Ann Hampton Callaway

~ Release by Ann Hampton Callaway (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1I Gaze in Your Eyes
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
3:59
2But Beautiful
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
classical guitar:
Jay Berliner (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
But Beautiful (from 1992-03 until 1992-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Burke-Van Heusen, Inc., Dorsey Brothers Music, Music Sales Corporation (American copyright holder in both popular and classical music), Bourne Co. (not for release label use, this is a music publisher) (in 1947) and Onyx Music Corporation (in 1947)
5:32
3Too Late Now
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
Too Late Now (Royal Wedding / On a Clear Day) (from 1992-03 until 1992-04)
lyricist:
Alan Jay Lerner
composer:
Burton Lane
publisher:
Chappell & Co.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:30
4I've Got Just About Everything
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
I’ve Got Just About Everything (from 1992-03 until 1992-04)
lyricist and composer:
Bob Dorough
3:44
5A Time for Love
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
A Time for Love (from 1992-03 until 1992-04)
lyricist:
Paul Francis Webster
composer:
Johnny Mandel (American composer and arranger)
publisher:
Warner/Chappell North America (ended), M. Witmark & Sons and Warner Bros., Inc. (Warner Bros. Music Division)
part of:
The 39th Academy Award for Best Original Song (number: 2)
3:31
6How Deep Is the Ocean
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
How Deep Is the Ocean? (from 1992-03 until 1992-04)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
5:34
7I've Got the World on a String
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
alto saxophone:
Jerry Dodgion (from 1992-03 until 1992-04)
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Michael Abene (from 1992-03 until 1992-04)
trumpet:
Cecil Bridgewater (from 1992-03 until 1992-04)
performer:
Kenny Washington (drums) (from 1992-03 until 1992-04)
arranger:
Michael Abene
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
I’ve Got the World on a String (from 1992-03 until 1992-04)
lyricist:
Ted Koehler (in 1932)
composer:
Harold Arlen (in 1932)
publisher:
BMG Gold Songs, EMI Mills Music Inc. (ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Mills Music, Inc. and S.A. Music Co.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
4:36
8My Romance / My Foolish Heart
synthesizer programming:
Mark Falchook
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
cello:
Jesse Levy (from 1992-03 until 1992-04)
keyboard:
Michael Abene (from 1992-03 until 1992-04) and Mark Falchook (from 1992-03 until 1992-04)
performer:
Kenny Washington (drums) (from 1992-03 until 1992-04)
arranger:
Michael Abene
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
recording of:
My Foolish Heart (from 1992-03 until 1992-04)
lyricist:
Ned Washington
composer:
Victor Young (American composer, arranger, violinist & conductor)
arranger:
Les Harris (Sr., arranger)
publisher:
Anne-Rachel Music, Catharine Hinen Music, Chappell & Co., Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Joy Music, Inc., Largo Music and Patti Washington Music
part of:
The 22nd Academy Award for Best Original Song (number: 2)
6:42
9Lush Life
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
alto saxophone:
Jerry Dodgion (from 1992-03 until 1992-04)
bass:
Chip Jackson (from 1992-03 until 1992-04)
cello:
Jesse Levy (from 1992-03 until 1992-04)
keyboard:
Michael Abene (from 1992-03 until 1992-04)
performer:
Kenny Washington (drums) (from 1992-03 until 1992-04)
arranger:
Michael Abene
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
Lush Life (from 1992-03 until 1992-04)
lyricist and composer:
Billy Strayhorn (from 1933 until 1938)
publisher:
Billy Strayhorn Songs, Inc., Campbell Connelly & Co. Ltd., Chrysalis One Music, Reservoir Media Music, ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and Tempo Music, Inc. (Duke Ellington’s music publishing company) (from 1949 to present)
part of:
The Real Book (compilation of jazz standards, Volume I)
7:09
10Like Someone in Love
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
Like Someone in Love (from 1992-03 until 1992-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:12
11Here's That Rainy Day
synthesizer programming:
Mark Falchook
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
keyboard:
Michael Abene (from 1992-03 until 1992-04) and Mark Falchook (from 1992-03 until 1992-04)
performer:
Kenny Washington (drums) (from 1992-03 until 1992-04)
arranger:
Michael Abene
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
Here’s That Rainy Day (from 1992-03 until 1992-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964)
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
5:23
12All the Things You Are
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
All the Things You Are (from “Very Warm for May”) (from 1992-03 until 1992-04)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:57
13I Like to Love You
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
classical guitar:
Jay Berliner (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
4:43
14Our Love Is Here to Stay
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
classical guitar:
Jay Berliner (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
cover recording of:
Love Is Here to Stay (from 1992-03 until 1992-04)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
2:42
15Perfect
assistant engineer:
Hiro Ishihara
producer:
Hugh Fordin
mixer:
Cynthia Daniels
bass:
Chip Jackson (from 1992-03 until 1992-04)
cello:
Jesse Levy (from 1992-03 until 1992-04)
keyboard:
Mike Renzi (from 1992-03 until 1992-04)
performer:
Terry Clarke (Canadian jazz drummer) (from 1992-03 until 1992-04)
arranger:
Mike Renzi
recorded at:
Sound on Sound Recording Studios (New York) in New York, New York, United States (from 1992-03 until 1992-04)
mixed at:
Skyline Studios in New York, United States
5:03

Credits

Release

art direction:Jeffrey Faville (Graphic Design)
photography:Paul Greco (photographer)
ASIN:US: B000000PJS [info]