Verdi Edition: The Complete Operas

~ Release by Giuseppe Verdi (see all versions of this release, 1 available)

Tracklist

1▶CD: Disc 01 - Oberto (Marriner, 1997)
2▶CD: Disc 02 - Oberto (Marriner, 1997)
3▶CD: Disc 03 - Un giorno di regno (Gardelli, 1973)
4▶CD: Disc 04 - Un giorno di regno (Gardelli, 1973)
5▶CD: Disc 05 - Nabucco (Gardelli, 1965)
6▶CD: Disc 06 - Nabucco (Gardelli, 1965)
7▶CD: Disc 07 – I Lombardi (Gardelli, 1972)
8▶CD: Disc 08 – I Lombardi (Gardelli, 1972)
9▶CD: Disc 09 – Ernani (Bonynge, 1987/1998)
10▶CD: Disc 10 – Ernani (Bonynge, 1987/1998)
11▶CD: Disc 11 - I due Foscari (Gardelli, 1977)
12▶CD: Disc 11 - I due Foscari (Gardelli, 1977)
13▶CD: Disc 13 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
14▶CD: Disc 14 – Giovanna d’Arco (live broadcast, Simonetto, 1951)
15▶CD: Disc 15 - Alzira (Luisi, 2001)
16▶CD: Disc 16 - Alzira (Luisi, 2001)
17▶CD: Disc 17 - Attila (Gardelli, 1972)
18▶CD: Disc 18 - Attila (Gardelli, 1972)
19▶CD: Disc 19 - Macbeth (Abbado, 1976)
20▶CD: Disc 20 - Macbeth (Abbado, 1976)
21▶CD: Disc 21 – I masnadieri (Bonynge, 1982)
22▶CD: Disc 22 – I masnadieri (Bonynge, 1982)
23▶CD: Disc 23 - Jérusalem (Luisi, 1998)
24▶CD: Disc 24 - Jérusalem (Luisi, 1998)
25▶CD: Disc 25 - Jérusalem (Luisi, 1998)
26▶CD: Disc 26 - Il corsaro (Gardelli, 1975)
27▶CD: Disc 27 - Il corsaro (Gardelli, 1975)
28▶CD: Disc 28 - La battaglia di Legnano (Gardelli, 1977)
29▶CD: Disc 29 - La battaglia di Legnano (Gardelli, 1977)
30▶CD: Disc 30 - Luisa Miller (Maazel, 1979)
31▶CD: Disc 31 - Luisa Miller (Maazel, 1979)
32▶CD: Disc 32 - Stiffelio (1979)
33▶CD: Disc 33 - Stiffelio (1980)
34▶CD: Disc 34 - Rigoletto (Chailly, 1989)
35▶CD: Disc 35 - Rigoletto (Chailly, 1989)
36▶CD: Disc 36 – Il trovatore (Mehta, 1990)
37▶CD: Disc 37 – Il trovatore (Mehta, 1990)
38▶CD: Disc 38 – La traviata (Pritchard, 1962)
39▶CD: Disc 39 – La traviata (Pritchard, 1962)
40▶CD: Disc 40 – I vespri siciliani (Levine, 1973)
41▶CD: Disc 41 – I vespri siciliani (Levine, 1973)
42▶CD: Disc 42 – I vespri siciliani (Levine, 1973)
43▶CD: Disc 43 - Simon Boccanegra (Solti, 1989)
44▶CD: Disc 44 - Simon Boccanegra (Solti, 1989)
45▶CD: Disc 45 - Aroldo (Luisi, 2001)
46▶CD: Disc 46 - Aroldo (Luisi, 2001)
47▶CD: Disc 47 - Un ballo in maschera (Bartoletti, 1970)
48▼CD: Disc 48 - Un ballo in maschera (Bartoletti, 1970)
#TitleRatingLength
1Un ballo in maschera: Atto II, scena 2. “Ahime! S'appressa alcun!”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals:
Nicolas Christou (Belgian Bass-Baritone) and Leonardo Monreale (operatic bass)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
soprano vocals:
Helen Donath (soprano)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 14a. Scena "Ahimè! S'appressa alcun!" (Amelia, Riccardo, Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
5:09
2Un ballo in maschera: Atto II, scena 2. “Seguitemi ... Mio Dio!”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
contralto vocals:
Regina Resnik (soprano, mezzo-soprano, alto)
soprano vocals:
Helen Donath (soprano)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 15a. Scena "Seguitemi - Mio Dio!" (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
2:31
3Un ballo in maschera: Atto II, scena 2. “Ve', se di notte qui colla sposa”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto II. Nº 15c. Quartetto "Ve', se di notte qui colla sposa" (Samuel, Tom, Renato, Amelia, Coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto II
4:55
4Un ballo in maschera: Atto III, scena 1. “A tal colpa e nulla il pianto”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16a. Scena "A tal colpa è nulla il pianto" (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:06
5Un ballo in maschera: Atto III, scena 1. “Morrò, ma prima in grazia”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 16b. Aria "Morrò, ma prima in grazia" (Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
3:45
6Un ballo in maschera: Atto III, scena 1. “Alzati; la tuo figlio”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17a. Scena “Alzati! Là, tuo figlio” (Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
1:56
7Un ballo in maschera: Atto III, scena 1. “Eri tu che macchiavi quell'anima”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals:
Renata Tebaldi (soprano)
tenor vocals:
Luciano Pavarotti (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 17b. Aria “Eri tu che macchiavi quell'anima” (Renato) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:14
8Un ballo in maschera: Atto III, scena 1. “Siam soli. Udite”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals:
Renata Tebaldi (soprano)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18a Scena “Siam soli. Udite” (Renato, Tom, Samuel) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:22
9Un ballo in maschera: Atto III, scena 1. “Dunque l'onta di tutti sol una“
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 18b. Terzetto “Dunque l'onta di tutti sol una” (Renato, Tom, Samuel) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
0:48
10Un ballo in maschera: Atto III, scena 1. “D'una grazia vi supplico”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. “D'una grazia vi supplico” (Renato, Tom, Samuel, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19a. Scena "E chi vien?..." (Renato, Amelia) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 19b. Quartetto "Qual tristezza m'assale, qual pena!" (Amelia, Renato, Samuel, Tom) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
5:09
11Un ballo in maschera: Atto III, scena 1. “Il messaggio entri”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20a. Scena “Il messaggio entri” (Renato, Oscar, Amelia, Samuel, Tom) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
0:59
12Un ballo in maschera: Atto III, scena 1. “Ah! di che fulgor, che musiche”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 1. Nº 20b. Quintetto "Ah! Di che fulgor, che musiche" (Oscar, Amelia, Renato, Samuel, Tom) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
3:09
13Un ballo in maschera: Atto III, scena 2. “Forse la soglia attinse”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21a. Scena “Forse la soglia attinse” (Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
2:25
14Un ballo in maschera: Atto III, scena 2. “Ma se m'e forza perderti”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 21b. Romanza “Ma se m'è forza perderti” (Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 22a. Festa da ballo “Ah! dessa è là …” (Riccardo, Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
6:08
15Un ballo in maschera: Atto III, scena 3. “Saper vorreste”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 23b. Canzone “Saper vorreste di che si veste” (Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
1:56
16Un ballo in maschera: Atto III, scena 3. “Fervono amori e danze ... So che tu sai”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24a. Coro “Fervono amori e danze” (2) (Coro, Renato, Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24b. “So che tu sai distinguere gli amici suoi” (Renato, Oscar) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
1:49
17Un ballo in maschera: Atto III, scena 3. “Ah! perche qui? fuggite”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24c. Scena "Ah! Perché qui? Fuggite … ” (Amelia, Riccardo, Renato, Oscar, coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24d. Duettino “T'amo, si, t'amo, e in lagrime” (Amelia, Riccardo) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Un ballo in maschera: Atto III
5:27
18Un ballo in maschera: Atto III, scena 3. “Ella e pura”
recording engineer:
James Lock (James Locke, engineer) (in 1970-06) and Kenneth Wilkinson (engineer) (in 1970-06)
engineer:
James Lock (James Locke, engineer) and Kenneth Wilkinson (engineer)
producer:
John Mordler (producer) (in 1970-06) and Michael Woolcock (producer) (in 1970-06)
baritone vocals [Renato]:
Sherrill Milnes (baritone) (from 1970-06-16 until 1970-06-27)
bass vocals [Samuel]:
Leonardo Monreale (operatic bass) (from 1970-06-16 until 1970-06-27)
bass vocals [Tom]:
Nicolas Christou (Belgian Bass-Baritone) (from 1970-06-16 until 1970-06-27)
soprano vocals [Amelia]:
Renata Tebaldi (soprano) (from 1970-06-16 until 1970-06-27)
soprano vocals [Oscar]:
Helen Donath (soprano) (from 1970-06-16 until 1970-06-27)
tenor vocals [Riccardo]:
Luciano Pavarotti (tenor) (from 1970-06-16 until 1970-06-27)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (from 1970-06-16 until 1970-06-27)
additional conductor:
Umberto Vedovelli (asst. conductor) (from 1970-06-16 until 1970-06-27)
conductor:
Bruno Bartoletti (conductor) (from 1970-06-16 until 1970-06-27)
chorus master:
Giorgio Kirschner (from 1970-06-16 until 1970-06-27)
phonographic copyright (℗) by:
The Decca Record Company Limited (for copyrights use only!) (in 1971)
recorded at:
Accademia nazionale di Santa Cecilia in Roma (Rome), Roma, Lazio, Italy (in 1970-06, from 1970-06-16 until 1970-06-27)
recording of:
Un ballo in maschera: Atto III, scena 2. Nº 24f. Finale “Ella è pura; in braccio a morte” (Riccardo, Amelia, Oscar, Renato, Samuel, Tom, coro) (from 1970-06-16 until 1970-06-27)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Somma
part of:
Un ballo in maschera: Atto III
4:08
49▶CD: Disc 49 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
50▶CD: Disc 50 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
51▶CD: Disc 51 - La forza del destino (Original St Petersburg Version, 1862) (Gergiev, 1995)
52▶CD: Disc 52 – Don Carlo (Solti, 1965)
53▶CD: Disc 53 – Don Carlo (Solti, 1965)
54▶CD: Disc 54 – Don Carlo (Solti, 1965)
55▶CD: Disc 55 - La forza del destino (Sinopoli, 1987)
56▶CD: Disc 56 - La forza del destino (Sinopoli, 1987)
57▶CD: Disc 57 - La forza del destino (Sinopoli, 1987)
58▶CD: Disc 58 – Aida (Karajan, 1959)
59▶CD: Disc 59 – Aida (Karajan, 1959)
60▶CD: Disc 60 - Requiem (1968)
61▶CD: Disc 61 - Requiem (1968)
62▶CD: Disc 62 – Don Carlos (Abbado, 1984)
63▶CD: Disc 63 – Don Carlos (Abbado, 1984)
64▶CD: Disc 64 – Don Carlos (Abbado, 1984)
65▶CD: Disc 65 – Don Carlos (Abbado, 1984)
66▶CD: Disc 66 - Otello (1954)
67▶CD: Disc 67 - Otello (1954)
68▶CD: Disc 68 - Falstaff (Solti, 1963)
69▶CD: Disc 69 - Falstaff (Solti, 1963)
70▶CD: Disc 70 - Opere sacre (Messa solenne) (2000)
71▶CD: Disc 71 – Canzoni (Margaret Price, Geoffrey Parsons, 1987)
72▶CD: Disc 72 - Quattro pezzi sacri, inno delle nazioni, musiche di scena (2009)
73▶CD: Disc 73 - Quartetto d'archi, Luisa Miller (Transkription for String Quartet) (1995)
74▶CD: Disc 74 - Rarita e inediti ("Discoveries", Chailly, 2003)

Credits

Release

ASIN:US: B0032CJ37E [info]