Ariadne / Changes

~ Release by Gordon Crosse (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Ariadne
recording engineer:
Stanley Goodall (engineer) (in 1974)
producer:
James Burnett (producer)
oboe:
Sarah Francis (oboist) (from 1974-08-20 until 1974-08-21)
orchestra:
LSO Ensemble (from 1974-08-20 until 1974-08-21)
conductor:
Michael Lankester (from 1974-08-20 until 1974-08-21)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1974-08-20 until 1974-08-21)
recording of:
Ariadne, op. 31 (from 1974-08-20 until 1974-08-21)
composer:
Gordon Crosse (English composer) (from 1970 until 1972-02)
premiered by:
Sarah Francis (oboist) (on 1972-07-11) and Michael Lankester (on 1972-07-11)
premiered at:
Cheltenham Town Hall in Cheltenham, Gloucestershire, England, United Kingdom (on 1972-07-11)
23:00
2Changes: Part I Sancte Thomas ora pro nobis
producer:
Michael Bremner (producer/engineer)
choir vocals:
Highgate School for Boys Choir (from 1969-10-27 until 1969-10-30), London Symphony Chorus (from 1969-10-27 until 1969-10-30) and Orpington Junior Singers (from 1969-10-27 until 1969-10-30)
solo soprano vocals:
Jennifer Vyvyan (soprano) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part I Sancte Thomas ora pro nobis (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
8:59
3Changes: Interlude 1
producer:
Michael Bremner (producer/engineer)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Interlude 1 (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
1:13
4Changes: Part II No. 1 Prayer: The night is come
producer:
Michael Bremner (producer/engineer)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part II No. 1 Prayer: The night is come (from 1969-10-27 until 1969-10-30)
lyricist:
Thomas Browne (English writer)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
5:43
5Changes: Part II No. 2 Prayer: God be in my head, and in my understanding
producer:
Michael Bremner (producer/engineer)
choir vocals:
Highgate School for Boys Choir (from 1969-10-27 until 1969-10-30), London Symphony Chorus (from 1969-10-27 until 1969-10-30) and Orpington Junior Singers (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part II No. 2 Prayer: God be in my head, and in my understanding (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
2:12
6Changes: Part II No. 3 Prayer: Matthew, Mark, Luke and John
producer:
Michael Bremner (producer/engineer)
choir vocals:
Highgate School for Boys Choir (from 1969-10-27 until 1969-10-30) and Orpington Junior Singers (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part II No. 3 Prayer: Matthew, Mark, Luke and John (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
53:14
7Changes: Part II No. 4 Nurse’s Song: When voices of children are heard on the green
producer:
Michael Bremner (producer/engineer)
solo soprano vocals:
Jennifer Vyvyan (soprano) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part II No. 4 Nurse’s Song: When voices of children are heard on the green (from 1969-10-27 until 1969-10-30)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
3:25
8Changes: Interlude 2
producer:
Michael Bremner (producer/engineer)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Interlude 2 (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
2:17
9Changes: Part III No. 1 Bellman’s Song: Along the dark and silent night
producer:
Michael Bremner (producer/engineer)
choir vocals [men's chorus]:
London Symphony Chorus (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part III No. 1 Bellman’s Song: Along the dark and silent night (from 1969-10-27 until 1969-10-30)
lyricist:
Robert Herrick (English poet)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
1:42
10Changes: Part III No. 2 Epitaph: O mortal folk, you may behold and see
producer:
Michael Bremner (producer/engineer)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part III No. 2 Epitaph: O mortal folk, you may behold and see (from 1969-10-27 until 1969-10-30)
lyricist:
Stephen Hawes
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
3:35
11Changes: Part III No. 3 Round: Hey nonny no!
producer:
Michael Bremner (producer/engineer)
choir vocals [women's chorus]:
London Symphony Chorus (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part III No. 3 Round: Hey nonny no! (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
2:11
12Changes: Part III No. 4 Wake all the dead
producer:
Michael Bremner (producer/engineer)
choir vocals [men's chorus]:
London Symphony Chorus (from 1969-10-27 until 1969-10-30)
solo baritone vocals:
John Shirley‐Quirk (bass-baritone) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part III No. 4 Wake all the dead (from 1969-10-27 until 1969-10-30)
lyricist:
William Davenant
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
3:39
13Changes: Part III No. 5 Like to the lightning from the sky
producer:
Michael Bremner (producer/engineer)
choir vocals:
Highgate School for Boys Choir (from 1969-10-27 until 1969-10-30), London Symphony Chorus (from 1969-10-27 until 1969-10-30) and Orpington Junior Singers (from 1969-10-27 until 1969-10-30)
solo soprano vocals:
Jennifer Vyvyan (soprano) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part III No. 5 Like to the lightning from the sky (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
4:45
14Changes: Part IV No. 1 The Door of Death
producer:
Michael Bremner (producer/engineer)
solo soprano vocals:
Jennifer Vyvyan (soprano) (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part IV No. 1 The Door of Death (from 1969-10-27 until 1969-10-30)
lyricist:
William Blake (English poet, painter, and printmaker)
composer:
Gordon Crosse (English composer) (in 1966)
part of:
Changes, op. 17
4:45
15Changes: Part IV No. 2 A New Year Carol
producer:
Michael Bremner (producer/engineer)
choir vocals:
Highgate School for Boys Choir (from 1969-10-27 until 1969-10-30), London Symphony Chorus (from 1969-10-27 until 1969-10-30) and Orpington Junior Singers (from 1969-10-27 until 1969-10-30)
orchestra:
London Symphony Orchestra (from 1969-10-27 until 1969-10-30)
additional conductor:
John Georgiadis (from 1969-10-27 until 1969-10-30)
conductor:
Norman Del Mar (conductor) (from 1969-10-27 until 1969-10-30)
recorded at:
Walthamstow Assembly Hall in London (Greater London), England, United Kingdom (from 1969-10-27 until 1969-10-30)
recording of:
Changes, op. 17: Part IV No. 2 A New Year Carol (from 1969-10-27 until 1969-10-30)
composer:
Gordon Crosse (English composer) (from 1965 until 1966)
part of:
Changes, op. 17
6:04