Oratorio de Noël

~ Release by Jean-Sébastien Bach, Orchestre de chambre de Pforzheim - Fritz Werner (see all versions of this release, 2 available)

Tracklist

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1▼12" Vinyl: STU 70140
#	Title	Artist	Rating	Length
1-1	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 1 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, I. Coro „Jauchzet, frohlocket“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 214 "Tönet, ihr Pauken! Erschallet, Trompeten!": I. Coro "Tönet, ihr Pauken! Erschallet, Trompeten!" part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-2	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 2 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, II. Recitativo „Es begab sich aber zu der Zeit“ (Evangelista) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-3	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 3 oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, III. Recitativo (Alto) „Nun wird mein liebster Bräutigam“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-4	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 4 oboe d'amore: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) violin: György Terebesi (violinist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IV. Aria (Alto) „Bereite dich, Zion“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-5	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 5 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, V. Choral „Wie soll ich dich empfangen“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Wie soll ich dich empfangen part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-6	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 6 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, VI. Recitativo „Und sie gebar ihren ersten Sohn“ (Evangelista) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-7	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 7 oboe: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, VII. Choral (Soprano) con Recitativo (Basso) „Er ist auf Erden kommen arm“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-8	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 8 flute: Hartmut Strebel organ [Continuo-Violoncello]: Eva Hölderlin (organist) trumpet: Maurice André (French trumpeter) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, VIII. Aria (Basso) „Großer Herr, o starker König“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-9	Oratorio de Noël: Première cantate (pour le premier jour de la Nativité). N° 9 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil I, IX. Choral „Ach mein herzliebes Jesulein“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-25) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-1	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 10 organ [Continuo-Violoncello]: Eva Hölderlin (organist) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-2	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 11 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XI. Recitativo „Und es waren Hirten in derselben Gegend“ (Evangelista) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-3	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 12 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XII. Choral „Brich an, o schönes Morgenlicht“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) librettist: Johann von Rist (in 1641) part of: Breitkopf 389 Choralgesänge (number: 80) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-4	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 13 organ [Continuo-Violoncello]: Eva Hölderlin (organist) soprano vocals: Agnes Giebel (soprano) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIII. Recitativo „Und der Engel sprach zu ihnen“ (Evangelista, Angelus) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-5	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 14 cor anglais and oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIV. Recitativo (Basso) „Was Gott dem Abraham verheißen“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-6	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 15 flute: Hartmut Strebel organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XV. Aria (Tenore) „Frohe Hirten, eilt, ach eilet“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-7	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 16 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XVI. Recitativo „Und das habt zum Zeichen“ (Evangelista) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-8	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 17 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XVII. Choral „Schaut hin, dort liegt im finstern Stall“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 323) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-9	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 18 cor anglais and oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XVIII. Recitativo (Basso) „So geht denn hin“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-10	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 19 organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XIX. Aria (Alto) „Schlafe, mein Liebster“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-11	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 20 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XX. Recitativo „Und alsobald war da bei dem Engel“ (Evangelista) premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-12	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 21 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXI. Coro „Ehre sei Gott in der Höhe“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-13	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 22 organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXII. Recitativo (Basso) „So recht, ihr Engel“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-14	Oratorio de Noël: Deuxième cantate (pour le deuxième jour de la Nativité). N° 23 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil II, XXIII. Choral „Wir singen dir in deinem Heer“ premiered in: Leipzig, Sachsen (Saxony), Germany (on 1734-12-26) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??

2▼12" Vinyl: STU 70141
#	Title	Artist	Rating	Length
1-1	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 24 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-2	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 25 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXV. Recitativo „Und da die Engel“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-3	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 26 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXVI. Coro „Lasset uns nun gehen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-4	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 27 flute: Hartmut Strebel organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXVII. Recitativo (Basso) „Er hat sein Volk getröst“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-5	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 28 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXVIII. Choral „Dies hat er alles uns getan“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) lyricist: Martin Luther (German theologian of the Reformation) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 110) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-6	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 29 organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) soprano vocals: Agnes Giebel (soprano) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXIX. Aria duetto (Soprano, Basso) „Herr, dein Mitleid“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-7	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 30 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXX. Recitativo „Und sie kamen eilend“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-8	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 31 organ [Continuo-Violoncello]: Eva Hölderlin (organist) violin: György Terebesi (violinist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXXI. Aria (Alto) „Schließe, mein Herze“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-9	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 32 flute: Hartmut Strebel organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXXII. Recitativo (Alto) „Ja, ja, mein Herz soll es bewahren“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-10	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 33 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXXIII. Choral „Ich will dich mit Fleiß bewahren“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 335) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-11	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 34 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXXIV. Recitativo „Und die Hirten kehrten wieder um“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-12	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 35 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXXV. Choral "Seid froh dieweil" composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 381) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-13	Oratorio de Noël: Troisième cantate (pour le troisième jour de la Nativité). N° 35 bis choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXIV. Coro „Herrscher des Himmels, erhöre das Lallen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-1	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 36 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil III, XXIV (da capo). Coro da capo „Herrscher des Himmels, erhöre das Lallen“ composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-2	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 37 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XXXVII. Recitativo „Und da acht Tage um waren“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-3	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 38 organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) soprano vocals: Agnes Giebel (soprano) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XXXVIII. Recitativo (Basso) con Chorale (Soprano) „Immanuel, o süßes Wort“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-4	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 39 oboe: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) soprano vocals: Agnes Giebel (soprano) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XXXIX. (Soprano) „Flößt, mein Heiland, flößt dein Namen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-5	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 40 organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) soprano vocals: Agnes Giebel (soprano) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XL. Recitativo (Basso) con Chorale (Soprano) „Wohlan, dein Name soll allein“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-6	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 41 organ [Continuo-Violoncello]: Eva Hölderlin (organist) violin: György Terebesi (violinist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XLI. Aria (Tenore) „Ich will nur dir zu Ehren leben“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-7	Oratorio de Noël: Quatrième cantate (pour la fête de la Circoncision du Christ). N° 42 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil IV, XLII. Choral „Jesus richte mein Beginnen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??

3▼12" Vinyl: STU 70142
#	Title	Artist	Rating	Length
1-1	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 43 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLIII. Coro „Ehre sei dir, Gott, gesungen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-2	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 44 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLIV. Recitativo „Da Jesus geboren war zu Bethlehem“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-3	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 45 oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLV. Coro e Recitativo (Alto) „Wo ist der neugeborne König“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-4	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 46 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLVI. Choral „Dein Glanz all Finsternis verzehrt“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) lyricist: Georg Weissel (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 214) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-5	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 47 oboe d'amore: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLVII. Aria (Basso) „Erleucht auch meine finstre Sinnen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) is based on: Kantate, BWV 215 "Preise dein Glücke, gesegnetes Sachsen": VII. Aria (Sopran) "Durch die von Eifer entflammeten Waffen" part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-6	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 48 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLVIII. Recitativo „Da das der König Herodes hörte“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-7	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 49 organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, XLIX. Recitativo (Alto) „Warum wollt ihr erschrecken“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-8	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 50 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, L. Recitativo „Und ließ versammeln alle Hohepriester“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-9	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 51 organ [Continuo-Violoncello]: Eva Hölderlin (organist) violin: György Terebesi (violinist) alto vocals: Claudia Hellmann (contralto) soprano vocals: Agnes Giebel (soprano) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, LI. Aria Terzetto (Soprano, Alto, Tenore) „Ach, wenn wird die Zeit erscheinen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-10	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 52 oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, LII. Recitativo (Alto) „Mein Liebster herrschet schon“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
1-11	Oratorio de Noël: Cinquième cantate (pour le dimanche après la fête de la Circoncision du Christ). N° 53 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil V, LIII. Choral „Zwar ist solche Herzensstube“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 114) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-1	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 54 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LIV. Coro „Herr, wenn die stolzen Feinde schnauben“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-2	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 55 organ [Continuo-Violoncello]: Eva Hölderlin (organist) bass vocals: Barry McDaniel (baritone) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LV. Recitativo „Da berief Herodes die Weisen heimlich“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-3	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 56 organ [Continuo-Violoncello]: Eva Hölderlin (organist) soprano vocals: Agnes Giebel (soprano) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LVI. Recitativo (Soprano) „Du Falscher, suche nur den Herrn zu fällen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-4	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 57 oboe d'amore: Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) soprano vocals: Agnes Giebel (soprano) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LVII. Aria (Soprano) „Nur ein Wink von seinen Händen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-5	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 58 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LVIII. Recitativo „Als sie nun den König gehöret hatten“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-6	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 59 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LIX. Choral „Ich steh an deiner Krippen hier“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 263) is based on: Nun freut euch, lieben Christen g’mein (more 'sostenuto' version) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-7	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 60 organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LX. Recitativo „Und Gott befahl ihnen im Traum“ (Evangelista) composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-8	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 61 oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LXI. Recitativo (Tenore) „So geht! Genug, mein Schatz geht nicht von hier“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-9	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 62 oboe d'amore: Jacques Chambon (French oboist) and Pierre Pierlot (oboist) organ [Continuo-Violoncello]: Eva Hölderlin (organist) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LXII. Aria (Tenore) „Nun mögt ihr stolzen Feinde schrecken“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-10	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 63 organ [Continuo-Violoncello]: Eva Hölderlin (organist) alto vocals: Claudia Hellmann (contralto) bass vocals: Barry McDaniel (baritone) soprano vocals: Agnes Giebel (soprano) tenor vocals: Helmut Krebs (tenor) orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LXIII. Recitativo (Soprano, Alto, Tenore, Basso) „Was will der Höllen Schrecken nun“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??
2-11	Oratorio de Noël: Sixième cantate (pour la fête de l’Épiphanie). N° 64 choir vocals: Heinrich-Schütz-Chor Heilbronn orchestra: Südwestdeutsches Kammerorchester Pforzheim conductor: Fritz Werner (German conductor and organist) recording of: Weihnachts-Oratorium, BWV 248: Teil VI, LXIV. Choral „Nun seid ihr wohl gerochen“ composed in: Leipzig, Sachsen (Saxony), Germany (from 1734 until 1735) lyricist: Paul Gerhardt (17th century hymn writer) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Breitkopf 389 Choralgesänge (number: 165) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		?:??

Oratorio de Noël

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