Klassische Sommermelodien

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1Concerto in G minor, op. 8 no. 2, RV 315 "L'estate"
performer:
I Solisti Italiani
recording of:
Concerto in G minor, op. 8 no. 2, RV 315 “L’estate” (Concerto in G minor, op. 8 no. 2, RV 315 “Summer”)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Catalogo numerico-tematico delle opere strumentali (Antonio Vivaldi) (number: F. I/23) and Ryom-Verzeichnis (number: RV 315)
part of:
Il cimento dell’armonia e dell’inventione, op. 8 (The Contest Between Harmony and Invention, op. 8)
part of:
Le quattro stagioni (The Four Seasons, “The Four Seasons”)
Antonio Vivaldi4:55
2Carmen: Malaguena
orchestra:
Amsterdam Symphony Orchestra (Alfred Scholz pseudonym), Budapest Philharmonic Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Orchestre radio‐symphonique (associated with the fake, Alfred Scholz related, conductor Loïc Betrand), Symfonický orchester Slovenského rozhlasu (Slovak Radio Symphony Orchestra) and Symphonic Orchestra of the Ljubljana Radio (name used by Alfred Scholz, may be incorrect)
conductor:
Loic Bertrand (fictitious conductor, Alfred Scholz pseudonym), Cesare Cantieri (an Alfred Scholz pseudonym), Zdeněk Košler (conductor), János Sándor, Alfred Scholz and Peter Stern (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Carmen Suite no. 2: II. Habanera
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte I. No. 5 Habanera « L’amour est un oiseau rebelle » (Carmen, chœur)
part of:
Carmen Suite no. 2
Georges Bizet42:15
3Berceuse in D-flat major, op. 57
recording engineer and editor:
Peter Arts (producer/engineer)
producer:
Pieter van Winkel
piano:
Alwin Bär (pianist) (from 1998-08-11 until 1998-08-12)
recorded at:
Bachzaal in Amsterdam, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands (from 1998-08-11 until 1998-08-12)
recording of:
Berceuse in D‐flat major, op. 57 (from 1998-08-11 until 1998-08-12)
composer:
Fryderyk Chopin (Frédéric Chopin, composer)
dedicated to:
Elise Gavard
part of:
Works of Fryderyk Chopin by opus number (number: op. 57)
Frédéric Chopin5:06
4Suite española no. 1, op. 47: I. Granada (Serenata)
classical guitar:
Alirio Díaz (classical guitarist and composer)
recording of:
Suite española no. 1, op. 47: I. Granada (Serenata) (catch-all for arrangements)
composer:
Isaac Albéniz (Spanish composer)
arrangement of:
Suite española no. 1, op. 47: I. Granada (Serenata) (for solo piano)
Isaac Albéniz4:28
5The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers
engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1987-02)
orchestra:
Royal Philharmonic Orchestra (from 1987-02-19 until 1987-02-20)
conductor:
Enrique Bátiz (conductor and pianist) (from 1987-02-19 until 1987-02-20)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-02-19 until 1987-02-20)
recording of:
The Nutcracker (suite from the ballet), op. 71a: III. Valse des fleurs. Tempo di Valse (from 1987-02-19 until 1987-02-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Fantasia (Disney soundtrack)
part of:
The Nutcracker (suite from the ballet), op. 71a
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
recording of:
Щелкунчик, op. 71: Действие II, Картина III, no. 13. Вальс цветов (The Nutcracker, op. 71: Act II, Scene III. Waltz of the flowers, valse des fleurs; waltz of the flowers)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Щелкунчик, op. 71: Действие II (The Nutcracker, op. 71: Act 2)
Pyotr Ilyich Tchaikovsky6:49
6Hoffmanns Erzählungen: Barcarole
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) and Royal Philharmonic Orchestra
conductor:
Enrique Bátiz (conductor and pianist) and Christian Rainer (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:26
7Concerto for Piano no. 21 in C major, K. 467 "Elvira Madigan": II. Andante
engineer:
Bob Auger (Robert Auger, engineer) (in 1992)
producer:
Antony Hodgson
piano:
Derek Han (pianist) (in 1992)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1992)
conductor:
Paul Freeman (classical conductor) (in 1992)
recorded at:
St. Augustine’s Church (Kilburn, London) in London (Greater London), England, United Kingdom (in 1992)
recording of:
Concerto for Piano no. 21 in C major, K. 467: II. Andante (in 1992)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1785 until 1785-03-09)
part of:
Concerto for Piano no. 21 in C major, K. 467
Wolfgang Amadeus Mozart6:52
8The Swan Lake (suite from the ballet), op. 20a: I. Scène
engineer:
Brian Culverhouse (classical producer and engineer, active from 1960s) (in 1987-02)
orchestra:
Royal Philharmonic Orchestra (from 1987-02-19 until 1987-02-20)
conductor:
Enrique Bátiz (conductor and pianist) (from 1987-02-19 until 1987-02-20)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1987-02-19 until 1987-02-20)
recording of:
The Swan Lake (suite from the ballet), op. 20a: I. Scène (lake in the moonlight) (from 1987-02-19 until 1987-02-20)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1876)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version A - 6 movements)
part of:
The Swan Lake (suite from the ballet), op. 20a (Version B - 8 movements)
Pyotr Ilyich Tchaikovsky3:15
9Fantasiestücke, op. 12: I. Des Abends
piano:
Misha Goldstein (pianist)
recording of:
Fantasiestücke, op. 12: I. Des Abends
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann3:29
10Peer Gynt Suite no. 1, op. 46: I. Morning Mood
orchestra:
Royal Philharmonic Orchestra (in 1993-10)
conductor:
Mark Ermler (conductor) (in 1993-10)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1993-10)
recording of:
Peer Gynt Suite no. 1, op. 46: I. Morgenstemning (Peer Gynt Suite no. 1, op. 46: I. Morning Mood) (in 1993-10)
composer:
Edvard Grieg (composer) (in 1875)
revised by:
Edvard Grieg (composer) (in 1888)
version of:
Peer Gynt, op. 23: 4. akt, prelude: Morgenstemning
part of:
Peer Gynt Suite no. 1, op. 46
Edvard Grieg4:24
11Gondollied in A major "Barcarole", WoO 10
piano:
Frank van de Laar (Dutch pianist)
recording of:
Gondollied in A major "Barcarole", WoO 10
composer:
Felix Mendelssohn (composer) (in 1837)
part of:
Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV U 136)
Felix Mendelssohn2:50
12Waltzes, op. 39: No. 15 in A-flat major
engineer:
Reinhard Geller
piano:
Karin Lechner (pianist)
recording of:
Walzer, op. 39: Nr. 15 As-dur (Zu zwei Händen)
composer:
Johannes Brahms (German composer) (in 1865)
arrangement of:
16 Waltzes, op. 39: No. 15 in A-flat major (for piano four hands)
part of:
16 Walzer, op. 39 (16 Waltzes, op. 39, Zu zwei Händen)
Johannes Brahms1:40
13Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook"
orchestra:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
conductor:
James Loughran
recording of:
Symphony no. 6 in F major, op. 68 “Pastorale”: II. Andante molto mosso “Scene at the brook” (Symphony no. 6 in F major, op. 68 "Pastoral": II. Andante molto mosso "Scene at the brook")
composer:
Ludwig van Beethoven (German composer) (in 1808)
part of:
Symphony no. 6 in F major, op. 68 “Pastorale”
Ludwig van Beethoven13:19
14Le Carnaval des animaux: XIII. Le Cygne
cello:
Wladislav Warenberg
piano:
Sara Crombach
recording of:
Le Carnaval des animaux: XIII. Le Cygne (for cello (or violin) + piano, by composer)
composer:
Camille Saint‐Saëns (composer)
piano and violin arranger:
Camille Saint‐Saëns (composer) (in 1886)
arrangement of:
Le Carnaval des animaux : XIII. Le Cygne (The Carnival of the Animals: XIII. The Swan, part of orig. Carnival of the Animals, for cello and dual piano)
Camille Saint‐Saëns2:59

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ASIN:DE: B000QMPBJ2 [info]