate, BWV 81 "Jesus schläft, was soll ich hoffen"
Johann Sebastian Bach1:05
22Cantata, BWV 82 "Ich habe genug": 1. Aria (Basso) "Ich habe genung"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 “Ich habe genung”: I. Aria (Bass) “Ich habe genung, ich habe den Heiland” (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach6:47
23Cantata, BWV 82 "Ich habe genug": 2. Recitativo (Basso) "Ich habe genug! Mein Trost ist nur allein"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": II. Recitativo (Bass) "Ich habe genung! Mein Trost ist nur allein" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:56
24Cantata, BWV 82 "Ich habe genug": 3. Aria (Basso) "Schlummert ein, ihr matten Augen"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": III. Aria (Bass) "Schlummert ein, ihr matten Augen" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach8:46
25Cantata, BWV 82 "Ich habe genug": 4. Recitativo (Basso) "Mein Gott! wann kommt das schöne: Nun!"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": IV. Recitativo (Bass) "Mein Gott! wenn kömmt das schöne: Nun!" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach0:42
26Cantata, BWV 82 "Ich habe genug": 5. Aria (Basso) "Ich freue mich auf meinen Tod"
bass vocals:
Philippe Huttenlocher (baritone) (from 1977-04-22 until 1977-04-23)
orchestra:
Concentus Musicus Wien (from 1977-04-22 until 1977-04-23)
conductor:
Nikolaus Harnoncourt (conductor) (from 1977-04-22 until 1977-04-23)
recorded at:
Casino Zögernitz in Döbling, Wien (Vienna), Austria (from 1977-04-22 until 1977-04-23)
recording of:
Kantate, BWV 82 "Ich habe genung": V. Aria (Bass) "Ich freue mich auf meinen Tod" (from 1977-04-22 until 1977-04-23)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1727)
part of:
Kantate, BWV 82 “Ich habe genung” (for bass)
Johann Sebastian Bach3:25