St. Matthew Passion (1978 Decca recording)

~ Release by Johann Sebastian Bach; Bach Choir, Sir David Willcocks (see all versions of this release, 2 available)

Tracklist

1▶CD: Part 1
2▼CD: Part 1 (continued), Part 2
#TitleArtistRatingLength
1St. Matthew Passion, BWV 244: Recitative: And he went away
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 27. Recitative "And he went away" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXI. Rezitativ (Evangelist, Jesus) "Und ging hin ein wenig"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach0:50
2St. Matthew Passion, BWV 244: Recitative: The Saviour, low before His Father bending
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 28. Recitative "The Saviour, low before His Father bending" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXII. Accompagnato-Rezitativ (Bass) "Der Heiland fällt vor seinem Vater nieder"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:08
3St. Matthew Passion, BWV 244: Bass Aria: Gladly would I take upon me
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 29. Aria (Bass) "Gladly would I take upon me" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIII. Arie (Bass) "Gerne will ich mich bequemen"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:26
4St. Matthew Passion, BWV 244: Recitative: And he came to his disciples
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 30. Recitative "And he came to his disciples" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIV. Rezitativ (Evangelist, Jesus) "Und er kam zu seinen Jüngern"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:30
5St. Matthew Passion, BWV 244: Chorale: O Father, let thy will be done
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 31. Chorale "O Father, let thy will be done" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXV. Choral "Was mein Gott will, das g'scheh allzeit"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach1:15
6St. Matthew Passion, BWV 244: Recitative: And he came again and found them sleeping
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 32. Recitative "And he came again and found them sleeping" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVI. Rezitativ (Evangelist, Jesus) "Und er kam und fand sie aber schlafend"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:34
7St. Matthew Passion, BWV 244: Duet & Chorus: Behold, my Saviour now is taken
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
solo soprano vocals:
Felicity Lott (soprano) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
recording of:
St. Matthew Passion: Part I: No. 33. Duet (Soprano & Contralto) & Chorus "Behold, my Saviour now is taken" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVII. Arie (Sopran, Alt) und Chor "So ist mein Jesus nun gefangen" - XXVIIb. Cori "Sind Blitze, sind Donner in Wolken verschwunden?"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach4:55
8St. Matthew Passion, BWV 244: Recitative: And behold, one of the others that were there with Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part I: No. 34. Recitative "And behold, one of the others that were there with Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXVIII. Rezitativ (Evangelist, Jesus) "Und siehe, einer aus denen, die mit Jesu waren"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach2:35
9St. Matthew Passion, BWV 244: Chorus: O man, thy grievous sin bemoan
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
recording of:
St. Matthew Passion: Part I: No. 35. Chorus "O man, thy grievous sin bemoan" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil I, XXIX. Choral "O Mensch, bewein dein Sünde groß"
part of:
St. Matthew Passion: Part I (arr. Elgar & Atkins)
Johann Sebastian Bach6:56
10St. Matthew Passion, BWV 244: Contralto Aria with Chorus: Ah! now is my Saviour gone
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 36. Aria (Contralto) With Chorus "Ah! now is my Saviour gone" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXX. Arie (Alt) und Chor "Ach! nun ist mein Jesus hin"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach4:33
11St. Matthew Passion, BWV 244: Recitative: And they that had laid hold on Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 37. Recitative "And they that had laid hold on Jesus" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXI. Rezitativ (Evangelist) "Die aber Jesum gegriffen hatten"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:03
12St. Matthew Passion, BWV 244: Chorale: How falsely doth the world accuse!
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 38. Chorale "How falsely doth the world accuse!" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXII. Choral "Mir hat die Welt trüglich gericht'"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach0:57
13St. Matthew Passion, BWV 244: Recitative: Yea, though many lying witnesses came forward
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 39. Recitative "Yea, though many lying witnesses came forward" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIII. Rezitativ (Evangelist, 2 Zeugen, Hohepriester) "Und wiewohl viel falsche Zeugen herzutraten"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:24
14St. Matthew Passion, BWV 244: Recitative: He holds his peace though men accuse him falsely
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
St. Matthew Passion: Part II: No. 40. Recitative "He holds his peace though men accuse him falsely" (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
arrangement of:
Matthäus-Passion, BWV 244: Teil II, XXXIV. Accompagnato-Rezitativ (Tenor) "Mein Jesus schweigt zu falschen Lügen stille"
part of:
St. Matthew Passion: Part II (arr. Elgar & Atkins)
Johann Sebastian Bach1:05
15St. Matthew Passion, BWV 244: Tenor Aria: Endure, endure
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo cello:
Charles Tunnell (in 1978-09)
solo tenor vocals:
Neil Jenkins (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXV. Arie (Tenor) "Geduld! Wenn mich falsche Zungen stechen" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach3:45
16St. Matthew Passion, BWV 244: Recitative with Chorus: And the high priest answered and said unto him
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIb. "Er ist des Todes schuldig" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach1:43
17St. Matthew Passion, BWV 244: Recitative with Chorus: And then with one accord did they spit in his face
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIc. "Da speieten sie aus" (Evangelista) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:40
18St. Matthew Passion, BWV 244: Chorale: O Lord, who dares to smite Thee?
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVId. "Weissage uns, Christe" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIa. "Und der Hohepriester antwortete" (Evangelista, Pontifex, Jesus) - XXXVIb. Cori "Er ist des Todes schuldig" - XXXVIc. "Da speieten sie aus" (Evangelista) - XXXVId. Cori "Weissage uns, Christe"
Johann Sebastian Bach0:55
19St. Matthew Passion, BWV 244: Recitative with Chorus: Simon Peter sat outside the court
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draußen im Palast" (Evangelista, Ancilla I & II, Petrus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIb. "Wahrlich, du bist auch einer von denen" (Chorus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:11
20St. Matthew Passion, BWV 244: Recitative: And then began he to curse and to swear
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
bass-baritone vocals [Peter]:
Hugh Davies (bass baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XXXVIIIa. "Petrus aber saß draussen im Palast" (Evangelista, Ancilla I/II, Petrus) - XXXVIIIb. Coro "Wahrlich, du bist auch einer von denen" - XXXVIIIc. "Da hub er an, sich zu verfluchen" (Evangelista, Petrus)
Johann Sebastian Bach1:26
21St. Matthew Passion, BWV 244: Contralto Aria: Have mercy, Lord, on me
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
John Bacon (violinist) (in 1978-09)
solo contralto vocals:
Alfreda Hodgson (contralto) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XXXIX. Aria (Alto) "Erbarme dich, mein Gott" (in 1978-09)
orchestrator:
Ton Koopman (conductor, organist and harpsichordist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach6:44
22St. Matthew Passion, BWV 244: Chorale: Lamb of God, I fall before Thee
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XL. Choral "Bin ich gleich von dir gewichen" (in 1978-09)
lyricist:
Johann von Rist
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 361)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:09
23St. Matthew Passion, BWV 244: Recitative with Chorus: Now when the morning came
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
lead vocals [Judas]:
John King (vocalist) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
partial recording of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIb. "Was gehet uns das an" (Chori) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:57
24St. Matthew Passion, BWV 244: Recitative: And he cast the silver pieces down in the temple
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals:
Richard Jackson (baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I & II) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II, XLIa. "Des Morgens aber hielten alle Hohepriester" (Evangelista, Judas) - XLIb. Cori "Was gehet uns das an?" - XLIc. "Und er warf die Silberlinge in den Tempel" (Evangelista, Pontifex I/II)
Johann Sebastian Bach0:58
25St. Matthew Passion, BWV 244: Bass Aria: Give, O give me back my Lord
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo violin:
Roger Garland (violinist) (in 1978-09)
solo baritone vocals:
Stephen Roberts (UK bass-baritone) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLII. Aria (Basso) "Gebt mir meinen Jesum wieder" (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
partial recording of:
St. Matthew Passion (arr. Elgar & Atkins) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
arranger:
Sir Ivor Atkins (English organist and conductor) and Edward Elgar (composer)
publisher:
Novello & Co. Ltd.
arrangement of:
Matthäus-Passion, BWV 244 (St Matthew Passion, BWV 244)
Johann Sebastian Bach3:36
26St. Matthew Passion, BWV 244: Recitative: And they took counsel together
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
solo baritone vocals [Pilate]:
Paul Hillier (conductor, music director and baritone, specializes in early music and contemporary art music) (in 1978-09)
solo bass-baritone vocals [Christus]:
John Shirley‐Quirk (bass-baritone) (in 1978-09)
solo tenor vocals [Evangelist]:
Robert Tear (tenor) (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIII. "Sie hielten aber einen Rat" (Evangelista, Pilatus, Jesus) (in 1978-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach2:18
27St. Matthew Passion, BWV 244: Chorale: Commit thy way to Jesus
engineer:
Simon Eadon (classical music engineer) and Kenneth Wilkinson (engineer)
producer:
Andrew Cornall (engineer / producer)
choir vocals:
The Bach Choir (in 1978-09)
orchestra:
The Thames Chamber Orchestra (in 1978-09)
conductor:
Sir David Willcocks (UK composer, organist, choral conductor) (in 1978-09)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1979)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1978-09)
recording of:
Matthäus-Passion, BWV 244: Teil II, XLIV. Choral "Befiehl du deine Wege" (in 1978-09)
lyricist:
Paul Gerhardt (17th century hymn writer)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Breitkopf 389 Choralgesänge (number: 159)
part of:
Matthäus-Passion, BWV 244: Teil II
Johann Sebastian Bach1:12
3▶CD: Part 2 (continued)

Credits

Release group

included in:Great Choral Favourites by Various Artists (add compilations to this artist)
excerpts:St. Matthew Passion: Highlights by Bach (Johann Sebastian Bach, German Baroque period composer & musician); The Bach Choir, Sir David Willcocks (UK composer, organist, choral conductor)