Piano Music, Vol. 1: A prole do bebê no. 1 / Cirandas / Hommage à Chopin

~ Release by Villa‐Lobos; Sonia Rubinsky (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1A Prole do Bebê no. 1: I. Branquinha (A boneca de louça)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 1: Branquinha (A boneca de louça) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:25
2A Prole do Bebê no. 1: II. Moreninha (A boneca de massa)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 2: Moreninha (A boneca de massa) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:43
3A Prole do Bebê no. 1: III. Caboclinha (A boneca de barro)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 3: Caboclinha (A boneca de barro) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:47
4A Prole do Bebê no. 1: IV. Mulatinha (A boneca de borracha)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 4: Mulatinha (A boneca de borracha) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:37
5A Prole do Bebê no. 1: V. Negrinha (A boneca de pau)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 5: Negrinha (A boneca de pau) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos1:18
6A Prole do Bebê no. 1: VI. A pobrezinha (A boneca de trapo)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 6: A pobrezinha (A boneca de trapo) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:22
7A Prole do Bebê no. 1: VII. O polichinelo
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 7: O polichinelo (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos0:52
8A Prole do Bebê no. 1: VIII. A bruxa (A boneca de pano)
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Prole do bebê nº 1, W140, nº 8: A bruxa (A boneca de pano) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1918)
part of:
Prole do bebê nº 1, W140
Heitor Villa‐Lobos2:27
9Cirandas: I. Terezinha de Jesus
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 1: Terezinha de Jesus (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:12
10Cirandas: II. A Condessa
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 2: A condessa (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:52
11Cirandas: III. Senhora Dona Sancha
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 3: Senhora Dona Sancha (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:30
12Cirandas: IV. O cravo brigou com a rosa
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 4: O cravo brigou com a rosa (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:59
13Cirandas: V. Pobre cega
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 5: Pobre cega (Toada de rede) (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:35
14Cirandas: VI. Passa, passa gavião
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 6: Passa, passa gavião (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos1:30
15Cirandas: VII. Xô, xô, passarinho
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 7: Xô, xô, passarinho (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:22
16Cirandas: VIII. Vamos atrás da serra, Calunga
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 8: Vamos atrás da serra, Calunga (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:21
17Cirandas: IX. Fui no Tororó
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 9: Fui no Itororó (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
is based on:
Fui no Itororó (Brazilian traditional nursery rhyme)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:34
18Cirandas: X. O pintor de Cannahy
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 10: O pintor de Canahy (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:27
19Cirandas: XI. Nesta rua, nesta rua
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 11: Nesta rua, nesta rua (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:01
20Cirandas: XII. Olha o passarinho, Dominé
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 12: Olha o passarinho domine (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:23
21Cirandas: XIII. À procura de uma agulha
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 13: À procura de uma agulha (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos3:43
22Cirandas: XIV. A canôa virou
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 14: A canoa virou (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:48
23Cirandas: XV. Que lindos olhos!
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 15: Que lindos olhos (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos4:24
24Cirandas: XVI. Có, có, có
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Cirandas, W220, nº 16: Có, có, có (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1926)
part of:
Cirandas, W220
Heitor Villa‐Lobos2:14
25Hommage à Chopin: I. Noturno
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Homenagem a Chopin, W474: I. Noturno (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Homenagem a Chopin, W474
Heitor Villa‐Lobos2:31
26Hommage à Chopin: II. Ballada
engineer:
Stuart Rosenthal (engineer) and Michael Weakley (engineer)
producer:
Victor Ledin and Marina Ledin
editor:
Lolly Lewis (producer)
piano:
Sonia Rubinsky (from 1994-10-20 until 1994-10-21)
recorded at:
Fisher Hall in Santa Rosa, California, United States (from 1994-10-20 until 1994-10-21)
recording of:
Homenagem a Chopin, W474: II. Ballada (from 1994-10-20 until 1994-10-21)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1947)
part of:
Homenagem a Chopin, W474
Heitor Villa‐Lobos5:11

Credits

Release group

part of:Piano Music (Villa-Lobos / Naxos) (number: 1) (order: 1)