The Royal Edition, no. 36 of 100: The Creation / Harmoniemesse

~ Release by Haydn; Leonard Bernstein, Camerata Singers, Westminster Choir, New York Philharmonic (see all versions of this release, 1 available)

Tracklist

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1Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: I. Einleitung: Die Vorstellung des Chaos / Recitativ mit Chor: Im Anfange schuf Gott Himmel und Erde
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 1. Orchestervorspiel Die Vorstellung der Chaos (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 2. Rezitativ und Chor "Im Anfange schuf Gott Himmel und Erde" (Raphael, Chor, Uriel) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn9:15
2Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: II. Arie mit Chor: Nun schwanden vor dem heiligen Strahle - Verzweiflung, Wut und Schrecken
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 3. Arie und Chor "Nun schwanden vor dem heiligen Strahle" (Uriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:43
3Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: III. Rezitativ: Und Gott machte das Firmament
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 4. Rezitativ "Und Gott machte das Firmament" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:09
4Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IV. Solo mit Chor: Mit Staunen sieht das Wunderwerk / Und laut ertönt aus ihren Kehlen
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 5. Sopransolo mit Chor "Mit Staunen sieht das Wunderwerk" (Gabriel, Chor) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn1:44
5Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: V. Rezitativ: Und Gott sprach: Es sammle sich das Wasser
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 6. Rezitativ "Und Gott sprach: Es sammle sich das Wasser" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:50
6Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VI. Arie: Rollend in schäumenden Wellen
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob. XX1:2: Teil I, No. 7. Arie "Rollend in schäumenden Wellen" (Raphael) (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn3:46
7Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hevor
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: VIII. Rezitativ: Und Gott sprach: Es bringe die Erde Gras hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:37
8Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: VIII. Arie: Nun beut die Flur das frische Grün
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: IX. Arie: Nun beut die Flur das frische Grün (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn5:19
9Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: IX. Rezitativ: Und die himmlischen Heerscharen verkündigten
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: X. Rezitativ: Und die himmlischen Heerscharen verkündigten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:14
10Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: X. Chor: Stimmt and die Saiten
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XI. Chor: Stimmt an die Saiten (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:07
11Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XI. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XII. Rezitativ: Und Gott sprach: Es sei'n Lichter an der Feste des Himmels (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn0:44
12Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XII. Rezitativ: In vollem Glanze steiget jetzt
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIII. Accompagnato-Rezitativ: In vollem Glanze steiget jetzt (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn2:46
13Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 1: XIII. Terzett mit Chor: Die Himmel erzählen die Ehre Gottes / Dem kommenden Tage sagt es der Tag
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I
Joseph Haydn4:44
14Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: I. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XV. Rezitativ: Und Gott sprach: Es bringe das Wasser in der Fülle hervor (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:39
15Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: II. Arie: Auf starkem Fittiche schwinget sich der Adler stolz
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVI. Arie: Auf starkem Fittiche schwinget sich der Adler stolz (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn6:19
16Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: III. Rezitativ: Und Gott schuf große Walfische
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVII. Accompagnato-Rezitativ: Und Gott schuf große Walfische (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:44
17Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IV. Rezitativ: Und die Engel rührten ihr' unsterblichen Harfen
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XVIII. Rezitativ: Und die engel rührten ihr' unsterblichen Harfen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:30
18Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: V. Terzett: In holder Anmut stehn
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXa. Terzett: In holder Anmut stehn (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn4:23
19Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VI. Terzett mit Chor: Der Herr ist groß in seiner Macht
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XIXb. Terzett und Chor: Der Herr ist groß (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XIX. Terzett und Chor: In holder Anmut stehn
Joseph Haydn2:18
20Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VII. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XX. Rezitativ: Und Gott sprach: Es bringe die Erde hervor lebende Geschöpfe (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:34
21Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: VIII. Rezitativ: Gleich öffnet sich der Erde Schoß
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXI. Accompagnato-Rezitativ: Gleich öffnet sich der Erde Schoß (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:11
22Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: IX. Arie: Nun scheint in vollem Glanze der Himmel
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXII. Arie: Nun scheint in vollem Glanze der Himmel (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn2:56
23Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: X. Rezitativ: Und Gott schuf den Menschen
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIII. Rezitativ: Und Gott schuf den Menschen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:52
24Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XI. Arie: Mit Würd' und Hoheit angetan
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXIV. Arie: Mit Würd' und Hoheit angetan (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn3:25
25Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XII. Rezitativ: Und Gott sah jedes Ding
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXV. Rezitativ: Und Gott sah jedes Ding (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part II
Joseph Haydn0:29
26Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIII. Chor: Vollendet ist das große Werk
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIa. Chor: Vollendet ist das große Werk (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn1:28
27Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XIV. Terzett: Zu dir, o Herr, blickt alles auf
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIb. Terzett: Zu dir, o Herr, blickt alles auf (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn4:49
28Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 2: XV. Chor: Vollendet ist das große Werk
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part II: XXVIc. Chor: Vollendet ist das große Werk (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob XXI:2: Part II: XXVI. Chor und Terzett: Vollendet ist das große Werk - Zu dir, o Herr, blickt alles auf
Joseph Haydn2:46
2▼CD
#TitleArtistRatingLength
1Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: I. Rezitativ: Aus Rosenwolken bricht
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVII. Accompagnato-Rezitativ: Aus Rosenwolken bricht (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn5:03
2Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: II. Duett mit Chor: Von deiner Güt', o Herr und Gott
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Adam]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Eva]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXVIII. Duett mit Chor: Von deiner Güt', o Herr und Gott (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn9:13
3Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: III. Rezitativ: Nun ist die erste Pflicht erfüllt
cello [cello continuo]:
Bernard Altmann (cellist)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist)
baritone vocals [Adam]:
John Reardon (baritone)
soprano vocals [Eva]:
Judith Raskin (soprano)
orchestra:
New York Philharmonic
conductor:
Leonard Bernstein
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXIX. Rezitativ: Nun ist die erste Pflicht erfüllt
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn2:24
4Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: IV. Duett: Holde Gattin, dir zur Seite
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Adam]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
soprano vocals [Eva]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXX. Duett: Holde Gattin, dir zur Seite (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn8:29
5Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: V. Rezitativ: O glücklich Parr, und glücklich immerfort
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXI. Rezitativ: O glücklich Paar, und glücklich immerfort (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn0:26
6Die Schöpfung (The Creation), Hob. XXI: 2, Pt. 3: VI. Schlußchor (mit Soli): "Singt dem Herren, alle Stimmen!
cello [cello continuo]:
Bernard Altmann (cellist) (from 1966-05-17 until 1966-05-20)
harpsichord [harpsichord continuo]:
Bruce Prince-Joseph (organist) (from 1966-05-17 until 1966-05-20)
baritone vocals [Raphael]:
John Reardon (baritone) (from 1966-05-17 until 1966-05-20)
choir vocals [chorus]:
Camerata Singers (from 1966-05-17 until 1966-05-20)
soprano vocals [Gabriel]:
Judith Raskin (soprano) (from 1966-05-17 until 1966-05-20)
tenor vocals [Uriel]:
Alexander Young (tenor) (from 1966-05-17 until 1966-05-20)
orchestra:
New York Philharmonic (from 1966-05-17 until 1966-05-20)
conductor:
Leonard Bernstein (from 1966-05-17 until 1966-05-20)
recorded at:
Philharmonic Hall, Lincoln Center, New York City (Lincoln Center for the Performing Arts) in Upper West Side, New York, New York, United States (from 1966-05-17 until 1966-05-20)
recording of:
Die Schöpfung, Hob XXI:2: Part III: XXXII. Chor: Singt dem Herren alle Stimmen (from 1966-05-17 until 1966-05-20)
composer:
Joseph Haydn (composer)
part of:
Die Schöpfung, Hob. XXI:2: Part III
Joseph Haydn3:29
7Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": I. Kyrie: Kyrie eleison. Poco Adagio
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Kyrie (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn8:46
8Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIa. Gloria: Gloria In Excelsis Deo. Vivace Assai
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Gloria: Gloria in excelsis Deo (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn2:02
9Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIb. Gloria: Gratias Agimus Tibi. Allegretto
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Gloria: Gratias agimus tibi (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn6:17
10Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIc. Gloria: Quoniam Tu Solus Sanctus. Allegro Spiritoso
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Gloria: Quoniam tu solus Sanctus (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn3:28
11Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIIa. Credo: Credo In Unum Deum. Vivace
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Credo: Credo in unum Deum (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn2:42
12Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIIb. Credo: Et Incarnatus Est. Adagio
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Credo: Et incarnatus est (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn3:43
13Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIIc. Credo: Et Resurrexit. Vivace
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Credo: Et resurrexit (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn2:42
14Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IIId. Credo: Et Vitam Venturi. Vivace
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Credo: Et vitam venturi saeculi (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn1:50
15Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": IV. Sanctus. Adagio - Allegro
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Sanctus (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn3:33
16Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": V. Benedictus Qui Venit. Molto Allegro - Allegro
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
recording of:
Harmoniemesse, Hob. XXII:14: Benedictus (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn4:12
17Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": VIa. Agnus Dei: Agnus Dei. Adagio
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
partial recording of:
Harmoniemesse, Hob. XXII:14: Agnus Dei: Agnus Dei (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn3:07
18Missa In B-Flat Major, Hob. XXII: 14, "Harmoniemesse": VIb. Agnus Dei: Dona Nobis Pacem. Allegro Con Spirito
producer:
John McClure (recording engineer and record producer)
bass-baritone vocals:
Simon Estes (bass-baritone) (on 1973-02-19)
choir vocals:
Westminster Choir (Princeton, USA) (on 1973-02-19)
mezzo-soprano vocals:
Frederica von Stade (mezzo-soprano) (on 1973-02-19)
soprano vocals:
Judith Blegen (soprano) (on 1973-02-19)
tenor vocals:
Kenneth Riegel (tenor) (on 1973-02-19)
orchestra:
New York Philharmonic (on 1973-02-19)
conductor:
Leonard Bernstein (on 1973-02-19)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (on 1973-02-19)
partial recording of:
Harmoniemesse, Hob. XXII:14: Agnus Dei: Agnus Dei (on 1973-02-19)
composer:
Joseph Haydn (composer)
part of:
Harmoniemesse, Hob. XXII:14
Joseph Haydn2:39

Credits

Release

part of:The Royal Edition (Tribute edition of 100 items (119 CDs) to Leonard Bernstein released via Sony Classical) (number: 36) (order: 41)
Discogs:https://www.discogs.com/release/11547762 [info]