Wagner in Stockholm. Recordings 1899–1970

~ Release by Wagner (see all versions of this release, 1 available)

Tracklist

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#TitleArtistRatingLength
1Das Rheingold: Scene IV: “Abendlich strahlt der Sonne Auge”
bass-baritone vocals:
Åke Wallgren (Swdish bass-baritone) (in 1929)
orchestra:
Royal Orchestra (Royal Swedish Opera Orchestra, The Royal Court Orchestra) (in 1929)
conductor:
Nils Grevillius (Swedish conductor and violinist) (in 1929)
Richard Wagner3:09
2Wesendonck Gesänge: N:o 5 “Träume”
recorded in:
Oslo, Norway (in 1914)
soprano vocals:
Ellen Gulbranson (mezzo/soprano) (in 1914)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1914)
recording of:
Wesendonck-Lieder: V. Träume (for voice and large orchestra, Wagner) (in 1914)
orchestrator and composer:
Richard Wagner (composer)
lyricist:
Mathilde Wesendonck
arrangement of:
Wesendonck-Lieder: V. Träume (for voice and piano)
is based on:
Träume, WWV 91b (for violin and orchestra)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner2:50
3Lohengrin: Act I: Elsa’s Dream “Einsam in trüben Tagen”
recorded in:
Berlin, Germany (in 1907)
soprano vocals:
Sigrid Arnoldson (Swedish soprano) (in 1907)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1907)
Richard Wagner3:20
4Tannhäuser: Act III: “O du mein holder Abendstern”
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (in 1899)
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1899)
baritone vocals:
Carl Fredrik Lundqvist (Swedish tenor–baritone) (in 1899)
Richard Wagner2:08
5Tannhäuser: Act II: Elisabeth’s Greeting “Dich, teure Halle”
recorded in:
Stockholm, Stockholms län (Stockholm county), Sweden (in 1913)
soprano vocals:
Magna Lykseth-Skogman (soprano) (in 1913)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1913)
Richard Wagner3:20
6Tannhäuser: Act II: “Blick’ ich umher”
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1906)
baritone vocals:
Carl Lejdström (Swedish baritone) (in 1906)
Richard Wagner3:40
7Wesendonck Gesänge: N:o 4 “Schmerzen”
mezzo-soprano vocals:
Julia Claussen (on 1939-02-02)
orchestra:
Stockholm Phil. Orch. (Royal Stockholm Philharmonic Orchestra) (on 1939-02-02)
conductor:
Ivar Hellman (on 1939-02-02)
recorded at:
Konserthuset: Stora salen (orchestra venue of Stockholm Concert Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (on 1939-02-02)
recording of:
Wesendonck-Lieder: IV. Schmerzen (for voice and large orchestra, Mottl) (on 1939-02-02)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: IV. Schmerzen (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:00
8Siegfried: Act I: Forging Song “Nothung! Neidliches Schwert”
tenor vocals:
Modest Menzinsky (tenor) (in 1910)
orchestra:
Royal Orchestra (Royal Swedish Opera Orchestra, The Royal Court Orchestra) (in 1910)
conductor:
Hjalmar Meissner (conductor / pianist) (in 1910)
Richard Wagner3:25
9Der fliegende Holländer: Act II: “Johohoe! Traft ihr das Schiff”
soprano vocals:
Nanny Larsén-Todsen (Swedish soprano) (in 1929)
vocals:
Chorus Staatsoper Berlin (in 1929)
orchestra:
Orchestra Staatsoper Berlin (in 1929)
conductor:
Frieder Weissmann (conductor) (in 1929)
Richard Wagner5:39
10Der fliegende Holländer: Act II: “Willst du, mein Kind”
bass vocals:
Ernst Svedelius (Swedish operatic bass) (in 1908)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1908)
Richard Wagner3:00
11Der fliegende Holländer: Act II: “Wie aus der Ferne”
baritone vocals:
Conny Molin (Swedish baritone) (in 1919)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1919)
Richard Wagner3:14
12Der fliegende Holländer: Act III: Cavatina “Willst jenes Tags du nicht”
piano:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1912)
tenor vocals:
David Stockman (Swedish tenor, painter, sculptor) (in 1912)
Richard Wagner3:34
13Lohengrin: Act III: “Mein lieber Schwan”
tenor vocals:
Alexander Kirchner (Austrian tenor) (in 1911)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911)
Richard Wagner4:12
14Die Meistersinger: Act I: “Nun, Meister! Wenn’s gefällt”
baritone vocals [Beckmesser]:
Josef Herou (Swedish baritone) (on 1939-09-13)
baritone vocals [Kothner]:
Conny Molin (Swedish baritone) (on 1939-09-13)
tenor vocals [Walther]:
Set Svanholm (tenor) (on 1939-09-13)
orchestra:
Royal Orchestra (Royal Swedish Opera Orchestra, The Royal Court Orchestra) (on 1939-09-13)
conductor:
Nils Grevillius (Swedish conductor and violinist) (on 1939-09-13)
Richard Wagner5:00
15Die Meistersinger: Act III: Walter’s Prize Song “Morgenlich leuchtend”
tenor vocals:
Martin Öhman (Swedish tenor, actor) (in 1927)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1927)
Richard Wagner3:48
16Parsifal: Act II: “Ich sah das Kind”
recorded in:
Berlin, Germany (in 1921)
soprano vocals:
Lilly Hafgren (Swedish soprano) (in 1921)
orchestra and conductor:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1921)
Richard Wagner4:25
17Parsifal: Act III: “Ja, Wehe! Weh’ über mich”
baritone vocals [Amfortas]:
Carl Richter (Swedish baritone) (on 1940-03-17)
choir vocals:
Kungliga Operans Kör (Royal Swedish Opera Chorus) (on 1940-03-17)
tenor vocals [Parsifal]:
Einar Beyron (Swedish tenor) (on 1940-03-17)
orchestra:
Kungliga Hovkapellet (Royal Swedish Opera Orchestra, The Royal Court Orchestra) (on 1940-03-17)
conductor:
Herbert Sandberg (conductor) (on 1940-03-17)
Richard Wagner14:38
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Credits

Release

manufactured in:EU (Europe)
liner notes:Stefan Johansson (director, theater manager, critic)
rights society:BIEM (international rights organization representing member societies from 58 countries)
n©b (Nordisk Copyright Bureau, a rights society; do not use this as a label!)
manufactured by:DCM (Digital Communication Media - Swedish pressing plant)
copyrighted (©) by and phonographic copyright (℗) by:AB Frank Hedman (in 2002)
Discogs:https://www.discogs.com/release/13712425 [info]
purchase for mail-order:https://naxosdirect.se/items/wagner-in-stockholm-29207 [info]