Booker T. & the M.G.s + The Mar‐Keys

~ Release by Booker T. & the M.G.s + The Mar‐Keys (see all versions of this release, 2 available)

Tracklist

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1CD: Booker T. & The M.G.s.
#TitleArtistRatingLength
1Green Onions
recorded in:
Memphis, Tennessee, United States (in 1962-06)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
bass guitar [bass]:
Lewie Steinberg (in 1962-06)
drums (drum set) [drums]:
Al Jackson (Booker T & The MGs drummer) (in 1962-06)
guitar:
Steve Cropper (in 1962-06)
Hammond organ:
Booker T. Jones (in 1962-06)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1967)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 181) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 418)
recording of:
Green Onions (in 1962-06)
composer:
Al Jackson, Jr. (Booker T & The MGs drummer), Steve Cropper, Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music, Bug Music (music publishing), Carlin Music Corporation, East/Memphis Music Corp. and Irving Music (BMI)
Booker T. & the M.G.s4.152:56
2Rinky Dink
recording of:
Rinky‐Dink
writer:
David Clowney and Paul Winley (songwriter)
Booker T. & the M.G.s2:41
3I Got a Woman
recording of:
I Got a Woman
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Booker T. & the M.G.s3:33
4Mo’ Onions
recording of:
Mo’ Onions
composer:
Steve Cropper, Al Jackson, Jr. (Booker T & The MGs drummer), Booker T. Jones and Lewie Steinberg
publisher:
Al Jackson Jr. Music and Irving Music, Inc.
Booker T. & the M.G.s2:55
5Twist and Shout
cover recording of:
Twist and Shout
writer:
Bert Russell (in 1961-02) and Phil Medley (in 1961-02)
publisher:
EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Progressive Music Publishing Company Inc., Progressive Music, Inc (publisher), Rightsong Music Inc., Robert Mellin Ltd., Robert Mellin Music Publishing Corp., Robert Mellin, Inc., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing (UK) Ltd., Unichappell Music, Inc. and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Booker T. & the M.G.s2:10
6Behave YourselfBooker T. & the M.G.s3:53
7Stranger on the Shore
recording of:
Stranger on the Shore (original instrumental version)
composer:
Acker Bilk
publisher:
EMI Music Ltd. and EMI Music Publishing Ltd. (PRS‐affiliated)
Booker T. & the M.G.s2:22
8Lonely Avenue
recording of:
Lonely Avenue
lyricist and composer:
Doc Pomus
publisher:
Carlin Music Corporation, Great Moments in Music LLC, Pomus Songs Inc., Progressive Music (publisher), Spirit One Music, Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Booker T. & the M.G.s3:26
9One Who Really Loves You
recording of:
The One Who Really Loves You
lyricist and composer:
Smokey Robinson
Booker T. & the M.G.s2:24
10You Can’t Sit DownBooker T. & the M.G.s2:49
11A Woman, a Lover, a Friend
recording of:
A Woman, a Lover, a Friend
lyricist and composer:
Sid Wyche
Booker T. & the M.G.s2:32
12Comin’ Home Baby
recording of:
Comin’ Home Baby (original instrumental)
composer:
Ben Tucker
Booker T. & the M.G.s3:15
2CD: The Mar‐Keys
#TitleArtistRatingLength
1Morning After
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Morning After (in 1961-09)
The Mar‐Keys32:15
2Diana
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Diana (in 1961-09)
The Mar‐Keys1:58
3Alright, Okay, You Win
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Alright, Okay, You Win (in 1961-09)
The Mar‐Keys2:27
4Sticks and Stones
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Sticks and Stones (in 1961-09)
The Mar‐Keys2:00
5Misty
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Misty (in 1961-09)
The Mar‐Keys2:33
6Night Before
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Night Before (in 1961-09)
The Mar‐Keys2:13
7About Noon
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
About Noon (in 1961-09)
The Mar‐Keys2:33
8One Degree North
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
One Degree North (in 1961-09)
The Mar‐Keys2:15
9Sack‐O‐Woe
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Sack-O-Woe (in 1961-09)
The Mar‐Keys2:31
10Hold It!
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Hold It! (in 1961-09)
composer:
Billy Butler (jazz guitarist) and Clifford Scott
The Mar‐Keys2:07
11Ebb Tide
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
recording of:
Ebb Tide (in 1961-09)
The Mar‐Keys3:42
12Last Night
recorded in:
Memphis, Tennessee, United States (in 1961-09)
producer:
Chips Moman and Jim Stewart (US producer, founder for Stax & Volt Records)
baritone saxophone:
Don Nix (in 1961-09)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1961-09)
drums (drum set):
Terry Johnson (drums) (in 1961-09)
guitar:
Steve Cropper (in 1961-09)
organ:
Booker T. Jones (in 1961-09)
tenor saxophone:
Charles Axton (in 1961-09)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1961-09)
part of:
Dave Marsh: The Best of the Top 40 Singles: 1961 (number: 28)
recording of:
Last Night (in 1961-09)
writer:
Charles Axton, Chip Moman, Gilbert Caple, Jerald Smith and Floyd Newman
composer:
The Mar‐Keys
The Mar‐Keys42:37
13Pop‐Eye Stroll
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Pop-Eye Stroll (in 1962)
The Mar‐Keys2:45
14Wimp‐Burger
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Wimp-Burger (in 1962)
The Mar‐Keys2:34
15Straight From the Can
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Straight From the Can (in 1962)
The Mar‐Keys2:05
16Cause I Love You
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Cause I Love You (in 1962)
The Mar‐Keys2:40
17Squint Eye
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Squint Eye (in 1962)
The Mar‐Keys2:03
18Pop‐Eye Rider
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Pop-Eye Rider (in 1962)
The Mar‐Keys2:26
19It’s Gonna Work Out FineThe Mar‐Keys2:36
20Sit Still
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Sit Still (in 1962)
The Mar‐Keys2:11
21Too Pooped to Pop‐Eye
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Too Pooped to Pop-Eye (in 1962)
The Mar‐Keys2:34
22Sweet‐P Crawl
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Sweet-P Crawl (in 1962)
The Mar‐Keys2:06
23Muscles A‐Comin’ Home
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Muscles A-Comin' Home (in 1962)
The Mar‐Keys2:23
24Sailor Man Waltz
recorded in:
Memphis, Tennessee, United States (in 1962)
producer:
Chips Moman
baritone saxophone:
Don Nix (in 1962)
bass [electric bass]:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1962)
drums (drum set):
Terry Johnson (drums) (in 1962)
guitar:
Steve Cropper (in 1962)
organ:
Booker T. Jones (in 1962)
piano:
Marvell Thomas (in 1962)
tenor saxophone:
Charles Axton (in 1962)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (in 1962)
recording of:
Sailor Man Waltz (in 1962)
The Mar‐Keys2:53