Music in the Age of the Baroque

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Track names are based off of recording names as I only own the CD, no track names are on it, and could find no info about the CD online. If you find info about the track names, please correct them

Annotation last modified on 2023-04-29 19:00 UTC.

Tracklist

1▼CD
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1[Te Deum à 8, H. 146: Prélude après le Prélude]
recording of:
Te Deum, H. 146: Prélude
composer:
Marc‐Antoine Charpentier (composer)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
part of:
Te Deum, H. 146
Marc‐Antoine Charpentier1:50
2[Brandenburg Concerto no. 3 in G major, BWV 1048: I. Allegro]
producer:
John Fraser (UK producer)
harpsichord [harpsichord continuo]:
John Constable (pianist) and George Malcolm (English harpsichordist, conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recorder:
Catherine Latham (Classical oboe and recorder player) and Philip Pickett (musician)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
orchestra:
Academy of St Martin in the Fields (from 1985-11-01 until 1985-11-04, on 1985-11-13)
conductor:
Sir Neville Marriner (conductor) (from 1985-11-01 until 1985-11-04, on 1985-11-13)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1985-11-01 until 1985-11-04, on 1985-11-13)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (from 1985-11-01 until 1985-11-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
recording of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro (on 1985-11-13)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048)
part of:
Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048 (Brandenburg Concerto No. 3 in G major, BWV 1048, Hillborg version with new 2nd mvt)
Johann Sebastian Bach6:28
3[Adagio in G minor]
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Christopher Bishop (conductor/producer)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (from 1973-10-01 until 1973-10-04)
orchestra:
Academy of St Martin in the Fields (from 1973-10-01 until 1973-10-04)
conductor:
Sir Neville Marriner (conductor) (from 1973-10-01 until 1973-10-04)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1973-10-01 until 1973-10-04)
recording of:
Adagio for Strings and Organ in G minor (from 1973-10-01 until 1973-10-04)
composer:
Remo Giazotto
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
publisher:
Ricordi London (Casa Ricordi sublabel for Classical music) and Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
recording of:
Adagio in G minor (Rasquin version) (from 1973-10-01 until 1973-10-04)
composer:
Remo Giazotto and Giscard Rasquin (production music)
previously attributed to:
Tomaso Giovanni Albinoni (Italian Baroque composer)
is based on:
Adagio for Strings and Organ in G minor
Tomaso Albinoni7:45
4[Violin Concerto in E major “The Four Seasons: Spring”, op. 8 no. 1: I. Allegro]
producer:
Peter Alward (EMI producer)
violin:
Anne‐Sophie Mutter (violinist) (from 1984-06-18 until 1984-06-19)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (from 1984-06-18 until 1984-06-19)
conductor:
Herbert von Karajan (conductor) (from 1984-06-18 until 1984-06-19)
balance engineer:
Wolfgang Gülich (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Zeremoniensaal (Hofburg Palace) in Innere Stadt, Wien (Vienna), Austria (from 1984-06-18 until 1984-06-19)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1984-06-18 until 1984-06-19)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:18
5[Dance of the Blessed Spirits from Orfeo ed Euridice]
Christoph Willibald Gluck6:20
6[Concerto in A major, BWV 1055: I. Allegro]
producer:
John Fraser (UK producer)
piano:
Andrei Gavrilov (pianist) (in 1986-04)
orchestra:
Academy of St Martin in the Fields (in 1986-04)
conductor:
Sir Neville Marriner (conductor) (in 1986-04)
balance engineer:
Mark Vigars (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1986-04)
recording of:
Keyboard Concerto no. 4 in A major, BWV 1055: I. Allegro (in 1986-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Keyboard Concerto no. 4 in A major, BWV 1055
Johann Sebastian Bach4:05
7[Water Music Suite No. 1 in F major, HWV 348: IV. Air]
producer:
John Willan (producer)
flute and recorder:
Hans Wolfgang Dünschede (from 1984-04-26 until 1984-04-28)
harpsichord:
Leslie Pearson (pianist, harpsichordist, organist, composer and arranger) (from 1984-04-26 until 1984-04-28)
oboe:
Lothar Koch (oboist) (from 1984-04-26 until 1984-04-28)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1984-04-26 until 1984-04-28)
conductor:
Riccardo Muti (conductor) (from 1984-04-26 until 1984-04-28)
balance engineer:
John Kurlander (engineer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (from 1984-04-26 until 1984-04-28)
recording of:
Water Music, Suite no. 1 in F major, HWV 348: V. Air. Presto (from 1984-04-26 until 1984-04-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1717)
part of:
Water Music Suite no. 1 in F major, HWV 348
George Frideric Handel4:41
8[Trumpet Concerto in C minor: II. Adagio]
solo trumpet and trumpet:
Maurice André (French trumpeter) (in 1977-09)
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1977-09)
conductor:
Jesús López Cobos (conductor) (in 1977-09)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 1977-09)
Benedetto Marcello5:03
9[Xerxes: Largo]
producer:
Christopher Bishop (conductor/producer)
orchestra:
Academy of St Martin in the Fields (on 1976-01-29, on 1976-10-26)
conductor:
Sir Neville Marriner (conductor) (on 1976-01-29, on 1976-10-26)
balance engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1976-01-29, on 1976-10-26)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1976-01-29)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (on 1976-01-29)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse) (on 1976-10-26)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
recording of:
Serse, HWV 40: Atto I. Arioso “Ombra mai fù” (“largo”; catch‐all for arrangements) (on 1976-10-26)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
George Frideric Handel5:11
10[Water Music Suite No. 1 in F major, HWV 348: IV. Air]
guitar:
Julian Bream (British classical guitarist and lutenist) (from 1992-05 until 1992-11)
arranger:
Julian Bream (British classical guitarist and lutenist)
recorded at:
Forde Abbey in Dorset, England, United Kingdom (from 1992-05 until 1992-11)
recording of:
Suite E-Dur, BWV 1006a: I. Prélude (catch all for arrangements) (from 1992-05 until 1992-11)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite E-Dur, BWV 1006a: I. Prélude
part of:
Suite E-Dur, BWV 1006a (catch all for arrangements)
Johann Sebastian Bach4:46
11[Concerto no. 8 for 2 Violins and Strings, RV 522: I. Allegro]
violin:
Fabio Biondi (conductor/violinist)
orchestra:
Europa Galante (Italian Baroque orchestra)
conductor:
Fabio Biondi (conductor/violinist)
recording of:
Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati': I. Allegro
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1711)
part of:
Concerto in A minor for Two Violins, Cello and Strings, op. 3 no. 8, RV 522, 'Con due Violini obligati'
Antonio Vivaldi3:10
12[Orchestral Suite No. 3 in D major, BWV 1068: II. Air]
producer:
John Fraser (UK producer)
cello [cello continuo]:
Denis Vigay (cellist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
harpsichord [harpsichord continuo] and organ [organ continuo]:
Alastair Ross (organist and harpsichordist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
oboe:
Barry Davis (classical oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Celia Nicklin (oboist) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
trumpet:
Simon Ferguson (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08), William Houghton (classical trumpet player) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08) and Michael Laird (classical trumpeter) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
orchestra:
Academy of St Martin in the Fields (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
conductor:
Sir Neville Marriner (conductor) (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
balance engineer:
Stuart Eltham (engineer)
phonographic copyright (℗) by:
Warner Classics UK (not for release label use! for copyrights use only) (in 1985)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (on 1984-11-03, from 1984-11-05 until 1984-11-06, on 1984-11-08)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (from 1984-11-05 until 1984-11-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string) (on 1984-11-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
Johann Sebastian Bach4:56
13[Solomon: The Arrival of the Queen of Sheba]
producer:
John Fraser (UK producer)
harpsichord:
Ian Watson (conductor and keyboardist) (from 1983-06-27 until 1983-06-28)
orchestra:
Academy of St Martin in the Fields (from 1983-06-27 until 1983-06-28)
conductor:
Sir Neville Marriner (conductor) (from 1983-06-27 until 1983-06-28)
balance engineer:
Stuart Eltham (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1983-06-27 until 1983-06-28)
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (from 1983-06-27 until 1983-06-28)
composer:
George Frideric Handel (German‐British baroque composer) (in 1748)
publisher:
Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain)
part of:
Solomon, HWV 67: Act III
recording of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” (catch all for arrangements)
composer:
George Frideric Handel (German‐British baroque composer)
arrangement of:
Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba”
George Frideric Handel42:49
14[Goldberg Variations BWV 988: Aria]
recording engineer:
Daniel Michel (recording engineer)
producer:
Alain Lanceron
piano:
Maria Tipo (pianist) (from 1986-06-26 until 1986-06-28)
recorded at:
Salle Wagram in Paris, Île-de-France, France (from 1986-06-26 until 1986-06-28)
recording of:
Goldberg-Variationen, BWV 988: Aria (from 1986-06-26 until 1986-06-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 26)
part of:
Goldberg-Variationen, BWV 988 (Goldberg Variations, BWV 988)
Johann Sebastian Bach3:04
15[Les fêtes d'Hébé ou les talents lyriques: Musette et tambourin en rondeau ]
recording of:
Les Fêtes d'Hébé: Troisième Entrée (La Danse), Scène VII. Tambourin en rondeau
composer:
Jean‐Philippe Rameau (French composer of the Baroque era) (in 1739)
part of:
Les Fêtes d'Hébé: Troisième Entrée (La Danse)
Jean‐Philippe Rameau3:00