The Best of Bond… James Bond

~ Release by Various Artists (see all versions of this release, 31 available)

Tracklist

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1▼Digital Media
#TitleArtistRatingLength
1The James Bond Fanfare
David Arnold0:31
2The James Bond Theme (Dr. No)
Monty Norman Orchestra1:47
3Under the Mango Tree (Dr. No)
recording of:
Under the Mango Tree
lyricist and composer:
Monty Norman
publisher:
EMI Unart Catalog Inc.
Diana Coupland2:22
4From Russia With Love
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Matt Monro
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
From Russia With Love
lyricist and composer:
Lionel Bart
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
From Russia With Love (score/soundtrack of the 1963 James Bond film of the same name)
Matt Monro3.352:33
5Goldfinger
engineer:
John Richards (engineer)
producer:
John Barry (English score composer) and George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
lead vocals:
Shirley Bassey (Welsh singer) (in 1964-07)
conductor:
John Barry (English score composer) (in 1964-07)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 1964), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964) and United Artists Corporation (in 1964)
recorded at:
CTS Studios in Wembley, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1964-07)
recording of:
Goldfinger (in 1964-07)
lyricist:
Leslie Bricusse and Anthony Newley (English actor, singer, songwriter, and filmmaker)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd. and Sony/ATV Songs LLC
part of:
James Bond themes
part of:
Goldfinger
Shirley Bassey4.252:48
6Thunderball
vocals:
Tom Jones (Welsh pop singer)
conductor:
John Barry (English score composer)
recording of:
Main Title: Thunderball
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Thunderball (film score)
Tom Jones4.33:02
7Mr. Kiss Kiss Bang Bang (Thunderball)
producer:
John Barry (English score composer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Mr. Kiss Kiss Bang Bang
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
part of:
Thunderball (film score)
Shirley Bassey2:14
8Casino Royale
Herb Alpert & the Tijuana Brass2:38
9The Look of Love (Casino Royale)
Dusty Springfield3:32
10End Title (Casino Royale)
Mike Redway2:21
11You Only Live Twice
producer:
John Barry (English score composer)
lead vocals:
Nancy Sinatra
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
You Only Live Twice
lyricist:
Leslie Bricusse
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
You Only Live Twice (from the James Bond Film)
Nancy Sinatra3.752:45
12On Her Majesty’s Secret Service
producer:
Phil Ramone
mixer:
John Richards (engineer) (from 1969-09 until 1969-10)
orchestra:
The John Barry Orchestra (from 1969-09 until 1969-10)
conductor:
John Barry (English score composer) (from 1969-09 until 1969-10)
recorded at:
CTS Studios Bayswater (original Bayswater location, 1956–1972) in Bayswater, Westminster, London (Greater London), England, United Kingdom (from 1969-09 until 1969-10)
recording of:
On Her Majesty’s Secret Service (from 1969-09 until 1969-10)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
On Her Majesty's Secret Service (from the James Bond film)
The John Barry Orchestra42:35
13Do You Know How Christmas Trees Are Grown? (On Her Majesty’s Secret Service)
producer:
Phil Ramone
mixer:
John Richards (engineer) (from 1969-09 until 1969-10)
vocals:
Nina (Danish singer/actress Nina van Pallandt) (from 1969-09 until 1969-10)
conductor:
John Barry (English score composer) (from 1969-09 until 1969-10)
recorded at:
CTS Studios Bayswater (original Bayswater location, 1956–1972) in Bayswater, Westminster, London (Greater London), England, United Kingdom (from 1969-09 until 1969-10)
recording of:
Do You Know How Christmas Trees Are Grown (from 1969-09 until 1969-10)
lyricist:
Hal David
composer:
John Barry (English score composer)
part of:
On Her Majesty's Secret Service (from the James Bond film)
Nina3:20
14We Have All the Time in the World (On Her Majesty’s Secret Service)
producer:
John Barry (English score composer) and Phil Ramone
lead vocals:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film "On Her Majesty’s Secret Service")
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and EMI United Partnership Ltd.
part of:
James Bond themes
part of:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:13
15Diamonds Are Forever
producer:
John Barry (English score composer)
lead vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
Diamonds Are Forever (main title theme)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Diamonds Are Forever (Soundtrack of the James Bond film)
Shirley Bassey4.152:41
16Live and Let Die
recording engineer:
Bill Price (UK producer/engineer) (from 1972-10-19 until 1972-10-20)
producer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician) (from 1972-10-19 until 1972-10-20) and Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
mixer:
Bill Price (UK producer/engineer) (on 1972-10-21)
bass guitar:
Denny Laine (from 1972-10-19 until 1972-10-20)
bass guitar, electric guitar and percussion, piano and lead vocals:
Paul McCartney (The Beatles) (from 1972-10-19 until 1972-10-20)
drums (drum set):
Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
duck call and timpani:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20)
electric guitar:
Denny Laine (from 1972-10-19 until 1972-10-20) and Henry McCullough (Northern Irish guitarist, vocalist and songwriter) (from 1972-10-19 until 1972-10-20)
percussion:
Ray Cooper (percussionist) (from 1972-10-19 until 1972-10-20) and Denny Seiwell (US drummer) (from 1972-10-19 until 1972-10-20)
background vocals:
Denny Laine (from 1972-10-19 until 1972-10-20) and Linda McCartney (from 1972-10-19 until 1972-10-20)
orchestrator:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
phonographic copyright (℗) by:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) (in 1973)
additionally recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-20)
recorded at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-19)
mixed at:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom (on 1972-10-21)
recording of:
Live and Let Die (from 1972-10-19 until 1972-10-20)
writer:
Linda McCartney and Paul McCartney (The Beatles)
publisher:
EMI United Partnership Ltd. and MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
part of:
The 46th Academy Award for Best Original Song (number: 2) and James Bond themes
Wings4.13:13
17The Man With the Golden Gun
producer:
John Barry (English score composer)
vocals:
Lulu (Scottish singer and actress, best known for “To Sir With Love”)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Man With the Golden Gun (The Man With the Golden Gun)
lyricist:
Don Black (English lyricist)
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
The Man With the Golden Gun (from the James Bond Film)
Lulu3.252:34
18Nobody Does It Better (The Spy Who Loved Me)
engineer:
Howard Steel (US producer, sound engineer)
producer:
Richard Perry (producer)
vocals:
Carly Simon
conductor:
Richard Hewson (horn, strings)
horn arranger and strings arranger:
Richard Hewson
part of:
TV Cream: Real 100 Best Singles Ever (number: 16)
recording of:
Nobody Does It Better (from “The Spy Who Loved Me”)
lyricist:
Carole Bayer Sager
composer:
Marvin Hamlisch
publisher:
EMI U Catalog Inc. (publisher; do NOT use as release label), EMI Unart Catalog Inc., EMI United Partnership Ltd. and United Artists Music Ltd.
part of:
The 50th Academy Award for Best Original Song (number: 2) and James Bond themes
part of:
The Spy Who Loved Me
Carly Simon43:28
19Moonraker
producer:
John Barry (English score composer)
vocals:
Shirley Bassey (Welsh singer)
conductor:
John Barry (English score composer) (in 1979-04)
arranger:
John Barry (English score composer)
recording of:
Main Title (Moonraker) (in 1979-04)
lyricist:
Hal David
composer:
John Barry (English score composer)
publisher:
EMI United Partnership Ltd.
part of:
James Bond themes
part of:
Moonraker (soundtrack of the 1979 James Bond film)
Shirley Bassey3.653:08
20For Your Eyes Only
producer:
Christopher Neil
vocals:
Sheena Easton
conductor:
Bill Conti
phonographic copyright (℗) by:
Liberty Records (not for release label use, but for copyrights and record company credits related to US label Liberty) (in 1981)
recording of:
For Your Eyes Only (in 1981)
lyricist:
Michael Leeson
composer:
Bill Conti
publisher:
EMI United Partnership Ltd.
part of:
The 54th Academy Award for Best Original Song (number: 2) and James Bond themes
Sheena Easton3.53:03
21Make It Last All Night (For Your Eyes Only)
producer:
Christopher Neil
conductor:
Bill Conti
performer:
Rage (from the song "Make It Last All Night")
recording of:
Make It Last All Night
writer:
Bill Conti and Silvia Conti
Rage3:29
22All Time High (Octopussy)
vocals:
Rita Coolidge
recording of:
All Time High (Main Titles) (from the film "Octopussy")
lyricist:
Tim Rice
composer:
John Barry (English score composer)
publisher:
BMG Music and EMI Songs
part of:
James Bond themes
part of:
Octopussy (soundtrack from the James Bond film)
Rita Coolidge43:02
23Never Say Never Again
producer:
Michel Legrand
vocals:
Lani Hall
conductor:
Michel Legrand
recording of:
Never Say Never Again (title song of the 1983 James Bond film)
lyricist:
Alan Bergman (American lyricist) and Marilyn Bergman
composer:
Michel Legrand
part of:
Never Say Never Again (1983 bond film)
Lani Hall53:12
24A View to a Kill
engineer and mixer:
Jason Corsaro (U.S. music engineer, and record producer)
producer:
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) and Bernard Edwards (American bassist and record producer)
sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
orchestrator:
John Barry (English score composer)
writer:
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) and Roger Taylor (Duran Duran drummer)
composer:
John Barry (English score composer) and Duran Duran (English rock band)
publisher:
EMI Songs and Gloucester Place Music Ltd.
part of:
James Bond themes
part of:
A View to a Kill (from the James Bond film)
Duran Duran3.63:34
2▼Digital Media
#TitleArtistRatingLength
1The James Bond Fanfare
David Arnold0:24
2The Living Daylights
producer:
a‐ha (Norwegian synth‐pop band), John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Magne Furuholmen and Paul Waaktaar-Savoy
vocals:
a‐ha (Norwegian synth‐pop band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
recording of:
The Living Daylights
writer:
Pal Waaktaar
additional composer:
John Barry (English score composer)
publisher:
ATV Music and BMG Music
part of:
James Bond themes
a‐ha44:13
3Where Has Everybody Gone (The Living Daylights)
Chrissie Hynde3:36
4If There Was a Man (The Living Daylights)
producer:
John Barry (English score composer) and Paul Staveley O’Duffy
performer:
Pretenders (English‐American rock band)
arranger:
John Barry (English score composer)
recording of:
If There Was a Man
lyricist:
Chrissie Hynde (rock singer-songwriter and founder of Pretenders)
Chrissie Hynde2:49
5Licence to Kill
associate producer:
Walter "Babylove" Afanasieff*
producer:
Narada Michael Walden
performer:
Gladys Knight
arranger:
Narada Michael Walden
co-arranger:
Walter "Babylove" Afanasieff*
phonographic copyright (℗) by:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1989)
edit of:
Licence to Kill (extended version) by Gladys Knight
recording of:
Licence to Kill
writer:
Walter Afanasieff, Jeffrey Cohen (70s/80s US funk/soul producer/songwriter) and Narada Michael Walden
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) and SBK Songs Ltd. (in 1989)
part of:
James Bond themes
quotes music from:
Goldfinger
Gladys Knight44:11
6Goldeneye
recorded in:
London (Greater London), England, United Kingdom
recording engineer:
Mark “Spike” Stent (producer, engineer)
programming:
Marius de Vries
assistant engineer:
Paul ‘P Dub’ Walton
executive producer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
producer:
Nellee Hooper
mixer:
Nellee Hooper and Mark “Spike” Stent (producer, engineer)
vocals:
Tina Turner
strings [orchestra] arranger:
Craig Armstrong (Scottish score composer)
recording of:
GoldenEye
writer:
Bono (singer of U2) and The Edge (U2 guitarist David Evans)
publisher:
Blue Mountain Music and Songs of PolyGram International, Inc.
part of:
James Bond themes
Tina Turner3.353:29
7The Experience of Love (Goldeneye)
producer:
Rupert Hine and Éric Serra (French bassist and score composer)
mixer:
Didier Lozahic
background vocals:
Rupert Hine and Noa (Israeli singer)
orchestra:
The London Session Orchestra
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) and Metro–Goldwyn–Mayer, Inc. (pre‐MGM/UA Entertainment Co. era, 1924–1981)
mixed at:
Studio Zorrino in Paris, Île-de-France, France
recording of:
The Experience of Love
lyricist:
Rupert Hine
composer and arranger:
Éric Serra (French bassist and score composer)
Éric Serra5:54
8Tomorrow Never Dies
recording engineer:
Steve Rosenthal
producer:
Mitchell Froom
mixer:
Tchad Blake
additional keyboard:
Mitchell Froom
double bass:
Greg Cohen
drums (drum set):
Pete Thomas (drummer)
guitar:
Steve Donnelly
piano:
Sheryl Crow (American singer-songwriter and musician)
strings:
Mark Feldman (American violinist), Dylan Fitzgerald, Julianne Klopotic, Matthew Pierce (strings player), Lorenza Ponce and Jane Scarpantoni (cellist)
vocals:
Sheryl Crow (American singer-songwriter and musician)
recording of:
Tomorrow Never Dies
writer:
Sheryl Crow (American singer-songwriter and musician) and Mitchell Froom
publisher:
BMG Music and Warner Chappell Ltd.
part of:
James Bond themes
Sheryl Crow44:52
9Surrender (Tomorrow Never Dies)
recording engineer and mixer:
David Arnold (English score composer) and Steve Orchard (producer and engineer)
producer:
David Arnold (English score composer)
performer:
k.d. lang
k.d. lang43:55
10The World Is Not Enough
assistant engineer:
Paul Forgues and Matt Lawrence
engineer:
Billy Bush
producer:
David Arnold (English score composer) and Garbage (US rock band)
mixer:
Garbage (US rock band)
additional bass guitar and bass:
Daniel Shulman (bass guitarist)
mixed at:
Armoury Studios in Vancouver, British Columbia, Canada and Metropolis Studios (London) in London (Greater London), England, United Kingdom
recording of:
The World Is Not Enough (The World Is Not Enough)
lyricist:
Don Black (English lyricist)
composer:
David Arnold (English score composer)
publisher:
BMG Music and United Lion Music, Inc.
part of:
James Bond themes
part of:
The World Is Not Enough (film soundtrack)
Garbage3.853:56
11Only Myself to Blame (The World Is Not Enough)
producer:
David Arnold (English score composer)
recording of:
Only Myself to Blame
lyricist:
Don Black (English lyricist)
composer:
David Arnold (English score composer)
publisher:
United Lion Music, Inc.
part of:
The World Is Not Enough (film soundtrack)
Scott Walker3:35
12Die Another Day
programming:
Mirwais Ahmadzaï
assistant engineer:
David Treahearn
engineer:
Mark “Spike” Stent (producer, engineer) and Paul ‘P Dub’ Walton
producer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
mixer:
Mark “Spike” Stent (producer, engineer)
lead vocals:
Madonna (“Queen of Pop”)
conductor:
Michel Colombier (French score composer)
strings arranger:
Michel Colombier (French score composer)
recording of:
Die Another Day
writer:
Madonna (“Queen of Pop”) and Mirwais Ahmadzaï
publisher:
EMI Music Publishing (do not use as a release label!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
James Bond themes
Madonna3.454:36
13You Know My Name (Casino Royale)
recording engineer:
Todd Parker
assistant engineer:
Cameron Barton
engineer:
Ryan Castle
producer:
David Arnold (English score composer), Chris Cornell (Soundgarden lead singer) and Steve Lillywhite
mixer:
David Sardy (American score composer)
bass and strings:
Miles Mosley (US jazz/soul musician)
drums (drum set):
Nir Zidkyahu (drummer)
guitar:
Chris Cornell (Soundgarden lead singer), Cameron Greider and Gary Lucas (US guitarist/songwriter)
vocals:
Chris Cornell (Soundgarden lead singer)
phonographic copyright (℗) by:
Interscope Records (part of UMG Recordings, Inc.)
recorded at:
NRG Recording Studios in North Hollywood, Los Angeles, California, United States
mixed at:
Hillside Manor in Los Angeles, California, United States
music videos:
You Know My Name (Music video) by Chris Cornell (Soundgarden lead singer)
recording of:
You Know My Name
writer:
David Arnold (English score composer) and Chris Cornell (Soundgarden lead singer)
publisher:
Disappearing One and EMI April Music Inc.
part of:
James Bond themes
part of:
Casino Royale (2006 film soundtrack)
Chris Cornell3.754:01
14Another Way to Die (Quantum of Solace)
assistant engineer:
Nathan Yarboro, Mark Petaccia and Josh Smith (engineer)
engineer:
Vance Powell and Vance Powell (task: mixdown engineer)
producer and mixer:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
baritone guitar and bass guitar:
Jack Lawrence (Member of The Greenhornes & The Raconteurs)
brass [horns]:
Jack Hale (trombone), Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) and Tom McGinley
cello:
Lindsay Smith-Trostle
double bass:
Michael Rinne
drums (drum set) [drums] and guitar:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
piano:
Laura Matula
violin and violin [5-string violin]:
Lyndsay Pruett
vocals:
Alicia Keys and Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
recorded at:
Blackbird Studio in Nashville, Tennessee, United States and Sputnik Sound in Nashville, Tennessee, United States
mixed at:
Blackbird Studio in Nashville, Tennessee, United States
recording of:
Another Way to Die
writer:
Jack White (rock & blues multi‐instrumentalist, The White Stripes, Third Man Records)
publisher:
Colpix Music, Inc., Third String Tunes (Jack White's publishing society) and United Lion Music Inc.
part of:
James Bond themes
Jack White & Alicia Keys3.654:23
15Skyfall
recording engineer:
Simon Rhodes (senior recording engineer at Abbey Road Studios)
mastering:
Tom Coyne (mastering engineer)
producer:
Paul Epworth
mixer:
Tom Elmhirst (mixing engineer)
drums (drum set):
Leo Taylor (drummer, producer, and DJ)
guitar:
James Reid
percussion:
Paul Epworth
lead vocals:
Adele (UK soul/jazz singer)
conductor:
J.A.C. Redford
chorus master:
Jenny O’Grady
recording of:
Skyfall
orchestrator:
J.A.C. Redford
writer:
Adele Adkins (UK soul/jazz singer) and Paul Epworth
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
The 85th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 2012 winner)
Adele3.654:46
16Writing’s on the Wall (Spectre)
assistant recording engineer:
Gordon Davidson (engineer, Abbey Road Studios), Darren Heelis (music engineer, producer, programming, additional production), Mike Horner, Toby Hulbert, Christina Paakkari and Charles Wong
recording engineer:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Darren Heelis (music engineer, producer, programming, additional production) and Steve Price (UK recording engineer/producer/orchestrator/arranger)
additional programming:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Guy Lawrence (Disclosure) and Howard Lawrence (Disclosure)
additional producer:
Disclosure (UK electronic duo Guy & Howard Lawrence)
producer:
Steve Fitzmaurice (Irish mixer, songwriter and producer), Guy Lawrence (Disclosure) and Jimmy Napes
mixer:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
bass synthesizer [Korg Bass]:
Darren Heelis (music engineer, producer, programming, additional production)
piano:
James Napes
vocals:
Sam Smith (English singer‐songwriter)
conductor:
Simon Hale
orchestrator:
Simon Hale
concertmaster:
Everton Nelson (violinist)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom, RAK Studios in London (Greater London), England, United Kingdom and The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
mixed at:
The Pierce Rooms in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Writing’s on the Wall (Sam Smith song)
writer:
Jimmy Napes and Sam Smith (English singer‐songwriter)
part of:
The 88th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 2015 winner)
Sam Smith4:39
17Writing’s on the Wall (instrumental version)
Sam Smith2:10
18Spectre
recording of:
Spectre
writer:
Colin Greenwood (English bassist in Radiohead), Jonny Greenwood (English musician and score composer), Ed O’Brien (guitarist & songwriter in Radiohead), Philip Selway (drummer in Radiohead) and Thom Yorke
Radiohead3:19
19No Time to Die
producer:
FINNEAS and Stephen Lipson
mixer:
Casey Cuayo, Eli Heisler, Rob Kinelski and Stephen Lipson
bass guitar, percussion, piano and synthesizer:
FINNEAS
guitar:
Johnny Marr
vocals:
Billie Eilish
vocals arranger:
FINNEAS
orchestrator:
Matt Dunkley and Hans Zimmer (German score composer)
phonographic copyright (℗) by:
Darkroom (a division of Interscope Records, Inc.) (in 2020), Interscope Records (part of UMG Recordings, Inc.) (in 2020), Danjaq, LLC (copyright and trademark owners to the characters, elements, and other material related to James Bond on screen) (in 2021) and Metro–Goldwyn–Mayer Studios Inc. (film studio, restrict use to motion picture artwork and photo copyrights only) (in 2021)
part of:
World Soundtrack Awards: Best Original Song (number: 2022)
recording of:
No Time to Die
writer:
Billie Eilish O’Connell and Finneas Baird O’Connell
part of:
The 94th Academy Award for Best Original Song (number: 1), James Bond themes and Academy Award for Best Original Song (number: 2021 winner)
Billie Eilish3.754:02