Don Carlo

~ Release by Giuseppe Verdi; Coro del Teatro dell’Opera di Roma, Orchestra del Teatro dell'Opera di Roma, Gabriele Santini (see all versions of this release, 1 available)

Annotation

Recording of a four-act version, recorded in Rome 5 to 14 October 1954.

Conductor - Gabriele Santini
Orchestra - Teatro dell'Opera di Roma
Chorus - Teatro dell'Opera di Roma

Don Carlo - Mario Filippeschi
Filippo II - Boris Christoff
Rodrigo - Tito Gobbi
Il Grande Inquisitore - Giulio Neri
Un Frate - Plinio Clabassi
Elisabetta di Valois - Antonietta Stella
La principessa Eboli - Elena Nicolai
Tebaldo - Loretta Di Lelio
Il Conte di Lerma - Paolo Caroli
Un Araldo Reale - Paolo Caroli
Una voce dal cielo - Orietta Moscucci

Annotation last modified on 2020-05-01 12:49 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Don Carlo: Preludio
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II. Preludio (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:09
2Don Carlo: Atto I, scena 1. “Carlo, il sommo Imperatore“ (Coro, Un frate)
bass vocals [un frate]:
Plinio Clabassi (operatic bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 1. N°1 “Carlo il sommo imperatore” … “Ei voleva regnare sul mondo” (Frati, un frate) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:30
3Don Carlo: Atto I, scena 1. “Io l'ho perduta!” (Carlo)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Io l’ho perduta!” … “Io la vidi e il suo sorriso” (Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:21
4Don Carlo: Atto I, scena 1. “Il duolo della terra” (Un frate, Carlo)
bass vocals [un frate]:
Plinio Clabassi (operatic bass) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 1. N°2 “Il duolo della terra” (Al chiostro di San Giusto) (Un frate, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:57
5Don Carlo: Atto I, scena 1. “"È lui! desso! l'Infante!” (Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [un frate]:
Plinio Clabassi (operatic bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:07
6Don Carlo: Atto I, scena 1. “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [un frate]:
Plinio Clabassi (operatic bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto I, scena 1. N°3 “È lui! desso! l’infante!” … “Questo arcano dal Re non fu sorpreso ancora?” (Rodrigo, Carlo, Coro, un frate) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:33
7Don Carlo: Atto I, scena 1. “Dio, che nell'alma infondere amor” (Carlo, Rodrigo, Coro, Un frate)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 1. N°4 “Dio, che nell’alma infondere amor …” (Carlo, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi4:48
8Don Carlo: Atto I, scena 2. “Sotto ai folti, immensi abeti” (Coro di donne, Tebaldo)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Tebaldo]:
Loretta di Lelio (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Sotto ai folti, immensi abeti” (Le dame, Eboli, Tebaldo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:56
9Don Carlo: Atto I, scena 2. “Tra queste mura pie la Regina” (Eboli, Donne)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°5 “Tra queste mura pie la Regina di Spagna" (Eboli, Coro di donne) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi0:53
10Don Carlo: Atto I, scena 2. “Nei giardin del bello” (Eboli, Tebaldo, Donne)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Tebaldo]:
Loretta di Lelio (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°6 “Nei giardin del bello saracin ostello” (Canzone del velo) (Eboli, Tebaldo, Coro di donne) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi5:19
11Don Carlo: Atto I, scena 2. “"La Regina!.. Un'arcana mestizia” (Donne, Eboli, Elisabetta, Tebaldo, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
soprano vocals [Tebaldo]:
Loretta di Lelio (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°7 “La Regina! – Un arcana mestizia” (Le dame, Eboli, Elisabetta, Tebaldo, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:04
12Don Carlo: Atto I, scena 2. “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°8 “Che mai si fa nel suol francese” (Eboli, Rodrigo, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:15
13Don Carlo: Atto I, scena 2. “Carlo, ch'è soll il nostro amore” (Eboli, Rodrigo, Elisabetta)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°8 Romanza di Rodrigo “Carlo ch’è sol il nostro amore” (Rodrigo, Eboli, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:09
14Don Carlo: Atto I, scena 2. “lo vengo a domandar” (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Io vengo a domandar” (Carlo, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
translator:
Achille de Lauzières
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:44
15Don Carlo: Atto I, scena 2. “Perduto ben, mio sol tesor” (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Perduto ben, mio sol tesor” … “Sotto il mio piè dischiudasi la terra” (Carlo, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:39
16Don Carlo: Atto I, scena 2. “Oh! Carlo! Oh! Carlo!” (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°9 “Oh, Carlo oh Carlo” (Elisabetta, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:00
17Don Carlo: Atto I, scena 2. “Il Re!... Perché sola è la Regina?” (Tebaldo, Filippo, Coro)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
soprano vocals [Tebaldo]:
Loretta di Lelio (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°10 “Il Re!… Perché sola è la Regina?” (Tebaldo, Filippo, Coro) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi1:18
18Don Carlo: Atto I, scena 2. “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°11 “Non pianger, mia compagna” (Elisabetta, Rodrigo, Coro, Filippo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:46
19Don Carlo: Atto I, scena 2. “Restate! Presso alla mia persona” (Filippo, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°12. “Restate! Presso alla mia persona” (Filippo, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi2:36
20Don Carlo: Atto I, scena 2. “O Signor, di Fiandra arrivo” (Filippo, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°13 “O signor, di Fiandra arrivo” (Filippo, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:19
21Don Carlo: Atto I, scena 2. “Quest'è la pace che voi date al mondo?” (Filippo, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Quest’è la pace che voi date al mondo?” (Filippo, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:15
22Don Carlo: Atto I, scena 2. “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto I, scena 2. N°13 “Osò lo sguardo tuo penetrar il mio soglio” (Filippo, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto I (II) (1883 revision (4 acts) in italian)
Giuseppe Verdi3:41
2▼CD
#TitleArtistRatingLength
1Don Carlo: Atto II. Preludio
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III. Preludio (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:04
2Don Carlo: Atto II, scena 1. “A mezzanotte, ai giardin della Regina” (Carlo, Eboli)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 1. N°1 “A mezzanotte, ai giardin della Regina” … “Sei tu, sei tu, bell'adorata” (Carlo, Eboli) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:26
3Don Carlo: Atto II, scena 1. “Ciel! Non è la Regina!” (Carlo, Eboli)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 1. N°2 “Ciel! Non è la Regina!” (Carlo, Eboli) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:55
4Don Carlo: Atto II, scena 1. “Che disse mai?” (Rodrigo, Eboli)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Che disse mai!” … “Il mio furore sfuggite invano” (Rodrigo, Eboli, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi0:40
5Don Carlo: Atto II, scena 1. “Al mio furor sfuggite invano” (Eboli, Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Che disse mai!” … “Il mio furore sfuggite invano” (Rodrigo, Eboli, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:47
6Don Carlo: Atto II, scena 1. “Ed io, che tremava al suo aspetto!” (Eboli, Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:19
7Don Carlo: Atto II, scena 1. “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto II, scena 1. N°3 “Ed io, che tremava al suo aspetto!” … “Trema per te, falso figliuolo” (Eboli, Rodrigo, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi1:24
8Don Carlo: Atto II, scena 1. “Carlo! se mai su te fogli importanti serbi” (Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 1. N°4 “Carlo! se mai su te fogli importanti serbi” (Rodrigo, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:18
9Don Carlo: Atto II, scena 2. “Spuntato ecco il dì d'esultanza” (Coro)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°5 “Spuntato ecco il dì d’esultanza” (coro) (Autodafé scene) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer) (in 1867)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi4:32
10Don Carlo: Atto II, scena 2. “Il corteggio reale” (Orchestra, Coro)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°6 Il corteggio reale (Orchestra, Coro) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:36
11Don Carlo: Atto II, scena 2. “Schiusa or sia la porta del tempio!” (L'araldo, Coro)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
tenor vocals [un araldo]:
Paolo Caroli (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°6 “Schiusa or sia la porta del tempio!” (L'araldo, Coro) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:00
12Don Carlo: Atto II, scena 2. “Nel posar sul mio capo la corona” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°7 “Nel posar sul mio capo la corona” – “Qui Carlo! O ciel” (Filippo, Coro, Elisabetta, Rodrigo, Carlo, Deputati) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:03
13Don Carlo: Atto II, scena 2. “A Dio voi foste infidi al vostro Re” (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
soprano vocals [Tebaldo]:
Loretta di Lelio (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°7 Gran finale: "A Dio voi foste infidi, infidi al vostro Re" (Filippo, Coro, Elisabetta, Tebaldo, Carlo, Rodrigo, Deputati) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:39
14Don Carlo: Atto II, scena 2. “Sire! egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
soprano vocals [Tebaldo]:
Loretta di Lelio (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°8 “Sire! Egli è tempo ch'io viva!” (Carlo, Filippo, Elisabetta, Rodrigo, Tebaldo, Coro) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi2:18
15Don Carlo: Atto II, scena 2. “O ciel! Tu! Rodrigo!” (Carlo, Coro, Elisabetta, Filippo, Una voce dal cielo, Deputati)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
soprano vocals [una voce dal cielo]:
Orietta Moscucci (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto II, scena 2. N°9 “O ciel! Tu! Rodrigo!” (Carlo, Coro, Eboli, Elisabetta, Filippo, Una voce dal cielo, Deputati) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto II (III)
Giuseppe Verdi3:10
3▼CD
#TitleArtistRatingLength
1Don Carlo: Act III. Introduzione
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°10. Introduzione e scena: Introduzione (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:57
2Don Carlo: Atto III, scena 1. “Ella giammai m'amò!” (Filippo)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:46
3Don Carlo: Atto III, scena 1. “Dormirò sol nel manto mio regal“ (Filippo)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:38
4Don Carlo: Atto III, scena 1. “Il Grand'Inquisitor!“ (Conte di Lerma, L'Inquisitore, Filippo)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
bass vocals [L'Inquisitore]:
Giulio Neri (operatic bass) (in 1954-10)
tenor vocals [Lerma]:
Paolo Caroli (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Il Grand’ Inquisitor!” (Lerma, L'inquisitore, Filippo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:29
5Don Carlo: Atto III, scena 1. “Nell'ispano suol mai l'eresia dominò“ (L'Inquisitore, Filippo)
bass vocals [L'Inquisitore]:
Giulio Neri (operatic bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°11 “Allora son io che a voi parlerò, sire. Nell'ispano suol mai l'ere sia dominò” (Il grande inquisitore) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:14
6Don Carlo: Atto III, scena 1. “Mio padre, che fra noi la pace alberghi ancor” (L'Inquisitore, Filippo)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
bass vocals [L'Inquisitore]:
Giulio Neri (operatic bass) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°11 Scena: "Mio padre, che tra noi la pace alberghi ancor" (L'Inquisitore, Filippo) (in 1954-10)
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:30
7Don Carlo: Atto III, scena 1. “Giustizia, giustizia, Sire!” (Elisabetta, Filippo)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Giustizia, giustizia, Sire!” … “Ben lo sapete” (Elisabetta, Filippo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:50
8Don Carlo: Atto III, scena 1. “Ah! sii maledetto, sospetto fatale” (Filippo, Eboli, Elisabetta, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°12 “Ah! sii maledetto, sospetto fatale” (Filippo, Elisabetta, Eboli, Rodrigo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi4:04
9Don Carlo: Atto III, scena 1. “Pietà! Pietà! perdon!” (Eboli, Elisabetta)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°13. Scena ed aria: “Pietà! Pietà! perdon!” (Eboli, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:22
10Don Carlo: Atto III, scena 1. “Ah! più non vedrò la Regina! O don fatale, o don crude!“ (Eboli)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 1. N°13 “Ah! più non vedrò la Regina!” (Eboli) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:47
11Don Carlo: Atto III, scena 1. “O mia Regina, io t'immolai” (Eboli)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto III, scena 1. N°13 “O don fatale, o don crudel” (Eboli) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:30
12Don Carlo: Atto III, scena 2. “Son io, mio Carlo” (Rodrigo, Carlo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:35
13Don Carlo: Atto III, scena 2. “Per me giunto è il dì supremo” (Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1954-10-05 until 1954-10-14)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1954-10-05 until 1954-10-14)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Per me giunto è il dì supremo” (Rodrigo) (from 1954-10-05 until 1954-10-14)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:01
14Don Carlo: Atto III, scena 2. “Che parli tu di morte?” (Carlo, Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1954-10-05 until 1954-10-14)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1954-10-05 until 1954-10-14)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Son io, mio Carlo” – “Che parli tu di morte” (Rodrigo, Carlo) (from 1954-10-05 until 1954-10-14)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:57
15Don Carlo: Atto III, scena 2. “O Carlo, ascolta, la madre” (Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1954-10-05 until 1954-10-14)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1954-10-05 until 1954-10-14)
recording of:
Don Carlo: Atto III, scena 2. N°14 “O Carlo, ascolta, la madre t’aspetta” (Rodrigo) (from 1954-10-05 until 1954-10-14)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi1:14
16Don Carlo: Atto III, scena 2. “Io morrò, ma lieto in core” (Rodrigo)
baritone vocals [Rodrigo]:
Tito Gobbi (baritone) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1954-10-05 until 1954-10-14)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome), Roma, Lazio, Italy (from 1954-10-05 until 1954-10-14)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: "Ah! io morrò, ma lieto in core" (Rodrigo) (from 1954-10-05 until 1954-10-14)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi2:37
17Don Carlo: Atto III, scena 2. “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Conte di Lerma, Eboli, L'Inquisitore)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
bass vocals [L'Inquisitore]:
Giulio Neri (operatic bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
mezzo-soprano vocals [Eboli]:
Elena Nicolai (bulgarian mezzo-soprano Elena Nicolai) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
tenor vocals [Lerma]:
Paolo Caroli (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto III, scena 2. N°14. Morte di Rodrigo e sommossa: “Mio Carlo, a te la spada io rendo” (Filippo, Carlo, Coro, Lerma, Eboli, L'Inquisitore) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi3:25
18Don Carlo: Atto IV. Introduzione
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. Introduzione (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi2:31
19Don Carlo: Atto IV. “Tu che le vanità” (Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:50
20Don Carlo: Atto IV. “Carlo qui verrà! Sì!“ (Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi2:57
21Don Carlo: Atto IV. “Addio! Addio, bei sogni d'ôr” (Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
partial recording of:
Don Carlo: Atto V, No. 15. Scena ed aria: "Carlo qui verrà! Sì!" (Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi0:47
22Don Carlo: Atto IV. “Tu che le vanità” (Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. N°15 “Tu che le vanità” – “O Francia, nobile suol” (Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi2:39
23Don Carlo: Atto IV. “È dessa!... Un detto, un sol” (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. N°15 “È dessa!… Un detto, un sol” (Carlo, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:42
24Don Carlo: Atto IV. “Vago sogno m'arrise!“ (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi3:26
25Don Carlo: Atto IV. “Ma lassù ci vedremo” (Carlo, Elisabetta)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. “Vago sogno m'arise“ – “Ma lassù ci vedremo” (Carlo, Elisabetta) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi3:59
26Don Carlo: Atto IV. “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari)
bass vocals [Filippo]:
Boris Christoff (Bulgarian bass) (in 1954-10)
bass vocals [un frate]:
Plinio Clabassi (operatic bass) (in 1954-10)
choir vocals:
Coro del Teatro dell’Opera di Roma (in 1954-10)
soprano vocals [Elisabetta]:
Antonietta Stella (soprano) (in 1954-10)
tenor vocals [Don Carlo]:
Mario Filippeschi (tenor) (in 1954-10)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1954-10)
conductor:
Gabriele Santini (conductor) (in 1954-10)
recording of:
Don Carlo: Atto IV. N°15 “Sì, per sempre!” (Filippo, L'Inquisitore, Elisabetta, Carlo, Un frate, Familiari) (in 1954-10)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto IV (V)
Giuseppe Verdi1:36