Don Pasquale

~ Release by Gaetano Donizetti; Mirella Freni, Sesto Bruscantini, Leo Nucci, Gösta Winbergh, Riccardo Muti (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Don Pasquale: Preludio
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Sinfonia (Ouverture) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale
Gaetano Donizetti6:10
2Don Pasquale: Atto I. “Son nov ore... E permesso?”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Son nov'ore” (Pasquale, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti3:06
3Don Pasquale: Atto I. “Bella siccome un angelo”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Bella siccome un angelo” (Malatesta, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti3:15
4Don Pasquale: Atto I. “E mia sorella”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “È mia sorella!” (Pasquale, Malatesta) (in 1984)
lyricist and composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti1:15
5Don Pasquale: Atto I. “Ah! un foco insolito”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Ah! un foco insolito” (Pasquale, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti2:00
6Don Pasquale: Atto I. “Son rinato. Or si parli al nipotino”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. Recitativo “Son rinato. Or si parli al nipotino” (Pasquale, Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti2:45
7Don Pasquale: Atto I. “Prender moglie?... Sì, signore”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Prender moglie? … Si, signore” (Pasquale, Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti1:39
8Don Pasquale: Atto I. “Sogno soave e casto”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Sogno, soave e casto” (Ernesto, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti2:30
9Don Pasquale: Atto I. “Due parole ancor di volo”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Due parole ancor di volo” (Ernesto, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti1:22
10Don Pasquale: Atto I. “Ah! mi fa il destin mendico”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 1. “Mi fa il destin mendico” (Ernesto, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti2:45
11Don Pasquale: Atto I. “Quel guardo il cavaliere”
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 2. “Quel guardo il cavaliere” (Norina) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti2:09
12Don Pasquale: Atto I. “So anch io la virtù magica”
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 2. “So anch’lo la virtù magica” (Norina) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti3:58
13Don Pasquale: Atto I. “E il dottor no si vede!... Buone nuove, Norina!”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 2. Recitativo “E il dottor non si vede!” (Norina, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti2:42
14Don Pasquale: Atto I. “Pronta io son, purch io non manchi”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 2. Duetto “Pronta io son, purch’io non manchi” (Norina, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti3:07
15Don Pasquale: Atto I. “Mi volete fiera?”
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 2. “Mi volete fiera” (Norina) (in 1984)
lyricist and composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto I
Gaetano Donizetti1:54
16Don Pasquale: Atto I. “Vado, corro”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto I, Scena 2. Finale “Vado, corro!” (Norina, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto I
Gaetano Donizetti3:27
17Don Pasquale: Atto II. “Povero Ernesto!”
tenor vocals [Ernesto]:
Gösta Winbergh (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Riccardo Muti (conductor)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II, Scena 1. “Povero Ernesto!” (Ernesto)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti4:05
18Don Pasquale: Atto II. “Cercherò lontana terra”
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II, Scena 1. “Cercherò lontana terra” (Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:20
19Don Pasquale: Atto II. “E se fia che ad altro oggetto”
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II, Scena 1. “E se fia che ad altro oggetto” (Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:00
20Don Pasquale: Atto II. “Quando avrete introdotto il dottor”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. Recitativo “Quando avrete introdotto” (Don Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti1:36
2▼CD
#TitleArtistRatingLength
1Don Pasquale: Atto II. ”Via, da brava”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. “Via, da brava” … “Reggo appena” (Malatesta, Norina, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti4:16
2Don Pasquale: Atto II. ”Non abbiate paura”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II, Scena 3. Recitativo “Non abbiate paura, è Don Pasquale” (Malatesta, Norina, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:38
3Don Pasquale: Atto II. ”Misericordia”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. “Misericordia!” (Pasquale, Malatesta, Norina) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti1:30
4Don Pasquale: Atto II. ”Fra da un parte ectetera”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass vocals [Notaro]:
Guido Fabbris (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II, Scena 4. “Fra da una parte etcetera” (Malatesta, Notaro, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:33
5Don Pasquale: Atto II. ”Pria di partir, signore”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. “Pria di partir, signore” (Ernesto, Pasquale, Malatesta, Norina) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti1:50
6Don Pasquale: Atto II. ”Siete marito e moglie”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass vocals [Notaro]:
Guido Fabbris (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. “Questo contratto, adunque” … “Siete marito e moglie” (Malatesta, Notaro, Norina, Pasquale, Ernesto) (in 1984)
lyricist and composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
part of:
Don Pasquale: Atto II
Gaetano Donizetti3:19
7Don Pasquale: Atto II. ”Ah! È rimasto la impietrato”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II, Scena 5. Quartetto “È rimasto là impietrato” (Malatesta, Pasquale, Norina, Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:42
8Don Pasquale: Atto II. ”Riunita immantinente”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. Quartetto “Riunita immantinete” (Norina, Pasquale, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:45
9Don Pasquale: Atto II. ”Io? Io?”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto II. “Io? Io?” (Ernesto, Pasquale, Malatesta, Norina) (in 1984)
lyricist and composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto II
Gaetano Donizetti2:33
10Don Pasquale: Atto III. Coro d'introduzione “I diamanti, presto, presto” (Coro, Pasquale)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Coro d’introduzione “I diamanti, presto, presto” (Coro, Pasquale) (in 1984)
lyricist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:13
11Don Pasquale: Atto III. ”Vediamo: alla modista”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Recitativo “Ah, vediamo! Alla modista cento scudi” (Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:49
12Don Pasquale: Atto III. ”Signorina, in tanta fretta”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Duo “Signorina in tanta fretta …” (Norina, Don Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:43
13Don Pasquale: Atto III. ”È finita, Don Pasquale”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Ah! È finita, Don Pasquale” (Pasquale, Norina) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:05
14Don Pasquale: Atto III. ”Via caro sposino”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Via, caro sposino” (Norina, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:47
15Don Pasquale: Atto III. “Qualche nota di cuffie e di merletti”
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Qualche nota di cuffie e di merletti” (Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:33
16Don Pasquale: Atto III. ”Che interminabile andirivieni”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Che interminabile andirivieni” (Coro di Servi) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:40
17Don Pasquale: Atto III. ”Siamo intesi”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Siamo intesi … sta bene” (Malatesta, Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:08
18Don Pasquale: Atto III. ”Don Pasquale...”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Questa, repentina chiamata” (Malatesta, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:24
19Don Pasquale: Atto III. ”Cheti, cheti immantinente”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Duetto “Cheti, cheti immantinente …” (Malatesta, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:41
20Don Pasquale: Atto III. ”Aspetta, aspetta”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Aspetta, aspetta, cara sposina” (Pasquale, Malatesta) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:25
21Don Pasquale: Atto III. ”Com'e gentil”
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Serenata “Com’è gentil la notte a mezzo april!” (Ernesto, Coro) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti4:02
22Don Pasquale: Atto III. “Tornami a dir che m'ami”
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Duetto “Tornami a dir, che m'ami” (Norina, Ernesto) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:27
23Don Pasquale: Atto III. “Eccoli: attenti bene...”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Recitativo “Eccoli: attenti bene…” (Pasquale, Malatesta, Norina) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti2:57
24Don Pasquale: Atto III. “Eccomi”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. “Eccomi … A voi accorda Don Pasquale” (Ernesto, Malatesta, Norina, Pasquale) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
librettist:
Gaetano Donizetti (Italian opera composer) and Giovanni Ruffini (librettist)
part of:
Don Pasquale: Atto III
Gaetano Donizetti1:29
25Don Pasquale: Atto III. “Bravo, bravo, Don Pasquale!”
baritone vocals [Malatesta]:
Leo Nucci (baritone) (in 1984)
bass-baritone vocals [Don Pasquale]:
Sesto Bruscantini (bass-baritone) (in 1984)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (in 1984)
soprano vocals [Norina]:
Mirella Freni (soprano) (in 1984)
tenor vocals [Ernesto]:
Gösta Winbergh (tenor) (in 1984)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1984)
conductor:
Riccardo Muti (conductor) (in 1984)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (from 1982-06-28 until 1982-07-11)
recording of:
Don Pasquale: Atto III. Finale “Bravo, bravo, va benone” (Malatesta, Norina, Ernesto, Pasquale, Coro) (in 1984)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Don Pasquale: Atto III
Gaetano Donizetti3:02

Credits